Datavideo PTR-10 MARK II Robotic Pan Tilt HeadDatavideo’s Brand-New PTR-10 MARK II is a Robotic Pan-Tilt Head that is Designed to Turn Any Small Size Video Camera or Block Cameras into a Robotic Camera. A sleek design fits seamlessly in your studio. With its weight of 3.4 Kg, it can be placed on any heavy-duty tripod or mounted on the wall and ceiling which brings up a lot of flexibility for your video production.The Datavideo PTR-10 MARK II can be controlled by the included IR controller, VISCA protocol controller, Datavideo RMC-180 Camera controller, RMC-300A Universal Remote-Control Panel, and compatible with DVIP over Ethernet and other integration solutions such as Crestron. Technical dataVideo Interface: HDMI x 1 / SDI x 1Video Output: 2160p 29.97/25, 1080p 59.94/50, 1080i 59.94/50, 720p 59.94/50Control Unit: RMC-180 / RMC-300A / RMC-300C / ShowCast 100 / VISCA Protocol Controller / IP Control / IR remotePanning / Tilting Range: Pan: 340° / Tilt: ±45°Panning / Tilting Speed: Pan: 0.12~15° /Sec / Tilt: 0.06~10° /SecPreset: Pan/Tilt position 50Control Distance: 1,200M by RS422 / 100M by DVIPControl Protocal: Sony VISCA / DVIPControl Input: RS-422 / DVIPMaximum Load: 4 KG MaxControl Output: RS-232 / RS-422 / BX-Lens / LanCPower Requirement: DC 12V~ 18V, 3A (Without Camera) / DC 12V~ 18V, 5A (With Camera)Power Supply: DC 12/10/8.4/7.4V, 24W MaxOperating Temp. Range: 0~40 C°Operating Humidity Range: 10~80%Storage Temp. Range: -10~60C°Storage Humidity Range: 5~80%Weight: 3.4 kgDimension (LxWxH): 230 x 190 x 300 mm In the Box1 x PTR-10 Mark II Main Unit 1 x DC 12V power adaptor 1 x AC cord 1 x IR remote control 1 x DC with lock to D-Tap cable 1 x HDMI cable 1 x SDI cable 1 x Remote cable (2.5mm phone-jack to mini-din 8pin) 2 x 1/4” screw 1 x 1/4” to 3/8” screw adaptor 

DataVideo PTR-10T Mark II HDBaseT Robotic Pan Tilt HeadDatavideo’s brand-new PTR-10T MARK II is a Robotic Pan-Tilt Head that is designed to turn any small size Video Camera or Block Cameras into a Robotic Camera. A sleek design fits seamlessly in your studio. With its weight of 3.4 Kg, it can be placed on any heavy-duty tripod or mounted on the wall and ceiling which brings up a lot of flexibility for your video production.The PTR-10TMKII can be controlled by the included IR controller, VISCA protocol controller, Datavideo RMC-180 Camera controller, RMC-300A Universal Remote-Control Panel, HS-1600T series and compatible with HDBaseT over Ethernet and other integration solutions such as Crestron. Technical dataVideo Interface: HDMI x 1 / SDI x 1 / RJ45 x 1 (HDBaseT)Video Output: 2160p 29.97/25, 1080p 59.94/50, 1080i 59.94/50, 720p 59.94/50Control Unit: RMC-180, HS-1600T, HS-1600T Mark II, RMC-300AVISCA Protocol Controller: IP Control / IR remotePanning / Tilting Range: Pan: 340° / Tilt: ±45°Panning / Tilting Speed: Pan: 0.12~15° /Sec / Tilt: 0.06~10° /SecPreset: Pan/Tilt position 50Control Distance: 1,200M by RS422 / 100M by HDBaseT / Control Protocal / Sony VISCA / DVIPControl Input: RS-422 / HDBaseT Maximum Load: 4 KG MaxControl Output: RS-232 / RS-422 / BX-Lens / LanCPower Requirement: DC 12V~ 18V, 3A (Without Camera) / DC 12V~ 18V, 5A (With Camera)Power Supply: DC 12/10/8.4/7.4V, 24W MaxOperating Temp. Range: 0~40 C°Operating Humidity Range: 10~80%Storage Temp. Range: -10~60C°Storage Humidity Range: 5~80%Weight: 3.4 KGDimension (LxWxH): 230 x 190 x 300 mm In the box1 x PTR-10T Mark II Main Unit1 x DC 12V power adaptor1 x AC cord1 x IR remote control1 x DC with lock to D-Tap cable1 x HDMI cable1 x SDI cable1 x Remote cable (2.5mm phone-jack to mini-din 8pin)2 x 1/4” screw1 x 1/4” to 3/8” screw adaptor

