DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are available；Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

Laowa Nanomorph 1.5x Anamorphic Nanomorph is the world’s smallest anamorphic lens covering Super35 sensors, weighing only <14 oz each.  It opens up more possibilities in set-ups that cannot be done before, like on gimbals, helmets, drones etc. The constant 1.5x squeeze ratio makes it a mumps-free lens while retaining anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver. The relatively close focusing distance also offers more room for creators in composition and creates more depth of field. The mounts are user interchangeable and 7 mount options are available: Canon RF, Sony E, Micro Four Thirds, L mount, Nikon Z, DJI DL, Fuji X 2 Flares options are available, Blue & Amber. Anamorphic lenses with blue flares are very common in the market and they fit perfectly with a sci-fi and cooler vibe . However, they do not necessarily go well with human skin tones. The new amber option we introduced, could deliver a warmer and passionate vibe which is suitable for narrative and day/night shots. With a 1.5x squeeze, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. Comparing to 1.33x anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic & cinematic look. For 1.8x/2x squeeze, the lens will become huge and a lot more image will be wasted when pairing with 16:9 sensor. Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses. A 1.5x squeeze ratio also renders stretched oval bokeh which gives an artistic touch to the image. Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing. Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″