Chrosziel Zoom-Motor Angenieux EZ1-2 SKU: CDM-EZ-Z2 Chrosziel CDM-EZ-Z2 - compact control-unit for Angenieux EZ-1 and Angenieux EZ-2 for controlling zoom. For usage with orig. Sony handgrip (PXW-FS5, PXW-FS7, PXW-FX9) or LANC zoom devices. Incl. 1x digital servo-motor-unit, 1x LANC cable, 1x LANC extension cable, 1x CAB-FX9 Sony Multi cable, 1 x MN-AB-A90 (powercable 12 Volt A/B D-Tap 0B 5pin angled), 1x Allen Key, 1x Mini-USBadapter.

Chrosziel Zoomer SKU: CDM-UNI-Z2 The Zoomer is a compact and universal zoom motor that can be pivoted to almost any lens by simply mounting it on a 15mm rod. The universal motor unit CDM-UNI-Z2 fits seamlessly into the operating functions of the Sony cameras of the FX9 / FX6 / FS7 / FS5 series. The servo drive is controlled via the zoom rocker on the handle. The motor control can be addressed via Sony's camera-specific protocol and also works independently of the camera signals when a LANC zoom rocker is plugged directly into the servo. Due to the included Chrosziel Flexi toothed ring (#206-30), the Zoomer can be used with almost any zoom lens even without toothing. The multi-function handgrip, which in addition to the recording function and a zoom rocker also provide control over the camera menu and other freely selectable functions, are extremely popular on current video cameras with large sensors and are indispensable for effective operation. The Chrosziel Universal Zoom Servo Drive now allows optimal use of all manual zoom lenses together with the multi-function handgrip. For this purpose, the Zoomer is slid onto a 15mm rod and swiveled onto the zoom lens. Two plug-in cables establish the connection with the camera. One cable is used for the power supply from the camera battery, the second for the connection to the control commands between the handle and the camera. When using a standard LANC zoom rocker or handle with the Sony PXW-FS5, PXW-FS7 and PXW-FS7II, the servo is connected between the handle and the camera via an input and an output jack to receive all zoom control signals. For setup with the Sony PXW-FX9 camera, a Y-cable is used that accepts the Sony multi-connector and connects to both the input jack of the Zoomer and the input jack of the camera. For the Sony ILME-FX6 camera, a Y-cable is used and connects the 3.5mm connector of the Sony handgrip, input jack of the Universal Zoom Servo Drive, and the Sony camera.  FEATURES Universal zoom motorControlled via Sony and LANC handgripCamera control signals forwarded Technical data Power supply 10-30V (Lemo compatible 0B 5-pin)2.5mm socket (control command In)3.5mm socket (control command In&Out)USB Type min A-B (firmware updates)Torque 0.5NmPower consumption max. approx. 350mAh @ 12V IN THE BOX 1x CDM-UNI-Z2 Digital motor unit1x LANC cable1x LANC extension cable1x MN-AB-A90 (power supply cable 12 Volt A/B D-Tap – angled 90° rotated 0B 5pin) 1x 206-30 Flexi Gear Ring (Ø 60-120mm)1x Gear Drive, mod. 0.8 (Ø 40mm)1x CAB-FX9 for Sony PXW-FX9 compatibility1x CAB-FX6 for Sony PXW-FX6 compatibilityUSB Mini Adapter

Computar 2/3″ 5mm F2.8 C-Mount lens SKU: M0528-MPW3 This super high resolution lens is perfect for wide angle 4K shooting that’s free of fisheye distortion! This exceptional lens produces outstanding results with Back-Bone modified GoPro cameras or any other 1/2″ or 2/3″ C-Mount camera. It features focus and iris locking screws and 72mm filter threads. 6 iris blades make for a pleasing cinematic bokeh. Add additional 1mm C-Mount spacers for stunning macro. It’s compact size and low weight make it a perfect companion for your modified GoPro camera! 35mm equivalent focal length ~28mm. Technical Information Format: 2/3″Focal Length: 5mmAperture: F2.8 – F16Iris Type: Manual IrisHorizontal FOV: ~60 degrees (on Back-Bone modified GoPro)Mount: C-MountWeight: 162 g Features Manual focus / iris72mm filter threadsFocus and iris locking screws6 iris blades Compact

