SIGMA 50-100mm F1.8 DC HSM Art The Sigma 50-100mm 1.8 DC HSM Art is a premium mid telephoto zoom lens designed for APS-C sized sensors. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through it focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. An enhanced and slimmer Hyper Sonic Motor (HSM) provide fast and accurate autofocus while 3 Premium FLD and 1 SLD Elements produce incredible image sharpness. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping and work with the Sigma USB Dock to update firmware and focus calibrate.SIGMA 50-100mm Technical data Lens Construction: 21 Elements in 15 GroupsAngle of View: 31.7-16.2ºNumber of Diaphragm Blades: 9 (Rounded)Mininum Aperture: f16Minimum Focusing Distance: 95 cmFilter Size (mm): 82mmMaximum Magnifications: 1: 6.7Dimensions: 93,5 mm x 170,7 mmWeight: 1490 gAvailable mounts: SIGMA SA-Mount, Nikon F-Mount, Canon EF-Mount

SIGMA 50-100mm F1.8 DC HSM Art The Sigma 50-100mm 1.8 DC HSM Art is a premium mid telephoto zoom lens designed for APS-C sized sensors. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through it focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. An enhanced and slimmer Hyper Sonic Motor (HSM) provide fast and accurate autofocus while 3 Premium FLD and 1 SLD Elements produce incredible image sharpness. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping and work with the Sigma USB Dock to update firmware and focus calibrate.SIGMA 50-100mm Technical data Lens Construction: 21 Elements in 15 GroupsAngle of View: 31.7-16.2ºNumber of Diaphragm Blades: 9 (Rounded)Mininum Aperture: f16Minimum Focusing Distance: 95 cmFilter Size (mm): 82mmMaximum Magnifications: 1: 6.7Dimensions: 93,5 mm x 170,7 mmWeight: 1490 gAvailable mounts: SIGMA SA-Mount, Nikon F-Mount, Canon EF-Mount

SIGMA 50-100mm F1.8 DC HSM Art The Sigma 50-100mm 1.8 DC HSM Art is a premium mid telephoto zoom lens designed for APS-C sized sensors. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through it focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. An enhanced and slimmer Hyper Sonic Motor (HSM) provide fast and accurate autofocus while 3 Premium FLD and 1 SLD Elements produce incredible image sharpness. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping and work with the Sigma USB Dock to update firmware and focus calibrate.SIGMA 50-100mm Technical data Lens Construction: 21 Elements in 15 GroupsAngle of View: 31.7-16.2ºNumber of Diaphragm Blades: 9 (Rounded)Mininum Aperture: f16Minimum Focusing Distance: 95 cmFilter Size (mm): 82mmMaximum Magnifications: 1: 6.7Dimensions: 93,5 mm x 170,7 mmWeight: 1490 gAvailable mounts: SIGMA SA-Mount, Nikon F-Mount, Canon EF-Mount

Sirui Vision Prime T1.4 Full-Frame Cine 3-Lens KitCapture cinematic wide, medium, and close-up shots with the 24, 35, and 50mm lenses included in the Sirui  Vision Prime T1.4 Full-Frame Cine 3-Lens Kit.Compatible with full-frame mirrorless cameras, the lenses sport expansive 46mm image circles, ensuring edge-to-edge sharpness and coverage without vignetting, even when shooting open-gateTheir ultrafast T1.4 apertures excel in low-light conditions and feature a beautifully shallow depth of field with smooth, cinematic bokehEach VP-1 lens has a native Sony E-mount and comes with user-changeable mount adapters for Canon RF, Nikon Z, and Leica L-mount cameras, allowing seamless compatibility across multiple camera systemsBuilt with aspherical lens elements and high-refractive index (HRI) glass, this 3-lens kit offers outstanding optical performance in a compact, lightweight package, minimizing chromatic aberration, distortion, and focus breathing to achieve a truly cinematic aesthetic that meets the demands of 8K captureEach lens has a multilayer nano coating to provide superior flare suppression and a 270° focus throw with stepless focus control to ensure precise, smooth focusingThe uniform design across the Sirui VP-1 Vision Prime series allows filmmakers to switch between focal lengths without needing to reposition accessories, making this kit ideal for cinematographers seeking premium optics with maximum flexibilityA waterproof, shockproof hard case with custom cutouts is included for added protection and convenience during transportation or storageScope of deliveryVision Prime 24mm T1.4 for Sony E-mountVision Prime 35mm T1.4 for Sony E-mountVision Prime 50mm T1.4 for Sony E-mount3x L-mount3x Nikon Z-mount3x Canon RF-mount3x Rear lens cap3x Front lens capCase

