DZOFilm Linglung 10-24mm T2.9 (MFT) A parfocal lens from DZOFilm offers a flexible and consistent workflow with focal lengths from a wide-angle 10mm to 24mm. A parfocal lenses designed to maintain focus throughout the zoom range. Features a T2.9 aperture, 12-blade iris, and minimal breathing. It has 270° focus rotation and a two-sided focus scale with imperial and metric measurements. The DZOFilm Linglung 10-24mm lens is designed with a durable all-metal housing with an 80mm front diameter and 77mm filter thread. The focus, iris, and zoom gears are also consistently 0.8 MOD/32-pitch. Back focus adjustment of 19.2mm allows for efficient swapping between different cameras.

Kowa Prominar MFT 12mm Wide Lens The wide angle manual lens has a large field of view and bright F-stop. A greatly reduced TV distortion value of just 0.59% and a minimum focusing distance of 2m ensures high quality close-up pictures with a wide angle. The model with a wide angle of view and a 12mm focal length (KOWA PROMINAR 12mm F1.8) has a bright F1.8 aperture, and its distortion value has also been reduced to 0.59%. Kowa Prominar features Body Color SilverFocal Length 12mmMaximum Aperture F1.8/T1.9Distortion(TV) 0.59%Lens Construction 12 Elements in 10 GroupsAngle of View(degree) 74.9°x 59.6° x 86.8°Aris 9 (Circular Aperture)Minimum Focusing Distance 0.2mMaximum Reprojection Ratio 1:10Filter Thread 72 mm (attach to lens hood)Weight 475 g (excluding the lens hood)Diameter x Length 76.5 mm x 90.5 mm (excluding the lens hood)

Kowa Prominar MFT 25mm Standard Lens The standard manual lens maintains a sharp image with high resolution and conrast from the centre to the corner image even in low light conditions. The model with a 25mm standard focal length (KOWA PROMINAR 25mm F1.8) suited for use in a variety of shooting environments has a bright F1.8 aperture, and provides a sharp image. Features Body Color SilverFocal Length 25mmMaximum Aperture F1.8/T1.9Distortion(TV) -0.57%Lens Construction 8 Elements in 6 GroupsAngle of View(degree) 40.9°x 31.1° x 50.2°Aris 9 (Circular Aperture)Minimum Focusing Distance 0.25mMaximum Reprojection Ratio1:6.5Filter Thread 55 mm (attach to lens hood)Weight 400 g (excluding the lens hood)Diameter x Length 60 mm x 94 mm (excluding the lens hood)

LAOWA 10mm T2.1 Zero-D MFT LAOWA 10mm T2.1 Zero-D MFT Cine prime lens offers a wide 96 degree wide angle range on the MFT system. Its tiny size and light weight perfectly match with MFT cameras and also excellent for gimbals. The new cine version comes with standard 0.8 mod gears on the aperture and focus ring. Distortion is close to zero and the lens delivers excellent corner-to-corner sharpness. The optics consists of 11 elements in 7 groups, of which 2 are ED and 2 are aspheric lenses. The use of 49mm screw filters is also possible.Features Very wide-angle Suitable for drones No converging lines (Zero-D) For close-ups Bright For vlog For follow focus Weatherproof and shockproof outdoor case Technical data Lens description: LAOWA 10mm T2.1 Zero-D MFT Cine Focal length: 10mm Angle of view: 96 degrees Sensor type: Micro Four Thirds Maximum aperture: T2.1 Minimum aperture: T22 Aperture blades: 5 Aperture setting: manual Aperture ring: stepless Optical structure: 11 elements in 7 groups Focusing: manual Closest focusing distance: 12cm Image scale: 0.15x Filter thread: 49mm Material: metal Dimensions ( DxL): 56x47mm Weight: approx. 150g Connection: MFT

