SIRUI 50mm F1.8 Anamorphic 1.33X Lens Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots. After de-squeezed, the 50mm F1.8 camera lens produces smooth Cinematic 2.4:1 videos in a 16:9 setting. Built with a precision optical structure and multi-layer Nano coatings, SIRUI 50mm 1.33x Anamorphic camera lens will deliver the distinctive horizontal flare, which is difficult to achieve using normal lens or through post-production. With a simple turn of the F1.8 lens aperture ring, you can optimize the depth of view to create oval bokeh effect to give your work a more cinematic look. Technical data Lens Structure: 11 Elements in 8 GroupsFilter Spec: M67x0.75Aperture Blades: 10Rotation Angle of the Focus Ring: 143.6°Aperture: F1.8-F16Max. Diameter: 69.2mm/2.72inchesFrame: APS-CDiameter of the Focus Ring: 61.7mm /2.43inchesShooting Distance: 0.85m-∞Total Length (Lens Cap Not Included): Approximate 106.6mm/4.20inchesFocus Method: Manual FocusingWeight: Approximate 560g/1.23lbsMaximum Magnification: 1:15.38(V), 1:20.17(H)Lens Mount: SONY E-Mount / FUJI X-Mount / M 4/3 Mount

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

SLR Magic Anamorphot CINE 133PLSET SKU: SLR-AC133PLSET The 3 piece Anamorphot CINE Lens Set (35/50/70) in PL MOUNT is a special three piece Anamorphic lens set for PLmount cameras, with 1.33x Horizontal Squeeze. Contains the following PL MOUNT Anamorphic lenses: 1 x ANAMORPHOT-CINE 35mm T2.41 x ANAMORPHOT-CINE 50mm T2.81 x ANAMORPHOT-CINE 70mm T4

SLR Magic Anamorphot CINE 1.33x 35mm T2.4 SKU: SLR-AC35133PL The SLR Magic ANAMORPHOT-CINE 35mm T2.4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4. The Anamorphot CINE Lens 1.33x 35mm T2.4 lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. CINE 35133PL features 35mm T2.4 Lens for S35 Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE 1.33x 35mm T2.4 specifications Focus type: ManualFocal length: 35mmMaximum Aperture: T2.4Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: S35 for 35mm T2.4 (5.5K on DRAGON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g

SLR Magic CINE 352XMFT Anamorphot CINE Lens 2x 35mm T2.4 (MFT-Mount) SKU: SLR-AC352XMFT The ANAMORPHOT-CINE 35mm T2.4 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 2x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. SLR Magic CINE 352XMFT features 35mm T2.4 Lens for Four Thirds Sensor2x Anamorphic Squeeze3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE Lens 2x 35mm T2.4 specifications Focus type: ManualFocal length: 35mmMaximum Aperture: T2.4Suggested aperture setting: T4-5.6Format: 2x Horizontal Squeeze Anamorphic lensMount: Micro Four Thirds (MFT)Image Circle: mFT for 35mm T2.4Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 192.5mm lengthWeight: 1360g In the box ANAMORPHOT-CINE 35mm T2.4 2x Anamorphic LensLens CapsHard Transport Case

SLR Magic Anamorphot CINE 1.33x 50mm T2.8 SKU: SLR-AC50133PL The ANAMORPHOT-CINE 50mm T2.8 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 50mm PL mount Features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 50mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.8. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. SLR Magic 50133PL features 50mm T2.8 Lens for Full Frame Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included SLR Magic 50mm 1.33x Anamorphot-CINE specs Focus type: ManualFocal length: 50mmMaximum Aperture: T2.8Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: FF for 50mm T2.8 (8K on WEAPON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g In the box 1 x ANAMORPHOT-CINE 50mm T2.8 1.33x Anamorphic lens - PL Mount1 x Lens Caps1 x Hard Transport Case

SLR Magic Anamorphot-CINE 1.33x 70mm T4 SKU: SLR-AC70133PL The ANAMORPHOT-CINE 70mm T4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 70mm PL mount features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 70mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. Anamorphot-CINE 1.33x 70mm features 70mm T4 Lens for Full Frame Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE 70133PL Specifications Focus type: ManualFocal length: 70mmMaximum Aperture: T4.0Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: FF for 70mm T4 (8K on WEAPON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g In the box 1 x ANAMORPHOT-CINE 70mm T4 1.33x Anamorphic lens -PL Mount1 x Lens Caps1 x Hard Transport Case