SIRUI 50mm F1.8 Anamorphic 1.33X Lens Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots. After de-squeezed, the 50mm F1.8 camera lens produces smooth Cinematic 2.4:1 videos in a 16:9 setting. Built with a precision optical structure and multi-layer Nano coatings, SIRUI 50mm 1.33x Anamorphic camera lens will deliver the distinctive horizontal flare, which is difficult to achieve using normal lens or through post-production. With a simple turn of the F1.8 lens aperture ring, you can optimize the depth of view to create oval bokeh effect to give your work a more cinematic look. Technical data Lens Structure: 11 Elements in 8 GroupsFilter Spec: M67x0.75Aperture Blades: 10Rotation Angle of the Focus Ring: 143.6°Aperture: F1.8-F16Max. Diameter: 69.2mm/2.72inchesFrame: APS-CDiameter of the Focus Ring: 61.7mm /2.43inchesShooting Distance: 0.85m-∞Total Length (Lens Cap Not Included): Approximate 106.6mm/4.20inchesFocus Method: Manual FocusingWeight: Approximate 560g/1.23lbsMaximum Magnification: 1:15.38(V), 1:20.17(H)Lens Mount: SONY E-Mount / FUJI X-Mount / M 4/3 Mount

SIRUI 50mm F1.8 Anamorphic 1.33X Lens Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots. After de-squeezed, the 50mm F1.8 camera lens produces smooth Cinematic 2.4:1 videos in a 16:9 setting. Built with a precision optical structure and multi-layer Nano coatings, SIRUI 50mm 1.33x Anamorphic camera lens will deliver the distinctive horizontal flare, which is difficult to achieve using normal lens or through post-production. With a simple turn of the F1.8 lens aperture ring, you can optimize the depth of view to create oval bokeh effect to give your work a more cinematic look. Technical data Lens Structure: 11 Elements in 8 GroupsFilter Spec: M67x0.75Aperture Blades: 10Rotation Angle of the Focus Ring: 143.6°Aperture: F1.8-F16Max. Diameter: 69.2mm/2.72inchesFrame: APS-CDiameter of the Focus Ring: 61.7mm /2.43inchesShooting Distance: 0.85m-∞Total Length (Lens Cap Not Included): Approximate 106.6mm/4.20inchesFocus Method: Manual FocusingWeight: Approximate 560g/1.23lbsMaximum Magnification: 1:15.38(V), 1:20.17(H)Lens Mount: SONY E-Mount / FUJI X-Mount / M 4/3 Mount

SIRUI 50mm F1.8 Anamorphic 1.33X Lens Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots. After de-squeezed, the 50mm F1.8 camera lens produces smooth Cinematic 2.4:1 videos in a 16:9 setting. Built with a precision optical structure and multi-layer Nano coatings, SIRUI 50mm 1.33x Anamorphic camera lens will deliver the distinctive horizontal flare, which is difficult to achieve using normal lens or through post-production. With a simple turn of the F1.8 lens aperture ring, you can optimize the depth of view to create oval bokeh effect to give your work a more cinematic look. Technical data Lens Structure: 11 Elements in 8 GroupsFilter Spec: M67x0.75Aperture Blades: 10Rotation Angle of the Focus Ring: 143.6°Aperture: F1.8-F16Max. Diameter: 69.2mm/2.72inchesFrame: APS-CDiameter of the Focus Ring: 61.7mm /2.43inchesShooting Distance: 0.85m-∞Total Length (Lens Cap Not Included): Approximate 106.6mm/4.20inchesFocus Method: Manual FocusingWeight: Approximate 560g/1.23lbsMaximum Magnification: 1:15.38(V), 1:20.17(H)Lens Mount: SONY E-Mount / FUJI X-Mount / M 4/3 Mount

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Sirui Anamorphic Lens 1.6x Full Frame 75mm 75mm T2.9 1.6x - A New Member Is Added To The SIRUI Full-Frame Anamorphic Family 75mm offers a narrow FOV, shallow DOP and is suitable for capturing distant subjects and close ups. Carefully crafted for 8K shooting, this lens is going to satisfy professional filmmakers’ demand for high-quality images. 75mm T2.9 1.6x behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, so a narrow angle of view is formed. When shooting 3:2, this lens offers a 2.4:1 aspect ratio. But when shooting 16:9, you get a significantly wider 2.8:1 aspect ratio. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 75mm, having a longer reach, is considered a complement to the 50mm, suitable for capturing distant subjects and close ups. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