LAOWA 6mm T2.1 Zero-D MFT LAOWA 6mm T2.1 Zero-D MFT Cine is a revolutionary new optic - the widest-angle Zero-D MFT lens on the market. MFT camera users can enjoy the impressive 121.9° ultra-wide angle of view. The T2.1 aperture works reliably even in poor light conditions and delivers sharp and excellent images. The optics have an extremely short close-up limit of just 9cm (from the subject to the sensor). The design makes it very compact and lightweight, weighing only 180g. Therefore, it is made for use with drones. Working with screw filters with a diameter of 58mm is also possible. Thanks to the gear ring on the aperture and focus ring, the lens is compatible with a follow focus system. Features Extremely wide-angle Suitable for drones No converging lines (Zero-D) Practical in tight spaces For close-ups Bright For Vlog For follow focus  Weatherproof and shockproof outdoor case Technical data Lens description: LAOWA 6mm T2.1 Zero-D MFT Cine Focal length: 6mm Angle of view: 121.9 degrees Sensor type: Micro Four Thirds Maximum aperture: T2.1 Minimum aperture: T16 Aperture blades: 7 Aperture setting: manual Aperture ring: stepless Optical structure: 13 elements in 3 groups Focusing: manual close-up limit: 9cm magnification: 0.18x Filter thread: 58mm Material: metal Dimensions (DxL): 61x53mm Weight: approx. 180g Connection: MFT

Panasonic Leica DG Vario Elmarit 12-35mm F/2.8 ASPH Power O.I.S. The zoom range of the Panasonic Lumix G Lens 12-35mm F/2.8 LEICA covers wide angle, normal and short telephoto, making it ideal as an all-round lens.Advanced autofocusThe Leica DG Vario-Elmarit 12-35mm / F2.8 ASPH. / POWER O.I.S. is capable of smooth, silent operation to work with the camera’s high-speed, high-precision contrast AF system with the sensor drive at a maximum 240 fps. It also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography. This mechanism and the micro-step aperture control for smooth exposure change achieve professional quality video recording. Combining with the camera’s Body I.S. and the lens’ O.I.S., Dual I.S. 2 provides effective hand-shake correction.Optical constructionThe Leica DG Vario-Elmarit 12-35mm / F2.8 ASPH. / POWER O.I.S. is comprised of fourteen lens elements in nine groups including four aspherical lenses, one UED (Ultra Extra-Low Dispersion) lens and one UHR (Ultra High Refractive Index) to achieve high optical performance. The Glass material of the UHR lens element has been updated to that of higher transmittance to achieve even more natural color reproduction. Panasonic’s unique Nano Surface Coating provides effective antireflection coating that assures clear description.By applying thin coating with nanometer-level microstructure that features an ultra-low dispersion ratio, the reflection of the entire wavelength of 380-780 mm including visual light range are reduced. Together with a newly adopted light-shieling part, occurrence of ghost and flare is minimized.Rugged designThe external design has been refined to be worthy of its LEICA name. With its approximately 306 g compact size and light weight, the Leica DG Vario-Elmarit 12-35mm / F2.8 ASPH. / POWER O.I.S. features stunning mobility that Micro Four Thirds system boasts. The rugged dust/splash-resistant design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter diameter is 58 mm, with a 7-blade circular aperture diaphragm. Technical dataDiaphragm Blades: 7Filter Size (Circular): 58Focus Type: Auto FocusImage Stabilizer: OpticalLens Elements/Groups: 14/9Lens Format Coverage: Micro Four ThirdsLens/Camera Mount: Micro Four ThirdsMinimum Focus: 15Weight: 306Zoom Focal Length: 12-35