SLR Magic Anamorphot 1.33x 50 SKU: SLR-A50133X The SLR Magic Anamorphot 1.33x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 1.33x to allow maximum utilisation of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 16:9, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus. This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh, for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter. The adapter has a 77mm front filter thread and a native 62mm rear thread with a 58mm, 52mm, 49mm adapter rings provided. As such it is only suitable for lenses which have a front element size of 50mm or less. Limitations of close focusing is helped with the use of dioptres which further enhances image. resolution and sharpness on close / medium distance applications. Technical data Focus type ManualFormat 1.33xThread diamater 77mmWeight 380g In the box 1 x Front Plastic Cap1 x Rear Plastic Cap1 x 49 to 62mm Step-Up Ring1 x 52 to 62mm Step-Up Ring1 x 58 to 62mm Step-Up Ring

SLR Magic Anamorphot-65 1.33x Anamorphic Adapter SLR-A65133X The Anamorphot 1.33x – 65 accommodates lenses with a front element size of up to 65mm and has a rear thread size of 82mm. Because the adapter features an internal focus design, the overall housing maintains the same size while focusing and front diameter can accomodate any industry 114mm clamp-on matte box. The addition of a front thread will allow the use of screw in filters and diopters. The SLR Magic Anamorphot-65 is incredibly versatile, adaptable to a wide range of prime lenses and zooms but still compact in size and form factor. The SLR Magic Anamorphot 1,33x-65 is compatible with a larger variety of camera and lens packages, including SLR Magic MicroPrime lenses. Also, the adapter is compatible with popular Fujinon MK 50-135mm T2.9 zoom lenses, mounting directly to a 82mm thread. When mounted on a Fujinon MK 50-135mm, the integration of the adapter appears like a single unit. Using costly or vintage lenses for anamorphic shooting has not always been reliable, or achieves the best results. By combining anamorphic fundamentals, current technology and precision optics, SLR Magic provide a reliable solution for anamorphic shooters without compromising quality. Trying to achieve a true anamorphic “look” in post cannot be emulated or faked. By cropping a standard 16:9 aspect ratio using a spherical lens, it discards 25% resolution of the overall image. Using the SLR Magic 1,33x-65 will preserve all pixels from the sensor and give you 33% more optical resolution and field of view from the camera. Additionally, the close focus distance for the 1.33x-65 is 4 feet. Features 1.33x, 65 Anamorphic lens adapterLens Type: Anamorphic adapterFront diameter for Matte Box: Φ114Objective front filter thread: Φ112Objective rear filter thread: Φ82Lens Coating: Multi CoatedClose Focus: dependent on taking lens compatibilityWeight: 780g

SLR Magic Compact Anamorphot-40 SKU: SLR-A40133XC SLR Magic Compact Anamorphot-40 1.33x Anamorphic Adapter has following features Compact Anamorphot Adapter 1.33x, 401.33x Anamorphic SqueezeCreates 2.35:1 Images on 16:9 SensorsFocus range: Normal mode 3ft – infinity | Near mode 2ftMounts to Lenses with 52mm Front ThreadFront filter thread: 62mmRear filter thread: 52mmLength: approx.: 4.41mmLargest diameter: approx. 75.00mmWeight: 250g This adapter pairs well with a variety of prime lenses, including: Canon EF mount (full frame or APS-C sensor) Canon EF 40mm f/2.8 STMCanon EF 50mm f/1.8 STMCanon EF 50mm f/1.8 II Sony E-mount  (Super 35 or APS-C sensor) Sony FE 28mm F2Sony FE 35mm F2.8 ZAZeiss Sonnar FE 35mm F2.8 ZAZeiss Loxia F2/35SLR Magic 35mm F1.2 CINE @F4 Sony E-mount  (Full frame, Super 35 and APS-C sensor) SLR Magic 75mm F1.4Zeiss Loxia 2/50SLR Magic 50mm F1.1 CINE @F4 Micro Four Thirds Panasonic 20mm f/1.7SLR Magic HyperPrime 25mm T0.95 @2.8 or smallerOlympus 12-50mm f/3.5-6.3 (between 20-50mm)

Viltrox EPIC Anamorphic lens 35mm Introducing the Viltrox EPIC Anamorphic lens, the perfect addition to your filmmaking arsenal. This 35mm T2.0 lens boasts a 1.33X anamorphic squeeze, allowing you to capture stunning widescreen shots with a unique cinematic look. Crafted by Viltrox, a trusted brand in the world of photography and videography, this lens is designed to deliver exceptional image quality and performance. The EPIC Anamorphic lens is perfect for creating a professional and cinematic feel to your videos, making it a must-have for any filmmaker or content creator. With a fast T2.0 aperture, this lens is ideal for low-light situations, giving you the flexibility to shoot in various lighting conditions without compromising on image quality. The 35mm focal length is versatile, making it suitable for a wide range of shooting scenarios, from landscapes to portraits. The anamorphic aspect ratio of 1.33X adds a unique and artistic touch to your footage, creating a wider field of view and a more immersive viewing experience. This lens also features a de-squeezing function, allowing you to easily convert your footage to a standard 2.39:1 aspect ratio in post-production. Constructed with high-quality materials, the Viltrox EPIC Anamorphic lens is durable and built to last. Its compact and lightweight design makes it easy to carry around, making it a great choice for on-the-go shooting.