SLR Magic Anamorphot CINE 133PLSET SKU: SLR-AC133PLSET The 3 piece Anamorphot CINE Lens Set (35/50/70) in PL MOUNT is a special three piece Anamorphic lens set for PLmount cameras, with 1.33x Horizontal Squeeze. Contains the following PL MOUNT Anamorphic lenses: 1 x ANAMORPHOT-CINE 35mm T2.41 x ANAMORPHOT-CINE 50mm T2.81 x ANAMORPHOT-CINE 70mm T4

SLR Magic 25mm T0.95 Hyperprime Cine III Lens MFT SKU: SLR-2595MFT The SLR Magic 25mm T0.95 Hyperprime Cine III Lens is one of the World's brightest 25mm lenses available. This is the new updated version which has been strengthened to assist operation when using with the Anamophot, anamorphic adapter. Lens support is still recommended, particularly when using additional dioptres. Aimed at movie and film use with a smooth decoupled aperture allowing seemless transitions of exposure. The fast T0.95 aperture allows shallow depth of field and offers a dreamy and unique character. The 25mm is also perfect for both low-light photography and cinematography. The SLR Magic 25mm T0.95 Hyperprime Cine III lens is dedicated to Micro Four Thirds (MFT) mount cameras, currently Panasonic, Olympus and Blackmagic Cinema cameras. The 25mm Hyperprime is a manual focus only lens with superb metal construction to the highest standards. The impressive workmanship is well suited for professional use. Both aperture and focus rings have integrated gearing for use on follow focus systems and camera rigs. The 25mm focal length makes it an ideal 50mm equivalent focal length. 25mm Hyperprime Cine III Lens features Micro Four Thirds (MFT) mountFocus type: ManualFocal length: 25mm (50mm MFT)Maximum aperture: T0.95Min aperture: f/16Min focusing distance: 0.20MNo. of diaphragm blades: 12Lens construction: 12 Elements in 10 groupsDimensions Length: 74.6mmWeight: 450gLens Hood: OptionalFilter Size: 52mm

SLR Magic Anamorphot CINE 1.33x 35mm T2.4 SKU: SLR-AC35133PL The SLR Magic ANAMORPHOT-CINE 35mm T2.4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4. The Anamorphot CINE Lens 1.33x 35mm T2.4 lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. CINE 35133PL features 35mm T2.4 Lens for S35 Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE 1.33x 35mm T2.4 specifications Focus type: ManualFocal length: 35mmMaximum Aperture: T2.4Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: S35 for 35mm T2.4 (5.5K on DRAGON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g

SLR Magic CINE 352XMFT Anamorphot CINE Lens 2x 35mm T2.4 (MFT-Mount) SKU: SLR-AC352XMFT The ANAMORPHOT-CINE 35mm T2.4 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 2x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. SLR Magic CINE 352XMFT features 35mm T2.4 Lens for Four Thirds Sensor2x Anamorphic Squeeze3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE Lens 2x 35mm T2.4 specifications Focus type: ManualFocal length: 35mmMaximum Aperture: T2.4Suggested aperture setting: T4-5.6Format: 2x Horizontal Squeeze Anamorphic lensMount: Micro Four Thirds (MFT)Image Circle: mFT for 35mm T2.4Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 192.5mm lengthWeight: 1360g In the box ANAMORPHOT-CINE 35mm T2.4 2x Anamorphic LensLens CapsHard Transport Case

SLR Magic Anamorphot CINE 1.33x 50mm T2.8 SKU: SLR-AC50133PL The ANAMORPHOT-CINE 50mm T2.8 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 50mm PL mount Features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 50mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.8. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. SLR Magic 50133PL features 50mm T2.8 Lens for Full Frame Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included SLR Magic 50mm 1.33x Anamorphot-CINE specs Focus type: ManualFocal length: 50mmMaximum Aperture: T2.8Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: FF for 50mm T2.8 (8K on WEAPON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g In the box 1 x ANAMORPHOT-CINE 50mm T2.8 1.33x Anamorphic lens - PL Mount1 x Lens Caps1 x Hard Transport Case