Datavideo Replacement Glass 60/40 Datavideo Replacement Glass 60/40 is a replacement Glass for use with the TP-300 Tablet Teleprompter

Datavideo TP-300 Tablet Prompter The Datavideo TP-300 can be used in either a theatre setting, or a video studio. Prepared scripts or cue sheets can be easily copied and pasted into the DV prompter app software (available for iOS and Android devices) and scrolled at a set automatic rate or controlled by a user with the wired/wireless remote for a more natural result. A number of clear fonts, colours and text sizes are available making reading comfortable from a variety of distances. With a new mounting system, the Datavideo TP-300 can be quickly and easily adapted to hold a variety of tablet devices. Features Simple software and remote allow users to produce professional results at low costAvailable for use with Android and Apple tabletsSpecial 60/40 Glass allows the presenter to read the script and the camera to see the subjectStrong and rigid prompter frame fixes securely to any standard tripod quick release plateThe prompter frame is designed to allow stand alone, in front of camera or below lens promptingThe black camera snood/hood is adjustable to adapt for a wide variety of camerasQuick and simple assembly that requires no special toolingFlexible mounting bracket system allows simple but secure installation of tablet computer ATTENTION! Delivery without remote. The remotes WR-150 or WR-450 are optional

Datavideo TP-500 The Prompter Kit Datavideo TP-500 can be used on location, or in a video studio. Prepared scripts or cue sheets can be easily copied and pasted into the DV prompter app software from email and scrolled at a set automatic rate or controlled by a user with the wired/wireless remote (not included) for a more natural result. A number of clear fonts, colours and text sizes are available making reading comfortable from a variety of distances. Features Simple software and remote (remote not included) allow users to produce professional results at low costSpecial 60/40 Glass allows the presenter to read the script and the camera to see the subjectStrong and rigid prompter frame fixes securely to any standard tripod quick release plateThe prompter frame is designed to allow stand alone, in front of camera lens promptingThe black cloth lens snood is adjustable to adapt for a wide variety of camera lensesQuick and simple assembly that requires no special toolingExpandable mounting bracket system allows simple but secure installation of tablet computerAn optional remote control is also available (additional purchase)Optional hard carrying case available - HC-500

Datavideo TP-650 Datavideo TP-650 is designed to accommodate larger tablet computers including the 12.9" iPad Pro. Why struggle with expensive re-takes, on stage talent drifting off script or a presenters’ loss of eye contact with the viewing audience? The Datavideo Prompter Kit TP-650, is designed to help you overcome these problems by converting a tablet computer (not supplied) into a low cost and effective prompter.The Datavideo Prompter Kit TP-650 can be used in either a theatre setting, or a video studio. Prepared scripts or cue sheets can be easily copied and pasted into the DV prompter app software from email and scrolled at a set automatic rate or controlled by a user with the optional wired/wireless WR-500 remote for a more natural result. A number of clear fonts, colours and text sizes are available making reading comfortable from a variety of distances.

