Filter products
Laowa Proteus 2X Anamorphic Zoom Lens SeriesLaowa Proteus 2x Anamorphic Zoom Series — the lightest, most compact, and most affordable 2X anamorphic zoom lenses designed for S35 sensors is now available! With a constant 2x squeeze throughout the 3x zoom range across two focal lengths (26-45mm & 45-85mm), they weigh only 1.5kg and measure just 19cm, making them the most lightweight in their class.Designed for effortless mobility, these compact lenses allow you to shoot in tight spaces and reduce overall payload, giving filmmakers the freedom to move without limitations. With an impressive 26mm 2x anamorphic field of view, it supports close-up shots with a minimum focusing distance of 50cm and offers elliptical bokeh along with signature flares in blue, amber, and silver options. PL mount in default, an interchangeable EF bayonet is included in the package. A hard case is provided.Lenses are available in the flare color options Blue, Amber or Silver. Focal length 26-45 mmAperture range: T2.9 to T22Super 35 image circleConstant T2.9 apertureOrganic focus roll-offImage section: 89.8 x 45.1 degrees (26 mm) to 59.9 x 27 degrees (45 mm)21 elements in 15 groups11 aperture bladesClose focusing distance: 50 cmFocusing mode: Manual (MF)Filter diameter: 77 mmDimensions: approx. 19 x 8.5 cmWeight: approx. 1533 gMount: Arri PL (Canon EF interchangeable mount included) as well as optional Sony FE, Canon RF, Nikon Z, L-MountFocal length 45-85 mmAperture range: T2.9 to T22Super 35 image circleConstant T2.9 apertureOrganic focus roll-offImage section: 59.9 x 27 degrees (45 mm) to 33.9 x 14.5 degrees (85 mm)21 elements in 15 groups11 aperture bladesClose focusing distance: 90 cmFocusing mode: Manual (MF)Filter diameter: 77 mmDimensions: approx. 19 x 8.5 cmWeight: approx. 1495gMount: Arri PL (Canon EF interchangeable mount included) as well as optional Sony FE, Canon RF, Nikon Z, L-Mount
Laowa Sunlight 2x FF Anamorphic Zoom 70-135mmThe Laowa Sunlight FF 2x Anamorphic Zoom Lens set is the world's first set of 2x anamorphic zoom lenses designed for full-frame sensors. It features a 2x squeezed anamorphic look and offers a versatile zoom range across two lenses (40-80mm and 70-135mm), with weights of approximately 2.8kg and 2.6kg at 242mm long, making them highly portable for their class.Technical data - 70-135mmFormat: Full FrameAperture Range: T4.5 --T22Angle of View: 44.7°×19.5°~24.1°×10.2°Squeeze Ratio: 2XLens Structure: 22 elements in 14 groupsAperture Blades: 10 bladesFlange Distance: PL=52mmFocus Throw: 302°Aperture Throw: 32.7°Zoom Throw: 100°Focus Indicator: Metric & Imperial (Dual Scale)Min.Focusing Distance: 0.78 mIn-focus Driving Mode: Manual (MF)Gear Mod: 0.8 ModFilter Thread Diameter: Ø77mmFront Diameter: Ø105mmDimensions: ~Ø110.4mm*242mmWeight: ~2.6kgFlare Options: Amber/Blue/Silver/ClearMount: Arri PLOptional Mount: Sony E, Canon RFTechnical data - 40-80 mmFormat: Full FrameAperture Range: T4.5 --T22Angle of View: 71.5°×33.4°~39.6°×17.1°Squeeze Ratio: 2XLens Structure 23 elements in 15 groupsAperture Blades: 10 bladesFlange Distance: PL=52mmFocus Throw: 302°Aperture Throw: 32.7°Zoom Throw: 100°Focus Indicator: Metric & Imperial (Dual Scale)Min.Focusing Distance: 0.61 mIn-focus Driving Mode: Manual (MF)Gear Mod: 0.8 ModFilter Thread Diameter: Ø77mmFront Diameter: Ø105mmDimensions: ~Ø110.4mm*242mmWeight ~2.8kgFlare Options: Amber/Blue/Silver/ClearMount: Arri PLOptional mount : Sony E, Canon RF
DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g
DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g
DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm) DZOFILM Pavo Lens Kit with 28, 40, 75mm 2x Anamorphic Cinematic Lenses T2.1 for PL/EF Mount (S35) with metric scale 1 x Pavo 2x Anamorphic 28mm T2.11 x Pavo 2x Anamorphic 40mm T2.11 x Pavo 2x Anamorphic 75mm T2.13 x Front Cap3 x PL Rear Cap3 x EF Bayonet3 x EF Rear Cap2 x Screw packs3 x Shim set1 x Screwdriver1 x Sticker1 x Warranty card
DZOFILM Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm) DZOFILM Pavo Lens Kit with 28, 40, 75mm 2x Anamorphic Cinematic Lenses T2.1 for PL/EF Mount (S35) with metric scale 1 x Pavo 2x Anamorphic 28mm T2.11 x Pavo 2x Anamorphic 40mm T2.11 x Pavo 2x Anamorphic 75mm T2.13 x Front Cap3 x PL Rear Cap3 x EF Bayonet3 x EF Rear Cap2 x Screw packs3 x Shim set1 x Screwdriver1 x Sticker1 x Warranty card
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.