Panasonic LEICA DG Vario-Elmarit 12-60mm SKU: H-ES12060E Mit dem Brennweitenbereich vom 24 mm- Super-Weitwinkel bis 120 mm-Tele bietet das 5x-Zoom LEICA DG Vario-Elmarit einen für Foto- und Videoaufnahmen beachtenswerten Brennweitenbereich. Damit empfiehlt es sich für zahlreiche Motive, für dynamische Landschaften ebenso wie für Portrait Das lang ersehnte Standard-Zoomobjektiv von LEICA ist endlich da. Dieses 12-60 mm Objektiv (KB: 24-120 mm) bietet eine flexible Ausschnittswahl – von Landschaftsaufnahmen bis hin zu wunderschönen 60-mm- Portraitaufnahmen mit mittlerem Teleobjektiv. Die beeindruckende Auflösung dieses LEICA DG-Objektivs ermöglicht im ganzen Bild Darstellungen in klarer Qualität. Dieses praktische, hochwertige Objektiv bietet dank robuster Bauweise selbst bei schwierigen Wetterbedingungen größte Zuverlässigkeit und meistert jede Herausforderung.. Features Lens Construction: 14 elements in 12 groups (4 aspherical lenses, 2 ED lenses) Nano Surface Coating: Yes Mount: Micro Four Thirds mount Optical Image Stabilizer: Yes (POWER O.I.S.) Focal Length: f=12-60mm (35mm camera equivalent 24-120mm) Aperture Type: 9 diaphragm blades / Circular aperture diaphragm Maximum Aperture: F2.8 (Wide) - F4.0 (Tele) Minimum Aperture: F22 Closest Focusing Distance: 0.20m/0.66ft (at focal length 12mm) / 0.24m/0.79ft (at focal length 60mm) Maximum magnification: Approx. 0.3x / 0.6x (35mm camera equivalent) General Diagonal Angle of View: 84°(Wide) - 20°(Tele) Filter Size: f62mm Max. Diameter: f68.4mm Overall Length: Approx. 86mm (from the tip of the lens to the base side of the lens mount) Weight: Approx. 320g (excluding lens cap, lens rear cap and lens hood) Standard Accessories: Lens cap, Lens rear cap, Lens hood, Lens storage bag

Panasonic Vario Telephoto Zoom Lens 45-150mm H-FS45150 Micro Four Thirds Telephoto zoom lens, 90-300mm (35mm camera equivilent) Even at high zoom ranges, you will enjoy clear contours and contrasts thanks to built-in image stabilisation. With the 150mm setting (35mm camera equivalent: 300mm), the background appears as if it were right behind your subject. Capture natural-looking portraits in the medium telephoto range. The silent focusing feature for both photos and videos ensure you will be able to capture nature at its best. Features Lens Construction: 12 elements in 9 groups (2 aspherical lenses , 1 UHR lens)Mount: Micro Four Thirds mountOptical Image Stabilizer: Yes (MEGA O.I.S.)Focal Length: f=45-150mm (35mm camera equivalent 90-300mm)Aperture Type: 7 diaphragm blades / Circular aperture diaphragmMaximum Aperture: F4.0(Wide) - F5.6(TELE)Minimum Aperture: F22Closest Focusing Distance: 0.9mMaximum magnification Approx.: 0.17x / 0.35x (35mm camera equivalent) General Diagonal Angle of View: 27°(Wide) to 8.2°(TELE)Filter Size: φ52mm Max. Diameter: φ62mm Overall Length Approx.: 73mm (from the tip of the lens to the base side of the lens mount)Weight [g] Approx.: 200g (excluding lens cap and lens rear cap)