Datavideo TP-700 The TP-700 teleprompter, can be used with ENG style cameras, where the camera is mounted directly to the teleprompter rig, or with any camera in its freestanding configuration. The Datavideo TP-700 supports up to 19” talent monitors with VESA 75mm and 100mm mounts, ideal for use with our TLM-170 series monitors. The TP-700 features a bright 15” 4:3 LCD screen with the powerful dvPrompter Plus application built in, there is no need to run software on a laptop. Control and monitor the prompter over a local network using any device with a modern web browser, Load, reload and control scripts over a local network. Connect multiple TP-700s together using the HDMI input and output or use IP synchronisation over Ethernet. The HDMI input also allows the 15” LCD screen to be used as a HDMI monitor with third party software if required. The HDMI output can also be used to drive external displays. Features Universal Large Screen Prompter Kit with ENG and Freestanding ConfigurationsENG and Freestanding ConfigurationsBuilt in Teleprompter applicationSynchronize multiple units via HDMI or IPP2P (Peer to Peer) Interview ConfigurationEasy control and monitoring via EthernetPowerful rich text editorSupports PowerPoint and Keynote slidesOptional hardware ControllersReal Time Editing

Datavideo TP-800 Datavideo TP-800 is both easy to set up and easy to operate. Once set up, the TP-800 can stand completely on its own and can be freely adjusted in height and viewing angle. TP-800 uses high quality mirror-reflective glass, which looks like an ordinary piece of clear glass from the audience‘s perspective, but perfectly reflects the prepared script displayed on the LCD screen below the Teleprompter. The TP-800 features a bright 15” 4:3 LCD screen with the powerful dvPrompter Plus application built in, there is no need to run software on a laptop. Control and monitor the prompter over a local network using any device with a modern web browser, Load, reload and control scripts over a local network. Connect multiple TP-800s together using the HDMI input and output or use IP synchronisation over Ethernet. The HDMI input also allows the 15” LCD screen to be used as a HDMI monitor with third party software if required. The HDMI output can also be used to drive external displays. You can remotely change the font size, type, colour and justification on a per script basis and even use multiple different fonts within a single script. The editor also has support for embedding images and creating playlists from multiple scripts. Features Stand-alone, free adjustmentAllowing performers to focus on their best performance and ensure the event runs smoothlyClear display for any situationEasy to carry and durableBuilt in Teleprompter applicationEasy control and monitoring via EthernetSynchronize multiple units via HDMI or IPPowerful rich text editor

Datavideo TP-900 The TP-900 teleprompter is designed specifically for PTZ cameras. Mounting the PTZ upside down removes the operational limitations of a PTZ camera within a prompter, the PTZ has greater movement in the shots it can achieve. The TP-900s unique camera mounting system allows both horizontal and vertical adjustment and supports most PTZ cameras in the market. Live video production with a PTZ camera can also use a professional teleprompter, and TP-900 PTZ Camera Teleprompter is your good choice. Datavideo TP-900 can be set up on a camera tripod and placed anywhere you want to do the video production, making your live video production extremely professional and easy. Features Designed Specifically for PTZ CamerasUniversal fitmentUnique and innovative design, suitable for any PTZ cameraBuilt in Teleprompter applicationEasy control and monitoring via EthernetSynchronize multiple units via HDMI or IPPowerful rich text editorP2P Interview ConfigurationVideo ConferencingOnline Presentations / WebinarsSupports PowerPoint and Keynote slidesReal Time EditingOptional hardware Controllers

Datavideo WR-500 Bluetooth Teleprompter Remote Control Bluetooth Teleprompter Remote ControlScript controller: play/pause, speed Up/show down text scroll, next/previous break markerTo be used with TP-150 / TP-300 / TP-500 / TP-600 prompter rigsCompatible with Android / iOS devicesWired or wireless connectionFeatures Bluetooth 4 – for longer battery life & enhanced rangeAutomatic pairing (via the DV Prompter app) In the box 1 x WR-500 Remote Control1 x Jack Plug to Jack Plug Cable for Wired Mode1 x Lanyard Necklace

DataVideo ZEK-2 Zoom Control KitZEK-2 Zoom Encoder Kit is a mechanical device that allows you to mount the Tilta Nucleus-M motor which adds automatic zoom positioning to the Panasonic Lumix BGH-1 camcorder mounted on the PTR-10/10T MARK II Robotic Pan Tilt Head.Convert the manual Zoom camera into a Robotic Pan Tilt Zoom remote control camera. Through standard LanC protocol, PTR-10(T) MARK II can control the Focus and IRIS of the M4/3 Lens mounted on Lumix BGH-1. With the help of the Tilta Nucleus-M Motor Kit, we can also control the Zoom function of this camera. Even to recall the pre-stored zoom position.

