Hollyland SOLIDCOM C1 PRO The Solidcom C1 Pro, Hollyland's first-of-its-kind full-duplex wireless intercom headset system featuring dual-mic Environmental Noise Cancellation (ENC) technology, is incredibly lightweight and easy to use. It is a true game changer with built-in ENC, ideal for production teams working in loud environments where exceptional communication clarity is essential. This new- generation headset system features advanced DECT 6.0 technology, a wideband audio range of 150Hz to 7kHz, and a reliable LOS communication range of up to 350m. Key Features Dual-Mic ENC PTT Function 150Hz–7kHz Wideband Audio 1,100ft (350m) Reliable Range DECT 6.0-Enhanced Stability Ultra-long Duration +Increased Portability & Durability Ready Out of Box Backward Compatibility A & B Dual Grouping Three-System Cascaded Connection ANNOUNCE Function Technical data Transmission Range: 1,100ft (350m) LOSFrequency Band: 1.9 GHz (DECT) (varies by country and region)Modulation Mode: GFSKRX Sensitivity: <–90dBmBattery Capacity: 700mAh (2.66Wh)Charging Time: About 2.5 hoursSignal-to-Noise Ratio: 71±2dB@94dBSPL,1kHzDistortion: <1%@94dBSPL, 150Hz–7kHzMicrophone Type: ElectretInput SPL: 115dBSPLOutput SPL: 94±3dBSPL (@94dBSPL, 1kHz)ENC: 20dB±2Net Weight: About 170g (6oz) with the battery included for each wireless headset Operation TimeRemote headset: >10 hours (ENC ON)Master headset: >5 hours (ENC ON with 5 remote headsets)Master headset: >4 hours (ENC ON with 7 remote headsets) Frequency ResponseENC OFF: 150Hz–7kHz (fluctuation range: ±6dB)ENC ON: 150Hz–7kHz (fluctuation range: ±10dB) Temperature Range0℃ to 45℃ (working condition)–10℃ to 60℃ (storage condition)
Godox AM1600R Air Light RGBThe AM1600R boasts a powerful 1600W output and delivers a soft, wide-area full-color light with CCT/HSI/RGBW/GEL/FX color modes. The GM setting allows for precise color control for any shooting scenario. Combined with a seamless 8x8 soft field, it ensures even and diffused illumination.The AM1600R is available in two sizes:4x8" (1.10 x 2.30 cm) for higher brightness8x8" (2.30 x 2.30 cm) for softer lightingBoth use the same control system. Thanks to its modular design, the light panels are easily interchangeable via hook-and-loop fasteners, while D-rings on the back make it easy to connect or expand the panels for different shooting needs.The inflatable butterfly frame uses advanced materials and precision manufacturing to significantly improve scratch and abrasion resistance, ensuring a longer service life. This eliminates the common problem of conventional air frames losing air due to on-set damage.Thanks to its exceptional structural stability, the AM1600R hangs stably without truss support, providing a lighter, sleeker solution for large-area, soft lighting. Simply connect the included pump - 8 psi in 3 minutes - and you're ready to light large spaces with ease.The The AM1600R offers various detachable accessories that can be used individually or in combination, opening up more possibilities for creative lighting setups.The AM1600R's luminaire housing and controller are designed for unpredictable weather and meet the IP54 standard. They offer reliable protection against rain, dust, and demanding outdoor conditions.The AM1600R offers all the professional control options you expect on set - CRMX, DMX, Ethernet, the KNOWLED app, and integrated control - for stable multi-light synchronization and precise real-time adjustments in complex lighting environments.To solve the storage and transportation challenges of large lighting installations, the AM1600R is fully foldable - including light panels, inflatable butterfly frame, and accessories. The custom-made flight case accommodates the entire system. No matter where your shoot takes you - just pack it up and go.The AM1600R's modular design with hook-and-loop fasteners allows for quick and easy panel replacement, saving time and money on set. A repair kit is included. is included to quickly fix any leaks in the inflatable butterfly frame. The accessories are also completely removable for easy cleaning or replacement.FeaturesAC Input Port: Input: 100-240V~, 50/60Hz, 1800WCCT Range: 1800K - 10000KGM Adjust: -100% ~ 100%Brightness Range: 0.0% ~ 100.0%Dimming Curves: linear, S-curve, exponential, logarithmicFX Modes: 14CRI: ≈ 96TLCI: ≈ 95Light Body/Controller Protection Grade: IP54Controlling Methods: DMX 512 controller, support RDM protocol/LumenRadio, CRMX/Etherne/Art-Net&sACN protocol /Bluetooth app / controller controlBluetooth Controlling Distance: 60mUSB-A Port: Firmware Upgrade/5V 1.5A Power SupplyWorking Environment Temperature: -20 ~ 45Dimensions: 