SLR Magic 25mm T0.95 Hyperprime Cine III Lens MFT SKU: SLR-2595MFT The SLR Magic 25mm T0.95 Hyperprime Cine III Lens is one of the World's brightest 25mm lenses available. This is the new updated version which has been strengthened to assist operation when using with the Anamophot, anamorphic adapter. Lens support is still recommended, particularly when using additional dioptres. Aimed at movie and film use with a smooth decoupled aperture allowing seemless transitions of exposure. The fast T0.95 aperture allows shallow depth of field and offers a dreamy and unique character. The 25mm is also perfect for both low-light photography and cinematography. The SLR Magic 25mm T0.95 Hyperprime Cine III lens is dedicated to Micro Four Thirds (MFT) mount cameras, currently Panasonic, Olympus and Blackmagic Cinema cameras. The 25mm Hyperprime is a manual focus only lens with superb metal construction to the highest standards. The impressive workmanship is well suited for professional use. Both aperture and focus rings have integrated gearing for use on follow focus systems and camera rigs. The 25mm focal length makes it an ideal 50mm equivalent focal length. 25mm Hyperprime Cine III Lens features Micro Four Thirds (MFT) mountFocus type: ManualFocal length: 25mm (50mm MFT)Maximum aperture: T0.95Min aperture: f/16Min focusing distance: 0.20MNo. of diaphragm blades: 12Lens construction: 12 Elements in 10 groupsDimensions Length: 74.6mmWeight: 450gLens Hood: OptionalFilter Size: 52mm

SLR Magic 8mm f/4 Lens SKU: SLR-0840MFT 8mm F4 Ultra wide-angle lens features Ultra wide-angle lensAvailable mounts: Micro Four Thirds (MFT)Focus type: ManualOptical Design: 9 elements in 8 groupsDistance range: 0.10m to ∞Manually controlled diaphragm, 7 aperture blades, Lowest value 16Angle of view: 140 degreesLens mount: micro four thirdsFilter Mount: Internal thread for 43mm filters; filter mount rotates while focusingFilter adapter (included) for 52mm filtersLength to bayonet mount: approx. 41.4mmLargest diameter: approx. 46.1mm Weight: approx. 110g

SLR Magic CINE 1021MFT 10mm T2.1 Hyperprime Cine Lens (MFT Mount) SKU: SLR-1021MFT The SLR Magic HyperPrime CINE 10mm T2.1 Lens is an ultra wide angle lens exclusive designed for Micro Four Thirds (MFT) mount cameras. The field of view corresponds to 20mm in 35mm format which opens up many new creative possibilities, in particular architectural and landscape cinematography and photography. It is integrated with a smooth decoupled greared aperture ring (allows seemless transitions of exposure) and gearing to the focus ring to allow ease of use for "follow-focus" systems. The maximum fast aperture of T2.1 makes the 10mm Hyperprime Cine Lens ideally suited to available light photography. The lens is dedicated to Micro Four Thirds (MFT) mount cameras, currently Panasonic, Olympus and Blackmagic Cinema cameras. The SLR Magic 10mm Hyperprime is a manual focus only lens with a superb anodised, metal body manufactured to the highest standards. SLR Magic CINE 1021MFT features Ultra wide angle lensLow edge and corner distortionGeared Focus and Iris control ringsClickless Iris ringIdeal for architectural and landscape cinematography / photographyMicro Four Thirds (MFT) mount SLR Magic CINE 1021MFT technical data Focus type: ManualFocal length: 10mm (20mm MFT)Maximum aperture: T2.1Min aperture: T16Angle of view: N/AMin focusing distance: 0.20MNo. of diaphragm blades: 12Lens construction: 13 Elements in 12 groupsDimensions: Length: 79mmWeight: 420gAvailable mounts: Micro Four Thirds (MFT)Lens Hood: N/AFilter Size: 77mm In the box LensLens capLens back cap