DULENS Adapter set for full-frame cine lenses with PL mountThe Dulens PLADP Set allows you to use your PL mount full-frame cine lenses flexibly with different camera systems. The sturdy adapter carrier is attached directly to the lens via a rotating mechanism, while the adapter rings for E-mount, L-mount, Z-mount, and RF-mount are simply screwed onto the back of the carrier. This allows you to switch between mounts in just a few simple steps – perfect for dynamic shooting situations. You can change the PL lenses themselves as usual without any toolsKey featuresSuitable for PL-mount full-frame cine lensesIncludes adapter rings for E-mount, RF-mount, L-mount, and Z-mountIncludes stand with 1/4" internal thread (a support can be useful, especially for heavy RF lenses, for example)Adapter carrier as a base for all camera mounts (attached to the lens via a rotating mechanism)Easy to change camera adapter rings (held in place by screws on the carrier)Precise manufacturing for an exact fit and secure connectionMaterial: metalIn the boxAdapter carrierMatching screws for the camera mountsAdapter rings for the camera:PL-E (Sony E-mount)PL-L (Panasonic, Sigma, Leica L-mount)PL-Z (Nikon Z-mount)PL-RF (Canon RF-mount)Weight (per mount including adapter ring)PL-E: 121gPL-L: 115gPL-Z: 130gPL-RF: 116g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOfilm Arles PrimeThe Arles Prime lens series with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.With a T1.4 ultra-wide aperture, the DZOFILM Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame. FeaturesAperture range T1.4 to T2295 mm front diameter, 16-blade diaphragm270° focus rotation46.5 mm image circleM86 filter threadTechnical dataMaximum aperture: T1.4Lens mount: ARRI PLLens format coverage: Full formatFilter thread: 86 mmImage stabilization: NoneMaximum aperture: T1.4Minimum aperture: T22Image circle: 46.5 mmAngle of view: full frameFilter thread: 86 mmAperture blades: 16Focus: 0.8 MODAperture: 0.8 MODGear Rotation: Focus 270° (manual only)Focal length: 100mmHorizontal: 23.12°Vertical: 12.34°Diagonal: 25.96°Optical design: 13 elements in 8 groupsMinimum focus distance from camera sensor: 0.9 mGear Rotation: Aperture 90° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1830 gFocal length: 75mmHorizontal: 30.45°Vertical: 16.35°Diagonal: 34.1°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.75 mGear Rotation: Aperture 82° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1662 gFocal length: 50mmHorizontal: 45.17°Vertical: 24.61°Diagonal: 50.23°Optical design: 13 elements in 9 groupsMinimum focus distance from camera sensor: 0.5 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1688 gFocal length: 35mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 gFocal length: 25mmHorizontal: 61.1°Vertical: 34.23°Diagonal: 67.15°Optical design: 14 elements in 12 groupsMinimum focus distance from camera sensor: 0.35 mGear Rotation: Aperture 80° (manual only)Diameter: 95 mmLength: 121 mmWeight: 1650 g