SLR Magic Anamorphot-CINE 1.33x 70mm T4 SKU: SLR-AC70133PL The ANAMORPHOT-CINE 70mm T4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 70mm PL mount features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 70mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. Anamorphot-CINE 1.33x 70mm features 70mm T4 Lens for Full Frame Sensors1.33x Anamorphic Squeeze2.0x Anamorphic Mask3.5' Minimum Focus DistanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included Anamorphot CINE 70133PL Specifications Focus type: ManualFocal length: 70mmMaximum Aperture: T4.0Suggested aperture setting: T4-5.6Format: 1.33x Horizontal Squeeze Anamorphic lensMount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapterImage Circle: FF for 70mm T4 (8K on WEAPON)Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 135mm lengthWeight: 1080g In the box 1 x ANAMORPHOT-CINE 70mm T4 1.33x Anamorphic lens -PL Mount1 x Lens Caps1 x Hard Transport Case

SLR Magic 8mm f/4 Lens SKU: SLR-0840MFT 8mm F4 Ultra wide-angle lens features Ultra wide-angle lensAvailable mounts: Micro Four Thirds (MFT)Focus type: ManualOptical Design: 9 elements in 8 groupsDistance range: 0.10m to ∞Manually controlled diaphragm, 7 aperture blades, Lowest value 16Angle of view: 140 degreesLens mount: micro four thirdsFilter Mount: Internal thread for 43mm filters; filter mount rotates while focusingFilter adapter (included) for 52mm filtersLength to bayonet mount: approx. 41.4mmLargest diameter: approx. 46.1mm Weight: approx. 110g

SLR Magic Anamorphot 1.33x 50 SKU: SLR-A50133X The SLR Magic Anamorphot 1.33x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 1.33x to allow maximum utilisation of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 16:9, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus. This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh, for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter. The adapter has a 77mm front filter thread and a native 62mm rear thread with a 58mm, 52mm, 49mm adapter rings provided. As such it is only suitable for lenses which have a front element size of 50mm or less. Limitations of close focusing is helped with the use of dioptres which further enhances image. resolution and sharpness on close / medium distance applications. Technical data Focus type ManualFormat 1.33xThread diamater 77mmWeight 380g In the box 1 x Front Plastic Cap1 x Rear Plastic Cap1 x 49 to 62mm Step-Up Ring1 x 52 to 62mm Step-Up Ring1 x 58 to 62mm Step-Up Ring

SLR Magic Anamorphot-65 1.33x Anamorphic Adapter SLR-A65133X The Anamorphot 1.33x – 65 accommodates lenses with a front element size of up to 65mm and has a rear thread size of 82mm. Because the adapter features an internal focus design, the overall housing maintains the same size while focusing and front diameter can accomodate any industry 114mm clamp-on matte box. The addition of a front thread will allow the use of screw in filters and diopters. The SLR Magic Anamorphot-65 is incredibly versatile, adaptable to a wide range of prime lenses and zooms but still compact in size and form factor. The SLR Magic Anamorphot 1,33x-65 is compatible with a larger variety of camera and lens packages, including SLR Magic MicroPrime lenses. Also, the adapter is compatible with popular Fujinon MK 50-135mm T2.9 zoom lenses, mounting directly to a 82mm thread. When mounted on a Fujinon MK 50-135mm, the integration of the adapter appears like a single unit. Using costly or vintage lenses for anamorphic shooting has not always been reliable, or achieves the best results. By combining anamorphic fundamentals, current technology and precision optics, SLR Magic provide a reliable solution for anamorphic shooters without compromising quality. Trying to achieve a true anamorphic “look” in post cannot be emulated or faked. By cropping a standard 16:9 aspect ratio using a spherical lens, it discards 25% resolution of the overall image. Using the SLR Magic 1,33x-65 will preserve all pixels from the sensor and give you 33% more optical resolution and field of view from the camera. Additionally, the close focus distance for the 1.33x-65 is 4 feet. Features 1.33x, 65 Anamorphic lens adapterLens Type: Anamorphic adapterFront diameter for Matte Box: Φ114Objective front filter thread: Φ112Objective rear filter thread: Φ82Lens Coating: Multi CoatedClose Focus: dependent on taking lens compatibilityWeight: 780g

SLR Magic APO HyperPrime CINE 85mm T2.1 Lens SKU: SLR-APO85PL The SLR Magic APO HyperPrime CINE 85mm T2.1 Lens with PL Mount projects a 44mm image circle and is suitable for use with select cameras that have a 6K sensor. It features cine-style focus and iris gears and an internal focus design that allows you to pull focus without the length of the lens changing. This makes it well suited for use with rod-mounted lens accessories and matte boxes. Technical data Model: APO HyperPrime Cine 85mm T2.1 LensMount: PLFocal Length: 85 mmAperture: T2.1 to 22Close Focus: 3’Image Circle: 44 mm (full-frame)Lens Gears: Gears: 0.8 pitchRotation: 300 degreesTotal Length: 94mmFront Lens Diameter: 95mm (For Matte Box)Weight: 1.1 kg Optional Accessories SLR Magic Titanium PL-mFT adapterSLR Magic Titanium PL-E adapterSLR Magic Titanium EF adapterSLR Magic Titanium NF adapter