SLR Magic HyperPrime CINE 5095MFT SKU: SLR-5095MFT The SLR Magic HyperPrime CINE 5095MFT is new lens designed for Micro Four Thirds (MFT) mount cameras. The field of view corresponds to 100mm in 35mm format which opens up many new creative possibilities, in particular portrait photography and documentary cinematography. The twelve bladed aperture provides beautiful, creamy bokeh (de-focused backgrounds) giving that distinct visual style, that many other lenses do not offer. As usual with SLR Magic CINE lenses it is integrated with a smooth decoupled greared aperture ring (allows seem-less transitions of exposure) and gearing to the focus ring to allow ease of use for "follow-focus" systems. The maximum ultra fast aperture of T0.95 makes the 50mm Hyperprime Cine Lens ideally suited to available light photography.With a Micro Four Thirds (MFT) mount, the lens is compatible with Panasonic, Olympus and Blackmagic Cinema cameras. The HyperPrime CINE 5095MFT is a manual focus only lens with an anodised metal body manufactured to the highest standards In the box LensLens capLens back cap Technical data Hyperprime Cine 50mm T0.95 LensMicro Four Thirds (MFT) mountFocus type: ManualFocal length: 50mm (100mm MFT)Maximum aperture: T0.95Min aperture: T16Angle of view: N/AMin focusing distance: 0.60MNo. of diaphragm blades: 12Lens construction: 13 Elements in 12 groupsDimensions Length: 81.7mm, Width: 71.7mmWeight: 620gAvailable mounts: Micro Four Thirds (MFT)Lens Hood: N/AFilter Size: 62mm

SLR Magic MicroPrime Cine 18mm MFT Mount Lens SKU: SLR-MP17MFT SLR Magic MicroPrime CINE 1728MFT is 18mm T2.8 MicroPrime CINE Lens and covers MFT Mount. MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing. Specification Dimensions: Length 75.0mmFilter Size: 82mmFocal Length: 17mmLens Construction: 10 Elements in 9 GroupsMaximum Aperture: T2.8Minimum Aperture: T16Mount Type: Micro Four ThirdsWeight: 550g

SLR Magic MicroPrime Cine 17mm MFT Mount Lens SKU: SLR-MP17MFT SLR Magic MicroPrime CINE 1828MFT is 17mm T2.8 MicroPrime CINE Lens and covers MFT Mount. MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing. Specification Dimensions: Length 75.0mmFilter Size: 82mmFocal Length: 17mmLens Construction: 10 Elements in 9 GroupsMaximum Aperture: T2.8Minimum Aperture: T16Mount Type: Micro Four ThirdsWeight: 550g

SLR Magic MicroPrime Cine 21mm T1.6 Lens (MFT) SKU: SLR-MP21MFT SLR Magic MicroPrime Cine 21mm T1.6 Lens covers MFT image sensors. MicroPrime Cine 21mm T1.6 Lens is suitable for 4K capture and features consistent gear positioning to enable quick lens changes. SLR Magic MicroPrime Cine serie includes lenses is similar size and weight. Lens Construction: 13 elements in 11 groupsLens Type: PrimeMount Type: MFTWeight: 700g

SLR Magic MicroPrime Cine 50mm T1.4 Lens SKU: SLR-MP50MFT SLR Magic MicroPrime Cine 50mm T1.4 Lens covers MFT image sensors. SLR Magic MicroPrime Cine 50mm is suitable for 4K capture and features consistent gear positioning to enable quick lens changes. SLR Magic MicroPrime Cine serie includes lenses is similar size and weight. 50mm T1.4 MicroPrime CINE Lens - MFT MountImage Circle: θ32Lens Construction: 6 elements in 5 groupsMount Type: MFTWeight: 630g