DZOFILM Pavo 2x Anamorphic 6-Lens Kit DZOFilm Lens Kit with 28, 32, 40, 55, 75 and 100mm 2x Anamorphic Cinematic Lenses T2.1/T2.4 for PL/EF Mount (S35) with metric scale 1 x Pavo 2x Anamorphic 28mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 32mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 40mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 55mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 75mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 100mm T2.4 for PL/EF Mount metric6 x Front Cap6 x PL Rear Cap6 x EF Bayonet6 x EF Rear Cap2 x Screw packs6 x Shim set1 x Screwdriver1 x Sticker1 x Warranty card
DZOFILM Pavo 2x Anamorphic 6-Lens Kit DZOFilm Lens Kit with 28, 32, 40, 55, 75 and 100mm 2x Anamorphic Cinematic Lenses T2.1/T2.4 for PL/EF Mount (S35) with metric scale 1 x Pavo 2x Anamorphic 28mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 32mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 40mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 55mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 75mm T2.1 for PL/EF Mount metric1 x Pavo 2x Anamorphic 100mm T2.4 for PL/EF Mount metric6 x Front Cap6 x PL Rear Cap6 x EF Bayonet6 x EF Rear Cap2 x Screw packs6 x Shim set1 x Screwdriver1 x Sticker1 x Warranty card
DZOFILM Pavo 2x Anamorphic The Pavo 2x Anamorphic Cinematic Lenses with two different coatings boasts great appeal and friendliness for filmmakers who are keen for creating wide-screen videos. Moreover, this brand new series of DZOFILM in all-metal body adopting a blend of black and space gray prides itself on catering to medium-to-high-budget production. Consisting of 6 lenses from 28mm to 100mm, they can also work well with full-frame cameras if paired with the DZOFILM Marlin expanders. Creating An Immersive World of Visual Storytelling Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh. The 2x compressive factor offers a broader FOV, presenting more details directors would like to express through background with protagonist's natural reproduction on screen. Featuring Tableaux of Distinctiveness And Texture With the design of blue and neutral coating, the Pavo lenses generate horizontal blue or other different flares under multiple lighting sources, creating tableaux of mesmerizing and cinematic scenes while maintaining clarity. Apart from outstandingly controlling classic barrel distortion featured by anamorphic lenses, the Pavo Series also excels in minimizing chromatic aberration even under wide open, and reproducing natural skin complexion and vibrant colors. Inspiring More Creations Possible Breaking the stereotype of bulky anamorphic lenses, the solid yet lightweight Pavo weighing 1.2-1.6kg with a front diameter of only 95mm is easy to carry and suitable to apply in drones and Steadicam shooting. The minimum focus distances across all focus lengths are shorter than we expected in general anamorphic lenses, enlarging possibilities to bring out as diverse scenarios as possible. The consistent fast aperture of T2.1 of 28mm, 32mm, 40mm, 55mm, 75mm and T2.4 of 100mm ensures excellent image quality even in low light conditions and provides a more cost-effective shooting solution. Convenient Back Focus Adjustment PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustment while adapting to different cameras or changing mounts, making the workflow more efficient and fast. Features Bundle designThere are six golden focal lengths; 28mm, 32mm, 40mm, 55mm, 75mm with consistant T2.1 and 100mm with T2.4 which makes it more easy for filmmakers to use them through out one projectS35, 2X Compression factorThe format is unworried to match with various cinema cameras, and the 2X anamorphic magnification brings excellent WATERFALL BOKEH. The combination of S35 and 2X is so-called the 'TRUE' anamorphicSmall Size & LightweightThe lightweight size of Pavo Anamorphic lenes reduces the burden on filmmakers/ video-makers, and it is a perfect match for drones, Steadicam and other shooting equipmentBreaking through the anamorphic limitaion of closest focusingThe close focusing distance of all Pavo lenses is shorter than any anamorphic lenses on the market. This provides the possibility of diverse and multi-scene presentations for videos and feature filmsPleasing barrel distortion, classic anamorphic with modern designLow distortion rate design, retaining classic anamorphic user experience without losing good image quality in styleBeautiful horizontal flare, excellent image qualityBlue and silver flare colors are availableï¼›Well controlled and soft flare, pictures can still keep clean when shooting night scenes and with multiple light sources.