2.30m x 1.10mIn the box4x81 x Light Body AM48R1 x Inflatable Butterfly Frame AF48K1 x Skirt AF48S1 x Grid AF48G1 x Pancake Lantern AP481 x Controller AM1600R1 x Diffuser Fabric AM1600R 4x8" D13-301 x Diffuser Fabric AM1600R 4x8" D11-321 x Controller Mounting Device1 x DC Power Cord1 x AC Power Cord2 x Straps4 x Safety Ropes1 x Repair Kit1 x Air Pump1 x Optical Accessories Kit1 x Flight Case 8x81 x Light Body AM88R1 x Inflatable Butterfly Frame AF88K1 x Skirt AF88S1 x Grid AF88G1 x Pancake Lantern AP881 x Controller AM1600R1 x Diffuser Fabric AM1600R 8x8" D13-301 x Diffuser Fabric AM1600R 8x8" D11-321 x Soft Film1 x Controller Mounting Device1 x DC Power Cord1 x AC Power Cord2 x Straps4 x Safety Ropes1 x Repair Kit1 x Air Pump1 x Optical Accessories Kit1 x Flight Case
Z CAM E2-F8 Mark II Full Frame 8K Professional NDI CameraSKU: ZCE2F8M2NThe Z CAM E2-F8 Mark II Full-Frame 8K Professional NDI Camera is designed for professional film, broadcast, and live production environments where high resolution, a compact design, and flexible network integration are essential. With its full-frame CMOS sensor and a maximum resolution of up to 8K, the camera provides a solid foundation for high-quality cinema, commercial, event, and multicam productions. The high sensor resolution enables detailed footage, provides headroom for reframing and downsampling, and supports flexible post-production workflows.The E2-F8 Mark II NDI combines classic cinema camera features with modern IP-based production capabilities. This makes it particularly well-suited for setups where camera signals need to be efficiently integrated into network environments - such as live productions, studio installations, streaming workflows, or remote control applications.For professional workflows, the camera supports various recording formats and image profiles, including ZRAW, ProRes, H.265, H.264, as well as profiles such as Z-Log2, Rec.709, FLAT, and HLG. A 10-bit 4:2:2 output up to C4K 60 fps is available via HDMI 2.0. The camera uses CFast 2.0 media and offers connections such as Gigabit Ethernet, USB-C, Wi-Fi, 3.5 mm audio, LEMO audio input, LANC-compatible remote control, and serial ports.Thanks to its compact aluminum housing, the Z CAM E2-F8 Mark II NDI is suitable not only for traditional rig setups but also for gimbals, drones, specialized mounts, and space-constrained multicam installations. The EF mount offers a wide range of lens options; optional mount adapters for M, MFT, PL, and LPL further expand its versatility.FeaturesFull-frame 8K cinema camera for professional film, broadcast, and live productionsNDI version of the Z CAM E2-F8 Mark II for IP-based production and streaming workflowsFull-frame CMOS sensor with 61 megapixelsUp to 8192 x 3456 at 30 fps and 7680 x 4320 at 30 fps14 stops of dynamic rangeDual Native ISO 400 / 1250Support for ZRAW, ProRes, H.265, and H.26412-bit ProRes RAW via HDMI with compatible Atomos Ninja VHDMI 2.0 Type A with video output up to C4K 60 fps, 10-bit 4:2:2Gigabit Ethernet, USB-C, Wi-Fi, serial ports, and LANC-compatible remote connectionEF mount with optional mount adapter solutions for M, MFT, PL, and LPLRugged, compact aluminum housing for rigging, gimbal, studio, and multicam setups
HPRC RESIN CASE HPRC3600Rigid watertight, airtight backpack that can withstand falls. Lightweight, watertight, drop-proof resin backpack. Compared to its predecessor, the HPRC3500, the HPRC3600 is designed for greater capacity and versatility of use. Made of TTX01 polypropylene plastic resin, it has an embossed surface to reduce scratches. The ergonomic backrest is made of antibacterial foam. The shoulder straps are adjustable and made of a breathable material to allow more comfort and quick evaporation of moisture. It has four side hooks, designed to attach straps for carrying additional accessories (helmets, tripods, etc.).Features30% more space than the HPRC3500 backpackmodern and essential design with clean, square lineslarger, impact-resistant name plate, more practical to use4 fasteners (two more than the HPRC3500 backpack)internal O-ring made of EPDM foam and makes the backpack totally watertightnew handle made of PP+ SEBS materials for greater ergonomics and gripautomatic valve that regulates the air pressure inside Dimensionsinternal: 479x354x194(mm)external: 542x402x220(mm)lid: 80(mm) / bottom: 114(mm) Weightempty: 3,22 kgwith foam: 3,85kg