Tokina 18mm T1.5 Cinema Vista Prime Lens The brand new Tokina Cinema Vista series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. The Cinema Vista primes exhibit an image circle that exceeds that of 35mm Full Frame making them an excellent choice for large format cameras. The Cinema Vista series also benefit from a design that produces nearly zero focus breathing - a feature traditionally reserved for exotic lenses with a much higher price tag. Tokina Vista Prime features Fast T1.5 T stop, good for low light filmingNearly no breathing during focus pullsVery pleasing image character across the Iris range and usable wide openT1.5 through to T22 Iris rangeUse of aspherical elements and modern coatings, nicely corrected image, exceptionally low chromatic abberationsNewly designed large format cinema glassImage circle of 46.7mm covers FF35, VistaVision and  Red Dragon 8K VVClearly marked focus and iris scales on both sides of the lensesConsistent 114mm front outer diameter, good for efficient matte box useLenses also feature a 112mm screw-in filter size (Excluding Vista 18mm)Consistent length of lenses, good for quick lens changesConsistent length of lens during focus pull, swing away matte box stays put9 bladed Iris for rounded bokeh aestheticNo image shift during focus pullRobust construction materials, good for long term use and ownershipShimmable mount 18mm SPECIFICATIONS Mount:PL, Canon EF, MFT, Sony EFocal Distance: 18mm PL Image Circle: φ46.7mm EF Image Circle: φ46.7mm MFT Image Circle: φ40.8mm Sony E Image Circle: φ45.6mmOptical Structure: 14 groups /17 elementsSensor Size: Full Frame 35mmMinimum Focus Distance: 0.45mMaximum Macro Magnification: 1:14.37Focus Mode: Internal Focus SystemAperture/Iris Blades: 9 BladesDepth of Field: T1.5 to T22Filter Size: -PL Mount overall length: 182mm (168mm from mount surface) Canon EF Mount overall length: 182mm (176mm from mount surface) MFT Mount overall length: 205mm (201mm from mount surface) Sony E Mount overall length: 208mm (202mm from mount surface)Diameter of Front Head: φ114mmMaximum Diameter: φ114mm (Excluding Tripod Collar) PL Mount weight: 2.68kg Canon EF Mount weight: 2.76kg MFT Mount weight: 2.81kg Sony Mount weight: 2.85kg

Tokina 25mm T1.5 Cinema Vista Prime Lens Tokina Cinema Vista Prime FEATURES Fast T1.5 T stop, good for low light filmingNearly no breathing during focus pullsVery pleasing image character across the Iris range and  usable wide openT1.5 through to T22 Iris rangeUse of aspherical elements and modern coatings, nicely corrected image, exceptionally low chromatic abberationsNewly designed large format cinema glassImage circle of 46.7mm covers FF35, VistaVision and Red Dragon 8K VVClearly marked focus and iris scales on both sides of the lensesConsistent 114mm front outer diameter, good for efficient matte box useLenses also feature a 112mm screw-in filter size (Excluding Vista 18mm)Consistent length of lenses, good for quick lens changesConsistent length of lens during focus pull, swing away matte box stays pu9 bladed Iris for rounded bokeh aestheticNo image shift during focus pullRobust construction materials, good for long term use and ownershipShimmable mount 25mm SPECIFICATIONS Mount: PL, Canon EF, MFT, Sony EFocal Distance: 25mm PL  Image Circle : φ46.7mm EF Image Circle : φ46.7mm MFT Image Circle: φ40.8mmSony E Image Circle: φ45.6mmOptical Structure: 15 groups /16 elementsSensor Size: Full Frame 35mmMinimum Focus Distance: 0.35mMaximum Macro Magnification: 1:7,80Focus Mode: Internal Focus SystemAperture/Iris Blades: 9 BladesDepth of Field: T1.5 to T22Filter Size: 112mm PL Mount Overall Length: 155mm (141mm from mount surface) Canon EF Mount Overall Length: 155mm (149mm from mount surface) MFT Mount Overall Length: 178mm (174mm from mount surface) Sony E Mount Overall Length: 181mm (175mm from mount surface)Diameter of Front Head: φ114mmMaximum Diameter: φ114mm (Excluding Tripod Collar) PL Mount Weight: 2.19kgCanon EF Mount Weight: 2.27kg MFT Mount Weight: 2.32kgSony E Mount Weight: 2.36kg

