Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each.  It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35

Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each.  It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35

Laowa Nanomorph 1.5x Anamorphic 3-Lens Set Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, which weighs only <0,52 kg each.  It opens up more possibilities in set-ups that it cannot be done before, like on gimbals, on helmets, on drones etc.. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also provides more rooms for creators in composition and creates more depth of field. The PL and EF mounts are user interchangeable. Hard case is included for the Bundle. Laowa Nanomorph 1.5x Anamorphic 3-Lens Set includes LAOWA Nanomorph 27mm T2.8 1,5X S35LAOWA Nanomorph 35mm T2.4 1,5X S35LAOWA Nanomorph 50mm T2.4 1,5X S35

Laowa Proteus Flex 2X Anamorphic Lens With the Proteus Flex 2X Anamorphic, Laowa introduces a unique anamorphic set with user-replaceable flare lenses. The modular design allows each lens in the series to be equipped with four different flare options, making this Proteus series very flexible and economical.The Proteus Flex lens consists of a Proteus base body and four flare modules in amber, silver, blue, and—as a brand new option—clear flare. The clear flare variant produces minimal horizontal stray light for DOPs who want a cleaner and more elegant image look. The standard version of these lenses is silver flare.The flare module can be easily screwed into the Proteus base body and is very easy to replace. The replacement process can be carried out on site within minutes; no optical calibration is required after replacement.Laowa's professional Proteus Cine lenses impress with their patented anamorphic design. Camera professionals appreciate the smooth, oval bokeh and characteristic flares of these lenses. The constant 2x compression factor guarantees the ultra-wide image format, the standard in the cinema industry. Image data stored on a 4:3 sensor is converted to cinema images with an aspect ratio of 2.66:1 after decramping; data from a 6:5 sensor enables a cinema image format of 2.4:1. Both variants ensure cropping to the ideal aspect ratio of 2.39:1. Laowa Proteus lenses support the S35+ sensor format. They cover the Alexa 35 sensor at a ratio of 2.39:1 and the Red V-Raptor 7K sensor at a ratio of 6:5 ANA.The large T2 aperture facilitates filming in low light and at night. The open aperture already delivers images with outstanding sharpness and clearly separates objects from their background. These lenses achieve their optimal image quality at an aperture of T4.The minimum focus distance of this Proteus lens is only 99 cm. Thanks to the double compression factor, the bokeh is significantly thinner and longer – a typical feature of anamorphic lenses. FeaturesPatented anamorphic designConstant 2x compression factorLarge T2 apertureShort minimum focus distanceArtistic oval bokehLow focus breathingExcellent sharpnessFull-frame coverage with 1.4x extenderProfessional cine housing

Laowa Proteus Flex 2X Anamorphic Lens With the Proteus Flex 2X Anamorphic, Laowa introduces a unique anamorphic set with user-replaceable flare lenses. The modular design allows each lens in the series to be equipped with four different flare options, making this Proteus series very flexible and economical.The Proteus Flex lens consists of a Proteus base body and four flare modules in amber, silver, blue, and—as a brand new option—clear flare. The clear flare variant produces minimal horizontal stray light for DOPs who want a cleaner and more elegant image look. The standard version of these lenses is silver flare.The flare module can be easily screwed into the Proteus base body and is very easy to replace. The replacement process can be carried out on site within minutes; no optical calibration is required after replacement.Laowa's professional Proteus Cine lenses impress with their patented anamorphic design. Camera professionals appreciate the smooth, oval bokeh and characteristic flares of these lenses. The constant 2x compression factor guarantees the ultra-wide image format, the standard in the cinema industry. Image data stored on a 4:3 sensor is converted to cinema images with an aspect ratio of 2.66:1 after decramping; data from a 6:5 sensor enables a cinema image format of 2.4:1. Both variants ensure cropping to the ideal aspect ratio of 2.39:1. Laowa Proteus lenses support the S35+ sensor format. They cover the Alexa 35 sensor at a ratio of 2.39:1 and the Red V-Raptor 7K sensor at a ratio of 6:5 ANA.The large T2 aperture facilitates filming in low light and at night. The open aperture already delivers images with outstanding sharpness and clearly separates objects from their background. These lenses achieve their optimal image quality at an aperture of T4.The minimum focus distance of this Proteus lens is only 99 cm. Thanks to the double compression factor, the bokeh is significantly thinner and longer – a typical feature of anamorphic lenses. FeaturesPatented anamorphic designConstant 2x compression factorLarge T2 apertureShort minimum focus distanceArtistic oval bokehLow focus breathingExcellent sharpnessFull-frame coverage with 1.4x extenderProfessional cine housing

