Laowa Sunlight Interchangeable bayonet Laowa Sunlight Interchangeable bayonet forSunlight 40-80mm FF Anamorphic ZoomSunlight 70-135mm FF Anamorphic ZoomAvailable Lens MountCanon RFLeica LNikon ZSony FE
Laowa Sunlight Interchangeable bayonet Laowa Sunlight Interchangeable bayonet forSunlight 40-80mm FF Anamorphic ZoomSunlight 70-135mm FF Anamorphic ZoomAvailable Lens MountCanon RFLeica LNikon ZSony FE
Laowa Sunlight Interchangeable bayonet Laowa Sunlight Interchangeable bayonet forSunlight 40-80mm FF Anamorphic ZoomSunlight 70-135mm FF Anamorphic ZoomAvailable Lens MountCanon RFLeica LNikon ZSony FE
Laowa Sunlight Interchangeable bayonet Laowa Sunlight Interchangeable bayonet forSunlight 40-80mm FF Anamorphic ZoomSunlight 70-135mm FF Anamorphic ZoomAvailable Lens MountCanon RFLeica LNikon ZSony FE
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI
Marshall CS-3816-8MP-V2 CS-Mount Varifocal LensMount Type: CSMegapixel Rating: 8MPFocal Length: 3.8~16mmHorizontal AOV on CV420 (1/1.7"): 84°~23° (1/2.5")Iris: DC (4 pin)Focus: F1.4 (W) ~ 1.6 (T)F-Stop: 0.5m~∞
Marshall CS-5.0-12MP Marshall CS-5.0-12MP 12MP 5.0mm 4K Fixed CS Lens is a CS-Mount 5mm Fixed Lens designed for use with 12MP cameras that have a 1/1.7" sensor. This lens has a 5mm focal length that delivers an 87° horizontal field of view. It is IR corrected and features fixed iris operation. Technical data Lens Mount: CSSensor Compatibility: 1/1.7", 1/2.5", 1/3"Focal Length: 5mmBack Focal Length: 6.39mmAperture: f/2Angle of View - 1/1.7" Sensor Diagonal: 114.4° / Horizontal: 87° / Vertical: 61.8°Angle of View - 1/2.5" Sensor: Diagonal: 87° / Horizontal: 68.6° / Vertical: 49.7°Angle of View - 1/3" Sensor: Diagonal: 70.9°/ Horizontal: 55.5° / Vertical: 41.2°Minimum Object Distance: 0.98' / 0.3 mFocus Type: Fixed FocusIris Type: FixedDistortion: -43.7%IR Corrected: YesOperating Temperature: -20 to 60°CFlange Back Length: 12.5 mmDimensions (ø x L): 28 x 31.3 mmWeight: 40.9 g
MID49 LiFT Lens Support (15mm LW)LiFT Lens Support (15mm LW) attaches to 15mm rods in lightweight spacing (60mm apart center to center) and supports lenses with a 3/8-16 or 1/4-20 support foot. Adjustable center column allows the support to reach most standard lens feet heights.If additional distance is needed, consider adding the Adapter and Y Bracket Set, which includes two lengths of 3/8-16 extension, stainless steel 1/4-20 and 3/8-16 caps, and a rolling Y bracket for lenses that need support under a rotating lens barrel.
MID49 LiFT Lens Support (15mm LW)LiFT Lens Support (15mm LW) attaches to 15mm rods in lightweight spacing (60mm apart center to center) and supports lenses with a 3/8-16 or 1/4-20 support foot. Adjustable center column allows the support to reach most standard lens feet heights.If additional distance is needed, consider adding the Adapter and Y Bracket Set, which includes two lengths of 3/8-16 extension, stainless steel 1/4-20 and 3/8-16 caps, and a rolling Y bracket for lenses that need support under a rotating lens barrel.
MID49 LiFT Lens Support (19mm)LiFT Lens Support (19mm) attaches to 19mm rods and supports lenses with a 3/8-16 support foot. Adjustable center column allows for vertical and side-to-side adjustment for easy installation.If additional distance is needed, consider adding the Adapter and Y Bracket Set, which includes two lengths of 3/8-16 extension, stainless steel 1/4-20 and 3/8-16 caps, and a rolling Y bracket for lenses that need support under a rotating lens barrel.
MID49 LiFT Lens Support (19mm)LiFT Lens Support (19mm) attaches to 19mm rods and supports lenses with a 3/8-16 support foot. Adjustable center column allows for vertical and side-to-side adjustment for easy installation.If additional distance is needed, consider adding the Adapter and Y Bracket Set, which includes two lengths of 3/8-16 extension, stainless steel 1/4-20 and 3/8-16 caps, and a rolling Y bracket for lenses that need support under a rotating lens barrel.
Mitutoyo M Plan Apo 7.5x Microscope LensMitutoyo microscope lenses are characterized by a long working distance combined with high optical performance.Technical SpecificationsInfinity correctedFocal length: 26.67mmMagnification: 7.5:1Working distance: 35mmMounting thread: M26 x 36tpiWeight: 240gIMPORTANTCameras with full-frame and APS-C size sensors, require the special tube MICRO-TUBE with fixed achromatic lens. We also recommend the use of the tripod support ASTAT-MICROFor better presentation, our application images may contain some accessories such as cameras, lenses, etc. which is not included in the scope of delivery.
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 40mm T1.9Featuring a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.The lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths. 25/35/40/50 & 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4. The Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 40Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 1.9Minimum Aperture: T22Weight: 875Warranty: 2 yearsFront Diameter: 80 mm
NiSi Athena Prime 135mm T2.2The NiSi Athena Cine Lenses, the ultimate set of prime lenses for cinematographers and videographers who demand uncompromising image quality and performance. Designed with the latest technology and featuring exceptional optics, these lenses are sure to elevate your filmmaking to new heights. Diameter: 80Diaphragm Blades: 10Filter Size (Circular): 77Fixed Focal Length: 135Focus Type: Manual FocusLength: 81,3Lens Format Coverage: Full FrameMaximum Aperture: 2.2Minimum Aperture: T22Minimum Focus: 100Weight: 1070 gWarranty: 2 yearsFront Diameter: 80 mm