TOKINA 35mm T1.5 Vista Prime CINEMA LENS Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revoluationary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.  TOKINA Vista Prime features Super Fast T1.5 ApertureVirtually No BreathingA Focus Rotation Angle of Approximately 300 Degrees8K Resolution and Coverage CapableHigh Resolution - Low DistortionLow Chromatic AberrationDurable, All-metal Cine-style Housing with Geared FocusSmooth, 9-blade, curved iris 35mm SPECIFICATIONS Mount: PL, Canon EF, MFT, Sony EFocal Distance: 35mmImage Circle: PL . EF : φ46.7mm / MFT : φ40.8mm / Sony E : φ45.6mmOptical Structure: 13 groups /14 elementsSensor Size: Full Frame 35mmMinimum Focus Distance: 0.41m (16")Maximum Macro Magnification: 1:7,81Focus Mode: Internal Focus SystemAperture/Iris Blades: 9 BladesDepth of Field: T1.5 to T22Filter Size: 112mmPL Mount Overall Length: 145mm (131mm from mount surface)Canon EF Mount Overall Length: 145mm (139mm from mount surface)MFT Mount Overall Length: 168mm (164mm from mount surface)Sony E Mount Overall Length: 171mm (165mm from mount surface)Diameter of Front Head: φ114mmMaximum Diameter: φ114mm (Excluding Tripod Collar)PL Mount: 2.03kgCanon EF Mount: 2.11kgMFT Mount: 2.16kgSony E Mount: 2.2kg

Tokina 50mm T1.5 Cinema Vista Prime Lens Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revoluationary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.   Tokina Cinema Vista Prime Lens features Super Fast T1.5 ApertureVirtually No BreathingA Focus Rotation Angle of Approximately 300 Degrees8K Resoluation and Coverage CapableHigh Resolution - Low DistortionLow Chromatic AberrationDurable, All-metal Cine-style Housing with Geared FocusSmooth, 9-blade, curved iris Tokina 50mm T1.5 SPECIFICATIONS Mount: PL, Canon EF, MFT, Sony EFocal Distance: 50mmImage Circle: φ46.7mmOptical Structure: 10 groups /13 elementsSensor Size: Full Frame 35mmMinimum Focus Distance: 0.48ｍ（19”）Maximum Macro Magnification: 1：7.01Focus Mode: Internal Focus SystemAperture/Iris Blades: 9 BladesDepth of Field: T1.5Filter Size: 112mmPL Mount Overall Length: 145mm (131mm from mount surface)Canon EF Mount Overall Length:145mm (139mm from mount surface)MFT Mount Overall Length:168mm (164mm from mount surface)Sony E Mount Overall Length: 171mm (165mm from mount surface)Diameter of Front Head: φ114mmMaximum Diameter: φ114mmPL Mount Weight: 2.11kgCanon EF Mount Weight:2.19kgMFT Mount Weight: 2.24kgSony E Mount Weight: 2.28kg

TOKINA 85mm T1.5 Vista Prime CINEMA LENS Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. These revoluationary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including VistaVision format. The new Vista series all are the exact same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.  TOKINA Vista Prime features Super Fast T1.5 ApertureVirtually No BreathingA Focus Rotation Angle of Approximately 300 Degrees8K Resolution and Coverage CapableHigh Resolution - Low DistortionLow Chromatic AberrationDurable, All-metal Cine-style Housing with Geared FocusSmooth, 9-blade, curved iris TOKINA 85mm T1.5 SPECIFICATIONS Mount: PL, Canon EF, MFT, Sony EFocal Distance: 50mmImage Circle: φ46.7mmOptical Structure: 10 groups /13 elementsSensor Size: Full Frame 35mmMinimum Focus Distance: 0.95（37.5”）Maximum Macro Magnification: 1：9.92Focus Mode: Internal Focus SystemAperture/Iris Blades: 9 BladesDepth of Field: T1.5Filter Size: 112mmPL Mount Overall Lenght: 145mm (131mm from mount surface)Canon EF Mount Overall Lenght: 145mm (139mm from mount surface)MFT Mount Overall Lenght: 168mm (164mm from mount surface)Sony E Mount Overall Lenght: 171mm (165mm from mount surface)Diameter of Front Head: φ114mmMaximum Diameter: φ114mmPL Mount weight: 2.15kgCanon EF Mount weight: 2.23kgMFT Mount weight: 2.29kgSony E Mount weight: 2.32kg