SLR Magic APO MicroPrime 25mm T2.1 (PL-Mount)SKU: SLR-MP25APOPLThe SLR Magic APO MicroPrime Cine 25mm T2.1 Lens is renowned for its apochromatic imaging capabilities embodied in a lightweight cine-style design. Featuring a 43.27mm image circle projection, this lens, available in Canon EF-mount and PL-mount configurations, is specifically optimized for seamless integration with 8K cameras boasting high-resolution full-frame sensors. The sophisticated apochromatic elements within the lens are meticulously engineered to effectively address color aberrations commonly encountered in high-contrast imagery or photographs taken at wide apertures43.27mm image circle projection covers full-frame sensors and supports camera resolutions up to 8KApochromatic elements limit color aberrations often present in high-contrast images150° of barrel rotation enables precise focus adjustments even while pulling by handTechnical data Optical Structure: 11 Groups 15 ElementsImage Circle: θ43.27Aperture Blades: 12Filter Size: 82mmMini Focus Distance: 1'2"Weight: 900gLength (cm): 10.9Format: Full Frame

SLR Magic APO MicroPrime Full-Frame E-MountChoosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine Lens covers full-frame sensors and features a Sony E-mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features a similar size and weight with consistent lens gear positions for rapid lens changes and easier re-balancing when changing lenses on a gimbal.The APO MicroPrime Cine Lens from SLR Magic offers apochromatic capture in a lighter-weight, cine-style form. These apochromatic lenses feature a 43.27mm image circle projection for 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.MicroPrime Cine Lenses Specifically designed to support cinema-style workflows, the lens features a clickless iris for smooth iris pulls and cine-standard geared focus and aperture rings. Provides pleasing bokeh and natural out-of-focus highlights. And allows you to take images with a shallow depth of field, while also being suitable for low-light shots. 150° focus rotation features, an internal focus mechanism / design for a constant lens length, even when adjusting focus, and a non-rotating front. Combined with a short focal length, when you manually rotate the focus ring, you'll be able to adjust it comfortably from start to finish and let the lens breathe as little as possible. All the MicroPrime lenses have color and bokeh consistency between one another. The front diameter is universally 85mm so you can easily move clamp-on matte boxes from one lens to another. 82mm front filter threading for attaching filters or other optional accessories, such as the SLR Magic 65-1.33x Anamorphic adapter or using a variety of off-the-shelf optional lens accessories. Key Features43.27mm image circle projection covers full-frame sensors and supports camera resolutions up to 8KApochromatic elements limit color aberrations often present in high-contrast images150° of barrel rotation enables precise focus adjustments even while pulling by hand.

SLR Magic APO MicroPrime Full-Frame E-MountChoosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine Lens covers full-frame sensors and features a Sony E-mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features a similar size and weight with consistent lens gear positions for rapid lens changes and easier re-balancing when changing lenses on a gimbal.The APO MicroPrime Cine Lens from SLR Magic offers apochromatic capture in a lighter-weight, cine-style form. These apochromatic lenses feature a 43.27mm image circle projection for 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.MicroPrime Cine Lenses Specifically designed to support cinema-style workflows, the lens features a clickless iris for smooth iris pulls and cine-standard geared focus and aperture rings. Provides pleasing bokeh and natural out-of-focus highlights. And allows you to take images with a shallow depth of field, while also being suitable for low-light shots. 150° focus rotation features, an internal focus mechanism / design for a constant lens length, even when adjusting focus, and a non-rotating front. Combined with a short focal length, when you manually rotate the focus ring, you'll be able to adjust it comfortably from start to finish and let the lens breathe as little as possible. All the MicroPrime lenses have color and bokeh consistency between one another. The front diameter is universally 85mm so you can easily move clamp-on matte boxes from one lens to another. 82mm front filter threading for attaching filters or other optional accessories, such as the SLR Magic 65-1.33x Anamorphic adapter or using a variety of off-the-shelf optional lens accessories. Key Features43.27mm image circle projection covers full-frame sensors and supports camera resolutions up to 8KApochromatic elements limit color aberrations often present in high-contrast images150° of barrel rotation enables precise focus adjustments even while pulling by hand.