Deity PR-4 Portable 4-Input 32-Bit Float Field RecorderSmall productions rarely have the luxury of a dedicated sound mixer, yet capturing clean audio from multiple microphones is still critical. The Deity PR-4 was designed for exactly that situation. This compact field recorder gives filmmakers, videographers, and content creators four microphone inputs and six-track recording in a device small enough to mount directly on a camera or drop into a lightweight production bag.With two XLR inputs and an additional stereo 1/8'' TRS input for channels 3 and 4, the PR-4 makes it easy to run a boom microphone alongside multiple wireless lavaliers during interviews, documentaries, weddings or multi-person scenes. Built-in Automix automatically manages active microphones, helping keep dialogue clear when several people are speaking while still recording isolated tracks for full control in post-production.The recorder’s 32-bit float architecture and dual-ADC microphone preamps deliver up to 60 dB of clean gain, making it capable of driving even the most demanding of dynamic podcast microphones all on its own. This allows creators to confidently record everything from quiet dialogue to loud environments without worrying about clipped takes or noisy preamps.The PR-4 can capture audio simultaneously to both an SD card up to 1 TB and an internal 64GB SSD, providing an automatic backup in case a card is lost, corrupted, or accidentally formatted. This extra file protection is a world’s first in a recorder this size. Wireless timecode synchronization and Sidus Audio app control further streamline production by keeping cameras, slates, and other recorders synced and allowing settings to be monitored remotely.Compact enough for modern mirrorless rigs but powerful enough for professional workflows, the PR-4 helps crews capture organized, multi-track audio without adding complexity to their production setup.Features4 Inputs / 6 Tracks – Record XLR microphones + wireless microphones simultaneously; record independent isolated recordings of each signal plus a stereo mix track32-Bit Float Recording – Capture distortion-free audio without worrying about gain stagingDual-ADC Mic Preamps – Up to +60 dB of ultra-clean gainAutomix – Automatically mixes multiple microphonesDual-Media Recording – Record simultaneously on a SD card up to 1TB + internal 64GB SSDWireless Timecode Sync – Sync slates, recorders and timecode boxes directly from the recorderSidus Audio App Control – Remote monitoring and control via smartphone or tabletColor Touchscreen Interface – Fast, intuitive shortcut gestures and clear meteringAES3 / AES42 Digital Audio Support – Compatible with professional digital microphones and gearFlexible Routing Matrix – Route different signals to cameras, headphones, or mixesNP-F Battery Compatible – Long runtime with rechargable lithium batteries
seetec ATEM215S-CO21.5”3G-SDI/HDMI Broadcast Director Monitor is a complete solution for multi-camera on set shooting, monitoring and post production.SEETEC ATEM215S-CO is a full HD broadcast carry-on monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminium housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. The portable aviation aluminum case can easily handle even harsh location shooting. It is an ideal monitor for film and television crews, broadcast and post-production!The ATEM215S-CO adopts a 21.5-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 250cd/㎡ brightness, 1000:1 contrast ratio, 178° wide viewing angle, allows you to see clearly no matter you monitor from which angle. Key Features21.5-inch 1920x1080 full HD large screenPortable carry-on aluminium case, ideal choice for location filmingFlexible and intuitive button operation, easy to use)Mulitple display modes (single, PIP, quad)Supports 3D LUT Log to REC.709 and user 3D LUT upload (up to 36)With Waveform, Vectorscope, RGB Histogram, Focus Assist, Monochrome etc. functions, can help you accurately exposure and focus every shotMultiple interfaces, meet different needs (43G-SDI inputs and outputs, 1HDMI input, RS485, GPI)Stereo Earphone output
DZOFILM Arles Lustre T1.6 Cinema Prime LensesThe Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history. To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".The Lustre series features a unique coating formula that delivers expressive amber flaring, with a soft, poetic glow that infuses every frame with a sense of nostalgia and emotion. Ideal for indie films, period dramas, experimental films, and fashion commercials, Lustre creates a vintage aesthetic and emotionally resonant imagery. Its stylistic flares and soft contrast evoke a dreamy, evocative ambiance, enriching visuals with greater depth and texture.The T1.6 wide aperture design ensures ample light intake even in low-light environments, while the reconfigured optical structure offers