Zeiss Compact Prime CP.3 100/T2.1 Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors. The ZEISS eXtended Data technology adds new opportunities to simplify and increase the accuracy of the image capture and processing workflow. ZEISS eXtended Data unifies two data sets: key lens data based on the open /i Technology standard and supported by a wide range of cameras and accessories, plus ZEISS specific lens data that contains precise lens characteristics. The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life. The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots. Zeiss CP.3 100 mm T2.1 technical data Aperture: T 2.1 to T 22Close Focus: 0.7 mLength: 126.5 mmFront diameter: 95 mmWeight: 1.01 kgFullframe: 20°APS-H: 17°Super 35: 14°Normal 35: 13°APS-C: 13°MFT: 10 Interchangeable mount system The ZEISS CP.3 lenses are equipped with an easy-to-operate, interchangeable mount system. It enables a quick change from the typical cine-style PL-mount to four other mount options (Canon EF, Nikon F, Sony E or MFT). Five different mounts available PL-MountCanon EF MountSony E-MountNikon F MountMFT Mount

Zeiss Compact Prime CP.3 135/T2.1 The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set. The ZEISS Compact Prime CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production. The ZEISS eXtended Data is a unique technology which is based on the /i Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films, commercials and television shows. A professional toolset, offering many benefits No matter the size of the production or the number of people on the team, the ZEISS CP.3 XD lenses benefit large teams or solo-operations. ZEISS eXtended Data technology will accelerate the workflow and facilitates the collaboration between the production and post-production departments. Processing options of ZEISS eXtended Data The ZEISS CP.3 XD provides an end-to-end solution for recording and feeding data for onset application and in post-production. ZEISS eXtended Data is processed in real-time and recorded frame accurate. The data can be transferred in one of two ways. Either to any supported equipment via an external LEMO™ interface or directly to any camera compatible with the /i Technology standard via a 4-pin interface (PL-mount). With the additional ZEISS plug-in for leading compositing and editing software tools, the lens’ characteristics can be removed and/or reapplied to the footage. Zeiss CP.3 135 mm T2.1 technical data Aperture: T 2.1 to T 22Close Focus: 1.0 mLength: 126.5 mmFront diameter: 95 mmWeight: 1.15 kgFullframe: 15°APS-H: 13°Super 35: 11°Normal 35: 9°APS-C: 9°MFT: 7° Interchangeable mount system The ZEISS CP.3 lenses are equipped with an easy-to-operate, interchangeable mount system. It enables a quick change from the typical cine-style PL-mount to four other mount options (Canon EF, Nikon F, Sony E or MFT). Five different mounts available PL-MountCanon EF MountSony E-MountNikon F MountMFT Mount

Zeiss Compact Prime CP.3 15/T2.9 The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. CP.3 lenses are compatible with a wider range of cameras and mount types than any other cine lens on the market. Aperture: T 2.9 to T 22Close Focus: 0.3 mLength: 83.7 mmFront diameter: 95 mmWeight: 0.87 kgFullframe: 100°APS-H: 90°Super 35: 79°Normal 35: 73°APS-C: 73°MFT: 60° True cine look Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lensesColor matching and covering full frame across the full range of focal lengths from 15 to 135 mmSpecial lens coatings support high-dynamic range projects Ultimate cine ergonomics Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on setExtraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction designConsistent T-stops simplify lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm) Compact design for the new digital workflow The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications Consistent size and weight across most of the focal lengthsenables quick change of lenses when used on drones and gimbals The ultra-smooth focus rotation allows use of small focus motors Mastering the digital cinema workflow The ZEISS eXtended Data is a unique technology that provides information about the lens’ distortion and shading characteristics in real-timeThe lens settings are digitally captured on every frame, avoiding the need to manually record the lens settings for every shot Documentation of the lens’ characteristics enhances creativity by allowing more complex shots to be handled in post-production