Computar 2/3" 25mm F2.8 6MP (C-Mount)SKU: M2528-MPW36MP 2/3", 25mm F2.8, 2.74um, Ultra Low Distortion w/floating systems (C-mount)This super high resolution lens is great for cinematic close-ups! Perfect for 4K shooting! This exceptional lens produces outstanding results with Back-Bone modified GoPro cameras or any other 1/2″ or 2/3″ C-Mount camera. It features focus and iris locking screws and 27mm filter threads. 6 iris blades make for a pleasing cinematic bokeh. Add additional 5mm C-Mount spacers for stunning macro. It’s compact size and low weight make it a perfect companion for your modified GoPro camera! 35mm equivalent focal length ~140mm.Technical InformationFormat: 2/3″Focal Length: 25mmAperture: F2.8 – F16Iris Type: Manual IrisHorizontal FOV: ~14 degrees (on Back-Bone modified GoPro)Mount: C-MountWeight: 42 gFeaturesHigh resolution optics perfect for 4K25mm = F2.8 – F16Compact & LightweightShorter Working DistanceNominal Distortion DesignEnsures Corner Brightness

Computar 2/3" 35mm F2.8 6MP (C Mount)SKU: M3528-MPW3 6MP2/3" 35mm F2.8 Machine Vision Lens (C-Mount)This super high resolution lens is great for cinematic close-ups! Perfect for 4K shooting! This exceptional lens produces outstanding results with Back-Bone modified GoPro cameras or any other 1/2″ or 2/3″ C-Mount camera. It features focus and iris locking screws and 27mm filter threads. 6 iris blades make for a pleasing cinematic bokeh. Add additional 5mm C-Mount spacers for stunning macro. It’s compact size and low weight make it a perfect companion for your modified GoPro camera! 35mm equivalent focal length ~192mmTechnical InformationFormat: 2/3″4K / 8MPFocal Length: 35mmAperture: F2.8 – F16Iris Type: Manual IrisHorizontal FOV: ~9.3 degrees (on Back-Bone modified GoPro)Mount: C-MountWeight: 48 gFeaturesHigh resolution optics perfect for 4K (8MP)35mmF2.8 – F16Compact & LightweightShorter Working DistanceNominal Distortion DesignEnsures Corner Brightnes

Computar 2/3" 50mm F2.8 6MP (C-Mount)SKU: M5028-MPW3 6MP2/3" 50mm F2.8 Machine Vision Lens (C-Mount)The MPW3 Series C-mount lenses are lightweight and have a very compact design. Important factors such as very low distortion, reliable illumination right up to the edge, and short working distances have been retained. They are suitable for sensors from 1/2.5“ to 2/3“ and optimized for the sensor types: IMX250, IMX264, ICX625, RJ32S4, EV2S05M, IMX178.Technical InformationFormat: 2/3″4K / 8MPFocal Length: 50mmAperture: F2.8 – F16Iris Type: Manual IrisHorizontal FOV: ~6.5 degrees (on Back-Bone modified GoPro)Mount: C-MountWeight: 65 gFeatures2/3” Format6 Megapixel50mm FixedF2.8Full HD FormatFixed Iris Compact & LightweightShorter Working DistanceNominal Distortion DesignEnsures Corner BrightnessAvailable in 5mm, 8mm, 12mm, 16mm, 35mm, 50mm, and 75mm