DZOFILM Arles Lustre T1.6 Cinema Prime LensesThe Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history. To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".The Lustre series features a unique coating formula that delivers expressive amber flaring, with a soft, poetic glow that infuses every frame with a sense of nostalgia and emotion. Ideal for indie films, period dramas, experimental films, and fashion commercials, Lustre creates a vintage aesthetic and emotionally resonant imagery. Its stylistic flares and soft contrast evoke a dreamy, evocative ambiance, enriching visuals with greater depth and texture.The T1.6 wide aperture design ensures ample light intake even in low-light environments, while the reconfigured optical structure offers enhanced control over flaring effects. The soft contrast reveals intricate shadow details and tonal gradations with precision. When paired with Vista Vision sensors and minimal breathing, the T1.6 wide aperture not only delivers a beautifully shallow depth of field but also creates an immersive visual experience with enhanced spatial depth and dimensionality. Whether shooting in challenging lighting conditions or at high frame rates, Lustre excels in rendering precise light and shadow contrasts. Its natural, flowing light and the grandeur of large-format imagery infuse each frame with poetic expression and striking visual impact. The Lustre series is designed with industry-grade precision to ensure mechanical reliability and consistent operation.Lightweight Design: Weighing between 1.4kg and 1.9kg, the lenses are ideal for shoulder-mounted, handheld, or drone setupsHigh Compatibility: Featuring a 95mm front diameter, the lenses are compatible with standard M86 filters. The uniform placement of focus and aperture gear rings allows for seamless lens swaps without additional adjustmentsProfessional Versatility: Supports technocranes, gimbals, and high-speed robotic arms, catering to a wide range of shooting scenarios. Additionally, the lenses include interchangeable dual-scale metric focus scales for user flexibility. They come with a native PL mount by default.The lenses are also fully compatible with DZOFILM KOOP rear magnetic filters, providing comprehensive solutions to meet diverse creative demands. The desert gold finish of the lens body blends traditional craftsmanship with modern aesthetics, giving Lustre a unique visual identity. The front features a matte finish that retains the delicate texture while effectively reducing reflections on setWith a limited edition of 100 sets covering the full focal range (14 to 180mm) and 50 single lens options (available in 25/35/50/75mm), it offers flexibility to meet the diverse needs of film crews, combining both functional usability and collectible value.

DZOFILM Arles Lustre T1.6 Cinema Prime LensesThe Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history. To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".The Lustre series features a unique coating formula that delivers expressive amber flaring, with a soft, poetic glow that infuses every frame with a sense of nostalgia and emotion. Ideal for indie films, period dramas, experimental films, and fashion commercials, Lustre creates a vintage aesthetic and emotionally resonant imagery. Its stylistic flares and soft contrast evoke a dreamy, evocative ambiance, enriching visuals with greater depth and texture.The T1.6 wide aperture design ensures ample light intake even in low-light environments, while the reconfigured optical structure offers enhanced control over flaring effects. The soft contrast reveals intricate shadow details and tonal gradations with precision. When paired with Vista Vision sensors and minimal breathing, the T1.6 wide aperture not only delivers a beautifully shallow depth of field but also creates an immersive visual experience with enhanced spatial depth and dimensionality. Whether shooting in challenging lighting conditions or at high frame rates, Lustre excels in rendering precise light and shadow contrasts. Its natural, flowing light and the grandeur of large-format imagery infuse each frame with poetic expression and striking visual impact. The Lustre series is designed with industry-grade precision to ensure mechanical reliability and consistent operation.Lightweight Design: Weighing between 1.4kg and 1.9kg, the lenses are ideal for shoulder-mounted, handheld, or drone setupsHigh Compatibility: Featuring a 95mm front diameter, the lenses are compatible with standard M86 filters. The uniform placement of focus and aperture gear rings allows for seamless lens swaps without additional adjustmentsProfessional Versatility: Supports technocranes, gimbals, and high-speed robotic arms, catering to a wide range of shooting scenarios. Additionally, the lenses include interchangeable dual-scale metric focus scales for user flexibility. They come with a native PL mount by default.The lenses are also fully compatible with DZOFILM KOOP rear magnetic filters, providing comprehensive solutions to meet diverse creative demands. The desert gold finish of the lens body blends traditional craftsmanship with modern aesthetics, giving Lustre a unique visual identity. The front features a matte finish that retains the delicate texture while effectively reducing reflections on setWith a limited edition of 100 sets covering the full focal range (14 to 180mm) and 50 single lens options (available in 25/35/50/75mm), it offers flexibility to meet the diverse needs of film crews, combining both functional usability and collectible value.