enhanced control over flaring effects. The soft contrast reveals intricate shadow details and tonal gradations with precision. When paired with Vista Vision sensors and minimal breathing, the T1.6 wide aperture not only delivers a beautifully shallow depth of field but also creates an immersive visual experience with enhanced spatial depth and dimensionality. Whether shooting in challenging lighting conditions or at high frame rates, Lustre excels in rendering precise light and shadow contrasts. Its natural, flowing light and the grandeur of large-format imagery infuse each frame with poetic expression and striking visual impact. The Lustre series is designed with industry-grade precision to ensure mechanical reliability and consistent operation.Lightweight Design: Weighing between 1.4kg and 1.9kg, the lenses are ideal for shoulder-mounted, handheld, or drone setupsHigh Compatibility: Featuring a 95mm front diameter, the lenses are compatible with standard M86 filters. The uniform placement of focus and aperture gear rings allows for seamless lens swaps without additional adjustmentsProfessional Versatility: Supports technocranes, gimbals, and high-speed robotic arms, catering to a wide range of shooting scenarios. Additionally, the lenses include interchangeable dual-scale metric focus scales for user flexibility. They come with a native PL mount by default.The lenses are also fully compatible with DZOFILM KOOP rear magnetic filters, providing comprehensive solutions to meet diverse creative demands. The desert gold finish of the lens body blends traditional craftsmanship with modern aesthetics, giving Lustre a unique visual identity. The front features a matte finish that retains the delicate texture while effectively reducing reflections on setWith a limited edition of 100 sets covering the full focal range (14 to 180mm) and 50 single lens options (available in 25/35/50/75mm), it offers flexibility to meet the diverse needs of film crews, combining both functional usability and collectible value.
smallHD OLED 16SmallHD OLED 16 is a 16-inch reference-grade production monitor built for precise color evaluation and consistent image matching across multi-monitor workflows. Designed for on-set and studio use, it delivers true blacks and stable color performance in a compact form factor ideal for DIT carts and video village.Featuring a 3840 × 2160 (UHD) panel with 10-bit processing and a 1,500,000:1 contrast ratio, OLED 16 supports four 12G inputs and outputs. The unibody chassis provides flexible mounting and a smart rail system for fast rigging and expansion.Running PageOS, OLED 16 integrates seamlessly into larger monitor ecosystems. With built-in WiFi and Fleet Control support, users can deploy settings, LUTs, and configurations across multiple monitors to maintain consistency on set. Four front-facing customizable dials provide fast, tactile control for critical adjustments.Self-emissive OLED technology ensures accurate shadow detail and exposure evaluation without blooming or haloing, making OLED 16 well-suited for high-end cinematography and client-facing review environments where image consistency matters.Features3840 × 2160 UHD OLED panel with 10-bit processing1,500,000:1 contrast ratio4x 12G-SDI inputs & outputswith WiFi + Fleet Control integration for synchronized monitor managementRugged unibody chassis, smart rail system, and tactile front-facing controls for fast on-set operationTechnical data1x HDMI in, 1x HDMI out4x 12G SDI in, 4x 12G SDI out1x Ethernet connection1x GPI2x USB2x DC Out 12V DC, 2A (total)Power: 12 to 34V DC, 12AWeight: 4.72 kg
DZOFILM X-TRACT 18-28mm T.8 FF 0° Probe Macro Zoom LensSKU: DZO-X1828AThe DZOFilm X-TRACT Probe Macro Zoom Lens is a groundbreaking solution for filmmakers seeking innovative perspectives and extreme close-up shots. As a probe lens, its unique form and design allow filming in particularly tight, hard-to-reach areas that would be impossible with traditional lenses.The X-TRACT covers a focal range of 18mm to 28mm, offering flexible zoom for various filming needs. With a constant T8 aperture, the lens ensures consistent light transmission across the entire zoom range. This is especially beneficial as it allows for consistent exposure, without sacrificing image quality during zooms or other shooting scenarios. Notably, the X-TRACT stands out for its exceptional sharpness and detail retention, delivering crisp and high-contrast images across the entire frame.Even in high-resolution 4K or 6K productions, the lens excels in rendering fine details clearly and vividly. It is designed for use in professional film and video