Computar 2/3" 75mm F2.8 6MP (C Mount)SKU: M7528-MPW38MP 2/3" 75mm F2.8 Machine Vision Lens (C-Mount)The MPW3 Series C-mount lenses are lightweight and have a very compact design. Important factors such as very low distortion, reliable illumination right up to the edge, and short working distances have been retained. They are suitable for sensors from 1/2.5“ to 2/3“ and optimized for the sensor types: IMX250, IMX264, ICX625, RJ32S4, EV2S05M, IMX178.Technical InformationFormat: 2/3″4K / 8MPFocal Length: 75mmAperture: F2.8 – F16Iris Type: Manual IrisHorizontal FOV: ~4.3 degrees (on Back-Bone modified GoPro)Mount: C-MountWeight: 102 gFeatures2/3” Format6 Megapixel50mm FixedF2.8Full HD FormatFixed IrisCompact & LightweightShorter Working DistanceNominal Distortion DesignEnsures Corner BrightnessAvailable in 5mm, 8mm, 12mm, 16mm, 35mm, 50mm, and 75mm

Computar 2/3″ 3.3X Macro Zoom C-Mount SKU: MLM3X-MP Turn your modified GoPro into a world class inspection camera! Get incredible macro shots! This outstanding HD lens has a design dedicated to capturing incredible detail up close. Note: this 2/3″ 3.3X Macro Zoom C-Mount lens is optimized for macro shooting at a distance of 90mm (3.54″), focus on infinity is not possible. Technical Information Format:  2/3″Max Magnification: 0.3X – 1.0XAperture: F4.5 – F22CIris Type: Manual IrisFilter threads: 34mm (M34 P0.5mm)Mount: C-MountWeight: 150 g Features Megapixel optics for ultra high resolution imagesManual IrisVarifocalPrecise Focus AdjustmentFocus, iris and zoom locking screws

Computar V5024-MPZ For Machine Vision Applications50mm Fixed LensCompatible with up 20 Megapixel CamerasC MountF 2.4Shorter Working DistanceCompact & Light weightVibration resistance up to 5GNominal Distortion DesignEnsure Corner Brightness

Cooke miniS4/i 18mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 82°Length from Front of Lens to Lens Mount 120 mmMax Front Diameter 110 mmTotal Weight 1.30 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke mini S4/i 25mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 62°Length from Front of Lens to Lens Mount 106 mmMax Front Diameter 87 mmTotal Weight 1.40 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke mini S4/i 32mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 300 mmClose Focus from Lens Front 139 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 50°Length from Front of Lens to Lens Mount 110 mmMax Front Diameter 87 mmTotal Weight 1.60 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke miniS4/i Cine Lens Set The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Cooke miniS4/i features Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Main Features of Cooke's Lenses The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationAccessible via contacts in PL mount that sync with /i compatible camerasAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatEvery index mark is labelled. More detailed markings allow for more detailed focus controlCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementArriflex PL MountLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8A scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22The lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

Cooke SP3 T2.4 Full-Frame Prime Lens (E-Mount)Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro. SP3 is a completely new design optimised - optically and mechanically - for full-frame mirrorless cameras. SP3 will enable more creatives to enhance the visual narrative of their stories.Cooke SP3 combines resolution and colour to transmit a character’s emotion in a more believable way. The calibrated on-axis sharpness off the SP3 optical design subtly draws the viewers’ attention to the centre of the image to produce an experience subconsciously familiar to human vision.A sharpness designed into the centre of the image is complimented by a gentle focus fall-off towards the frame edge offering the DOP extra dimensionality to shape the image. A core imaging effect of using the SP3 is that these lenses are sharp on the optical axis, which translates to being sharp in the centre of the image. This is complimented by a delicate fall-off towards the edge of the frame mimicking the way the human eye sees the world.FeaturesFocal lengths: 18mm / 25mm / 32mm / 50mm / 75mm / 100mmComes with E-mount installedFull FrameT2.4 throughout the range9 bladed IrisMatches perfectly with Cooke Panchro/i ClassicDual focus scale (imperial and metric scales)Small and lightweight yet finished in tough anodised shellShared architecture: Focus and Iris mechanics are aligned across the set, to allow for fast lens changes and to maintain focus and iris motor positionsSmooth and accurate focus and iris axis feelIndustry-standard mechanical interfaces for all focus systems and third party lens supportsImaging CharacteristicSP3 is closely based on Speed Panchro, the classic Cooke lens championed by Hollywood filmmakersThe Cooke Look: SP3 provides the heightened dimensionality and contrast performance that renders images with greater realismSP3 renders faces with remarkably believable skin tone and characterSP3 offers outstanding definition and resolution yet features fall-off towards the edge of frame: a key factor in its famous cinematic lookSpecialised Cooke cinematic optical coatings that ensure control of flare and matched colour across the set