Viltrox EPIC Anamorphic lens 35mm Introducing the Viltrox EPIC Anamorphic lens, the perfect addition to your filmmaking arsenal. This 35mm T2.0 lens boasts a 1.33X anamorphic squeeze, allowing you to capture stunning widescreen shots with a unique cinematic look. Crafted by Viltrox, a trusted brand in the world of photography and videography, this lens is designed to deliver exceptional image quality and performance. The EPIC Anamorphic lens is perfect for creating a professional and cinematic feel to your videos, making it a must-have for any filmmaker or content creator. With a fast T2.0 aperture, this lens is ideal for low-light situations, giving you the flexibility to shoot in various lighting conditions without compromising on image quality. The 35mm focal length is versatile, making it suitable for a wide range of shooting scenarios, from landscapes to portraits. The anamorphic aspect ratio of 1.33X adds a unique and artistic touch to your footage, creating a wider field of view and a more immersive viewing experience. This lens also features a de-squeezing function, allowing you to easily convert your footage to a standard 2.39:1 aspect ratio in post-production. Constructed with high-quality materials, the Viltrox EPIC Anamorphic lens is durable and built to last. Its compact and lightweight design makes it easy to carry around, making it a great choice for on-the-go shooting.

Viltrox EPIC Anamorphic lens 35mm Introducing the Viltrox EPIC Anamorphic lens, the perfect addition to your filmmaking arsenal. This 35mm T2.0 lens boasts a 1.33X anamorphic squeeze, allowing you to capture stunning widescreen shots with a unique cinematic look. Crafted by Viltrox, a trusted brand in the world of photography and videography, this lens is designed to deliver exceptional image quality and performance. The EPIC Anamorphic lens is perfect for creating a professional and cinematic feel to your videos, making it a must-have for any filmmaker or content creator. With a fast T2.0 aperture, this lens is ideal for low-light situations, giving you the flexibility to shoot in various lighting conditions without compromising on image quality. The 35mm focal length is versatile, making it suitable for a wide range of shooting scenarios, from landscapes to portraits. The anamorphic aspect ratio of 1.33X adds a unique and artistic touch to your footage, creating a wider field of view and a more immersive viewing experience. This lens also features a de-squeezing function, allowing you to easily convert your footage to a standard 2.39:1 aspect ratio in post-production. Constructed with high-quality materials, the Viltrox EPIC Anamorphic lens is durable and built to last. Its compact and lightweight design makes it easy to carry around, making it a great choice for on-the-go shooting.

Viltrox EPIC Anamorphic lens 75mm VILTROX Anamorphic Series 75 T2.0 1.33X Full-frame Anamorphic Lenses are designed for L-mount / E-mount / PL-mount cinema cameras, marking Viltrox's official entry into the film industry! EPIC Series feature Impressive Image Expression,Retro Pure Color Reproduction, 1.33x Constant Squeeze Ratio, Constant Aperture , Consistent Optical Performance & "Zero" Breathing Effect.

Viltrox EPIC Anamorphic lens 75mm VILTROX Anamorphic Series 75 T2.0 1.33X Full-frame Anamorphic Lenses are designed for L-mount / E-mount / PL-mount cinema cameras, marking Viltrox's official entry into the film industry! EPIC Series feature Impressive Image Expression,Retro Pure Color Reproduction, 1.33x Constant Squeeze Ratio, Constant Aperture , Consistent Optical Performance & "Zero" Breathing Effect.

Viltrox EPIC Anamorphic lens 75mm VILTROX Anamorphic Series 75 T2.0 1.33X Full-frame Anamorphic Lenses are designed for L-mount / E-mount / PL-mount cinema cameras, marking Viltrox's official entry into the film industry! EPIC Series feature Impressive Image Expression,Retro Pure Color Reproduction, 1.33x Constant Squeeze Ratio, Constant Aperture , Consistent Optical Performance & "Zero" Breathing Effect.