Laowa Proteus Flex 2X Anamorphic Lens With the Proteus Flex 2X Anamorphic, Laowa introduces a unique anamorphic set with user-replaceable flare lenses. The modular design allows each lens in the series to be equipped with four different flare options, making this Proteus series very flexible and economical.The Proteus Flex lens consists of a Proteus base body and four flare modules in amber, silver, blue, and—as a brand new option—clear flare. The clear flare variant produces minimal horizontal stray light for DOPs who want a cleaner and more elegant image look. The standard version of these lenses is silver flare.The flare module can be easily screwed into the Proteus base body and is very easy to replace. The replacement process can be carried out on site within minutes; no optical calibration is required after replacement.Laowa's professional Proteus Cine lenses impress with their patented anamorphic design. Camera professionals appreciate the smooth, oval bokeh and characteristic flares of these lenses. The constant 2x compression factor guarantees the ultra-wide image format, the standard in the cinema industry. Image data stored on a 4:3 sensor is converted to cinema images with an aspect ratio of 2.66:1 after decramping; data from a 6:5 sensor enables a cinema image format of 2.4:1. Both variants ensure cropping to the ideal aspect ratio of 2.39:1. Laowa Proteus lenses support the S35+ sensor format. They cover the Alexa 35 sensor at a ratio of 2.39:1 and the Red V-Raptor 7K sensor at a ratio of 6:5 ANA.The large T2 aperture facilitates filming in low light and at night. The open aperture already delivers images with outstanding sharpness and clearly separates objects from their background. These lenses achieve their optimal image quality at an aperture of T4.The minimum focus distance of this Proteus lens is only 99 cm. Thanks to the double compression factor, the bokeh is significantly thinner and longer – a typical feature of anamorphic lenses. FeaturesPatented anamorphic designConstant 2x compression factorLarge T2 apertureShort minimum focus distanceArtistic oval bokehLow focus breathingExcellent sharpnessFull-frame coverage with 1.4x extenderProfessional cine housing

Laowa Proteus Flex 2X Anamorphic Lens With the Proteus Flex 2X Anamorphic, Laowa introduces a unique anamorphic set with user-replaceable flare lenses. The modular design allows each lens in the series to be equipped with four different flare options, making this Proteus series very flexible and economical.The Proteus Flex lens consists of a Proteus base body and four flare modules in amber, silver, blue, and—as a brand new option—clear flare. The clear flare variant produces minimal horizontal stray light for DOPs who want a cleaner and more elegant image look. The standard version of these lenses is silver flare.The flare module can be easily screwed into the Proteus base body and is very easy to replace. The replacement process can be carried out on site within minutes; no optical calibration is required after replacement.Laowa's professional Proteus Cine lenses impress with their patented anamorphic design. Camera professionals appreciate the smooth, oval bokeh and characteristic flares of these lenses. The constant 2x compression factor guarantees the ultra-wide image format, the standard in the cinema industry. Image data stored on a 4:3 sensor is converted to cinema images with an aspect ratio of 2.66:1 after decramping; data from a 6:5 sensor enables a cinema image format of 2.4:1. Both variants ensure cropping to the ideal aspect ratio of 2.39:1. Laowa Proteus lenses support the S35+ sensor format. They cover the Alexa 35 sensor at a ratio of 2.39:1 and the Red V-Raptor 7K sensor at a ratio of 6:5 ANA.The large T2 aperture facilitates filming in low light and at night. The open aperture already delivers images with outstanding sharpness and clearly separates objects from their background. These lenses achieve their optimal image quality at an aperture of T4.The minimum focus distance of this Proteus lens is only 99 cm. Thanks to the double compression factor, the bokeh is significantly thinner and longer – a typical feature of anamorphic lenses. FeaturesPatented anamorphic designConstant 2x compression factorLarge T2 apertureShort minimum focus distanceArtistic oval bokehLow focus breathingExcellent sharpnessFull-frame coverage with 1.4x extenderProfessional cine housing

Laowa Proteus Flex 2X Anamorphic Lens With the Proteus Flex 2X Anamorphic, Laowa introduces a unique anamorphic set with user-replaceable flare lenses. The modular design allows each lens in the series to be equipped with four different flare options, making this Proteus series very flexible and economical.The Proteus Flex lens consists of a Proteus base body and four flare modules in amber, silver, blue, and—as a brand new option—clear flare. The clear flare variant produces minimal horizontal stray light for DOPs who want a cleaner and more elegant image look. The standard version of these lenses is silver flare.The flare module can be easily screwed into the Proteus base body and is very easy to replace. The replacement process can be carried out on site within minutes; no optical calibration is required after replacement.Laowa's professional Proteus Cine lenses impress with their patented anamorphic design. Camera professionals appreciate the smooth, oval bokeh and characteristic flares of these lenses. The constant 2x compression factor guarantees the ultra-wide image format, the standard in the cinema industry. Image data stored on a 4:3 sensor is converted to cinema images with an aspect ratio of 2.66:1 after decramping; data from a 6:5 sensor enables a cinema image format of 2.4:1. Both variants ensure cropping to the ideal aspect ratio of 2.39:1. Laowa Proteus lenses support the S35+ sensor format. They cover the Alexa 35 sensor at a ratio of 2.39:1 and the Red V-Raptor 7K sensor at a ratio of 6:5 ANA.The large T2 aperture facilitates filming in low light and at night. The open aperture already delivers images with outstanding sharpness and clearly separates objects from their background. These lenses achieve their optimal image quality at an aperture of T4.The minimum focus distance of this Proteus lens is only 99 cm. Thanks to the double compression factor, the bokeh is significantly thinner and longer – a typical feature of anamorphic lenses. FeaturesPatented anamorphic designConstant 2x compression factorLarge T2 apertureShort minimum focus distanceArtistic oval bokehLow focus breathingExcellent sharpnessFull-frame coverage with 1.4x extenderProfessional cine housing