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g

DZOFILM Arcana Prime T2.1 Full-frame 1.5X Hybrid Anamorphic Prime Lens (PL mount)The DZOFILM Arcana Anamorphic lenses are a full-frame 1.5x hybrid anamorphic prime series designed for filmmakers who want a strong anamorphic look in a compact, production-friendly form factor. The series combines a constant T2.1 aperture, a lightweight body of around 700 g, and a consistent mechanical design that works especially well for handheld, gimbal, and fast-paced cinema workflows. Arcana is built to deliver the visual character many users expect from anamorphic optics while keeping handling simple and accessible. DZOFILM highlights the series for its 2X-style waterfall bokeh, natural streak flares created by the front cylindrical optical design, and 12K+ resolving power.The lenses also use up to 3 ED elements to reduce chromatic aberration and maintain clean color and edge performance. A major practical strength of the Arcana range is its consistency across the lineup. The lenses share an 80 mm front diameter, 270° focus throw, 14-blade iris, and M77 filter thread, helping crews move faster when swapping lenses and keeping accessories more streamlined on set. This makes the series well suited for owner-operators, small studios, film students, independent productions, and rental environments looking for anamorphic style without the size and complexity of larger traditional anamorphic systems.With close-focus distances down to 0.48 m, PL mount design, and compatibility with gimbal-oriented workflows including Ronin 4D and RS3/RS4-class setups, Arcana is positioned as a flexible entry point into full-frame anamorphic shooting. It is fully manual, with no electronic communication, autofocus, or Cooke /i support. FeaturesFull-frame 1.5x hybrid anamorphic prime lens seriesT2.1 aperture across the rangeDistinctive anamorphic rendering with 2X-style waterfall bokehFront cylindrical design for natural, characterful streak flares14-blade dynamic elliptical iris12K+ resolving powerUp to 3 ED elements for reduced chromatic aberrationApprox. 700 g lightweight designUnified 80 mm front diameter across the series270° focus throw for precise manual focusingM77 filter threadClose focus from 0.48 m to 0.78 m, depending on focal lengthPL mountFully manual lens design with no electronicsSuitable for handheld, gimbal, Ronin 4D, and RS3/RS4 workflowsTechnical dataProduct type: Full-frame 1.5x hybrid anamorphic primeFocal lengths: 32 mm / 45 mm / 75 mmSqueeze factor: 1.5xMount: PLAperture: T2.1Image circle: ø43.3 mm (full frame)Focus control: ManualIris control: ManualFront diameter: ø80 mm / 3.15"Length: 80 mm / 3.15"Iris blades: 14Filter thread: M77Focus throw: 270°Variant-specific specificationsArcana 32mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.48 m / 1'7" Iris control: 52.26°Weight: 700 gArcana 45mm T2.1Optical construction: 15 elements in 13 groupsMinimum focus distance: 0.5 m / 1'9"Iris control: 51.96°Weight: 695 gArcana 75mm T2.1Optical construction: 15 elements in 11 groupsMinimum focus distance: 0.78 m / 2'7"Iris control: 59.53°Weight: 700 g