productions that demand the highest image quality. Another key feature of the X-TRACT is its robust construction. The lens is not only lightweight and compact, but also extremely durable. With its IP57 rating, it is dustproof and water-resistant, making it capable of withstanding challenging weather conditions such as rain or dust. This makes it ideal for adventure or nature shoots, where the weather can play a significant role. The distinctive probe form of the X-TRACT allows filmmakers to capture unusual camera angles and shoot subjects from unique perspectives that would be impossible with standard lenses. This enables the expansion of visual storytelling boundaries and the creation of creative, striking shots that convey a narrative in an entirely new way.The DZOFilm X-TRACT is a highly versatile tool for filmmakers looking for a lens that can cover both extreme close-ups and wide perspectives. Its rugged, weather-resistant build and flexible zoom functionality make it an indispensable tool for creative projects where detail, image quality, and versatility are paramount. Technical dataFocal Length: 18-28mmLens Type: direct 0°Mount: PLAperture: T8-T45Image Circle: 43,2mmConstruction of Optics: 25 Elements in 18 GroupsFlange Distance: 52mmClose Focus (from sensor plane): 0,47mClose Focus (from lens front): 6mmZoom Ratio: 1,55xMagnification factor (28mm): 2,1XIris Control: Manual (72°)Focus Control: Manual (300°)Zoom Control: Manual (100°)Length: 415mmIris Blade: 10pcsPitch: 0.8 ModMaterial: Aluminium AlloyWeight: 1090g
Porta Brace CO-PC+ The blue Porta Brace Durable Padded Carrying Case with +Extra-Strength Viewfinder Guard is designed to carry and protect a professional or broadcast camera and accessories. It is a lightweight case with an interior pillowing system to cushion the camera. The case is made from water-resistant 1000D Cordura nylon with non-skid fabric on the bottom. It has extra-thick foam padded side walls for added protection. The case has two slip-in pockets, two exterior mesh pockets, and an ID window. There are colored tabs on each pocket flap for identification. A white balance card is included. The case is carried by suede leather-covered handgrips or a removable, adjustable shoulder strap with suede leather-covered pad. There is also a seat belt loop that secures the case to a car seat belt. Construction Water-resistant 1000D Cordura nylonNon-skid fabric on exterior bottomExtra-thick foam padded side wallsPoly-fill soft material on the interior wallsReinforced viewfinder protectorFull over-the-top, super-duty YKK zippers with protective Cordura covering Pockets Two slip pocketsTwo exterior mesh pocketsID windowColored tabs on pocket flaps Carrying options Suede leather-covered handgripsRemovable, adjustable shoulder strap with suede leather-covered padSeat belt loop secures case to car or airplane seat belt Technical data Case Type: Soft Case Interior Dimensions: 58.42 x 15.24 x 29.21 cm Type of Closure: Zipper Carrying/Transport Options: Handle, Shoulder Strap Material of Construction: Cordura Nylon ID Window: Yes Water Resistance: Water Resistant Airline Carry-On Compatible: Yes Exterior Dimensions: 60.96 x 17.78 x 33.02 cm Weight: 2.13 kg
MID49 Mains Power Supply 24V (3pin XLR Female)SKU: M49-PWS-3XL-EUMains Power Supply 24V for 3pin XLR cameras or equipment, which provides up to 9A and accepts 120V or 240V input.AC Cord Length: 41.2mOutput Cord Length: 1.2mTransformer Dimensions: (LxWxH): 180 x 80 x 50mmWeight: 1023g
MID49 EXT Breakout EB-1 SKU: M49-BOB-EB1 EXT Breakout EB-1 (RED Komodo, Komodo-X, V-Raptor) converts the camera's 9-pin 0B LEMO EXT port to industry standard connectors listed below. Genlock: 75-ohm BNCTimecode: 5-pin 0BCTRL: 4-pin 00Trigger: 3-pin FischerEXT Pass-Through: 9-pin 0B Attaches by a captive 1/4-20 screw and rubber pad to the camera body or side plates like Breakout Side Plate Only (RED Komodo-X)(sold separately). Two M4 threaded holes in 20mm ARRI spacing are available to add Breakout Box Mounting Bracket (ARRI 3/8-16, Rear Mount) (sold separately), which allows the EB-1 to attach using a 3/8-16 screw with ARRI locating pins. 8 inch (20cm) cable length with right angle LEMO-compatible connector. Weight: 70gDimensions (WxLxH): 54 x 271 x 19mm
MID49 Cage NATO Side Arm (ARRI 3/8-16) SKU: M49-CAG-ARR-3TN Cage NATO Side Arm (ARRI 3/8-16) attaches to an ARRI 3/8-16 accessory mount and provides an ARRI Rosette adjustable NATO accessory rail with safety pins on each end. 1/4-20 and 3/8-16 with accessory pins also available. Great for attaching to Top Plate (Sony Burano), Upper Cages, and many third party accessories.
