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Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each. It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine – 43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″
Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each. It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35
Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each. It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35
Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each. It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35
LAOWA Nanomorph 27mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 27mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 27mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 27mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 27mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 27mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 35mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 35mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 35mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 35mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 50mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 50mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 50mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 50mm T2.8 1.5X S35 (Blue / Orange / Silver)
LAOWA Nanomorph 50mm interchangeable bayonet Interchangeable bayonet, suitable for LAOWA Nanomorph 50mm T2.8 1.5X S35 (Blue / Orange / Silver)
Laowa Probe ZoomThe Laowa Probe Zoom lens series is currently the widest probe zoom lens series on the market, meticulously crafted for filmmakers seeking for the most unique and immersive perspectives that normal probe or probe zoom lenses cannot achieve.The 15-35mm model offers the longest zoom range (2.3x) and the longest tube length in its class, unlocking underwater and creative flexibility. The widest 15mm full-frame perspective and super close working distance (5mm from the subject) allow filmmakers to capture tiny details which are previously unattainable in expansive environments. With a long and waterproof barrel, an ultra-wide perspective, and up to 2.3x magnification, this lens excels in challenging environments, including underwater, and confined spaces.The versatility makes it especially useful for commercial projects, wildlife filming, and cinematic storytelling, where both macro-level details and wider environmental context are crucial. By combining the versatility of a zoom lens with the immersive perspective of a probe lens, the Laowa Probe Zoom Macro Lens redefines creative possibilities with flexibility and innovation.The Laowa Probe Zoom consists of two parts: the front barrel and the zoom module:The single lenses are a unit comprised of a lens with a pre-matched module (front barrel + zoom module)The bundle consists of 4 front barrels (with different functions) + 2 zoom modules.The front barrel can be selected from four optionsDirect view – The usual probe lens perspectivePeriscope – This new lens provides an extensive periscope view parallel to the camera, rendering the subjects at different elevations as you look through the viewfinder35° view – Providing a 35-degree view for cinematic high-angle and low-angle shots without tilting the camera90° view – Shooting unique angles like side shots or looking up/down without tilting the cameraImportant note: The front and rear components are pre-matched and pre-calibrated to ensure optical performance. You cannot mix and match barrels between different modules, and each lens must be purchased as a complete unit.Features15 mm ultra-wide perspective1.6x or 2.3x zoom range with Parfocal Design4 Versatile & Interchangeable Modules: Direct, Periscope, 35° View, and 90° ViewUp to 2.3x magnification for extreme close-upsUnrivaled sharpness & superior image qualityWaterproof, Long Tubular Adjustable Barrels for versatile shooting conditions360° Rotation for Front BarrelsProbe Zoom 15-24mm T8 Macro TECHNICAL DATAFormat: Full FrameFocal Length: 15-24 mmAperture Range: T8-T32Angle of View: 84.1°-110.5°Lens Structure: 37 elements in 26 groupsAperture: 9 bladesFocus Throw: 90°Aperture Throw: 31°Zoom Throw: 58°Zoom Ratio: 1.6xImage Circle Diameter: Ø43.2 mmFlange Distance: ±15°Gear Mod: 0.8Min. Focusing Distance: 600.5 mmMin. Working Distance: 5 mmMax. Magnification: 1X-1.6XFocus System: MFFront Diameter: Ø32 mmDimensions: Ø68.8 x 540 mm (Periscope) / Ø68.8 x 545.6 mm (90°) / Ø68.8 x 539.2 mm (35°) / Ø68.8 x 545.1 mm (0°)Weight: ~1400 gMount: ARRI PL (optional interchangeable bayonets: Canon EF / Sony E / Nikon Z / Canon RF / L Mount)Probe Zoom 15-35mm T12 Macro TECHNICAL DATAFormat: Full FrameFocal Length: 15-35mmAperture Range: T12-T40Angle of View: 63.4°-110.5°Lens Structure: 37 elements in 26 groupsAperture: 9 bladesFocus Throw: 90°Aperture Throw: 27.5°Zoom Throw: 100°Zoom Ratio: 2.3xImage Circle Diameter: Ø43.2 mmFlange Distance: ±15°Gear Mod: 0.8Min. Focusing Distance: 600.5 mmMin. Working Distance: 5 mmMax. Magnification: 1X-2.3XFront Diameter: Ø32 mm Dimensions: Ø68.8 x 540 mm (Periscope) / Ø68.8 x 545.6 mm (90°) / Ø68.8 x 539.2 mm (35°) / Ø68.8 x 545.1 mm (0°)Weight: ~1400 gMount: ARRI PL (optional interchangeable bayonets: Canon EF / Sony E / Nikon Z / Canon RF / L Mount)In the box 1x Laowa Probe Zoom makro lens1x Rear cover1x Front cover3x Shims1x Allen keyScrews1x Aluminium transport case