MID49 Monitor Hinge (Canon C300mkIII, C500mkII)SKU: M49-MON-CAN-3003 Monitor Hinge (Canon C300mkIII, C500mkII) attaches to Canon 1/4-20 striped rosettes on camera body or handle, and holds the Canon LM-V2 4.3" LCD Monitor, which is included with those cameras. Positioning arm pivots in two places using variable friction 15mm rod clamps, which allows for a smooth, tool-less repositioning of the monitor. Simply grab and adjust. On the side of the horizontal 15mm rod, a 1/4-20 and locating tabs allow for the original Canon mic holder (Canon part DG3-7370-000) to be attached using included 1/4-20 knurled knob. The rod can also be flipped, allowing the monitor to be positioned in front of the operator during hand-held shooting. Weight: 85gDimensions (WxLxH): 37 x 112 x 118mm
MID49 Right Side Vertical Camera Bracket (Sony Burano / Blackmagic PYXIS)SKU: M49-CAG-VCB-BUPYRight Side Vertical Camera Bracket (Sony Burano / Blackmagic PYXIS) attaches to the Top Plate (Burano) or Top Plate (PYXIS) to allow for vertical video shooting or right-side accessory mounting. 1/4-20 and 3/8-16 threaded holes with ARRI locating pins are spaced at 1-inch intervals, and M4x20mm threaded holes (ARRI MAP) are available in several places. 4x hook and loop straps are included for holding wireless transmitters, receivers, timecode devices, etc.Weight: 148gDimensions: 88.5 x 104 x 11.5mm
MID49 TWIST Ball Monitor Mount with ARRI 1/4-20 + ARRI 3/8-16 SpudsSKU: M49-TWB-ARM0-A142-A38 TWIST Ball Monitor Mount with ARRI 1/4-20 + ARRI 3/8-16 Spuds is an articulating arm with interchangeable mounting spuds that utilize a variable friction 15mm clamp. With the variable friction design, you can grab and twist the arm or monitor without loosening a thumbscrew.Included in this kit is one ARRI 1/4-20, which has removable 3mm locating pins in 10.4mm spacing from center to center. Pins can also be installed with 15mm spacing which can be found on some random, 3rd party products.Also included is one ARRI 3/8-16, which has removable 3mm locating pins in 15mm spacing, center to center. Install the bottom spud on your camera or cheeseplate and the top spud on your monitor or accessory, then slip the TWIST Balls into place and lock the thumbscrews.The Speedball Clamp's "Chip Clip" design allows for easy, annoyance-free installation, and the ratcheting thumbscrew can be pulled out and repositioned. TWIST Ball components are compatible with our Universal Speedball and any other brand of 1-inch (25mm) ball attachment like Ultralight Control Systems, Wooden Camera, etc.ARRI 1/4-20ARRI 1/4-20 with removable 3mm locating pins 10.4mm center to centerSecond set of holes for 3mm pins 15mm center to centerWorks with any cheese plate or accessory with ARRI standard 1/4-20 holesWorks with Blackmagic Design PYXIS MonitorWorks with recent SmallHD monitors like Indie 5, Cine 5, and Ultra 5Works with ARRI Camera Control Monitor CCM-1ARRI 3/8-16ARRI 3/8-16 with removable 3mm locating pins 15mm center to centerWorks with any cheese plate or accessory with ARRI standard 3/8-16 holesWorks with Atomos Shogun Ultra Monitor-Recorder (ATOMSHG002)