Canon EOS C100 Mark II

camRade run&gunBag Large CAM-R&GB-LARGE camRade run&gun Bag Large bag, made of 1000 denier black Cordura fabric, has double (blue) YKK zippers that open the top flap in one easy pull. Stow away your camera, accessories, tape, batteries, chargers, cables and tools in this easy to use, run&gunBag from camRade. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. Carry the bag with the included comfortable padded shoulder strap, the soft handle, or transport it safely on a trolley. (The zippered opening on the back of the bag allows you to attach it securely to a trolley). On the front of the bag you’ll find a large pocket for your cables and accessories. Inside, two mesh pockets (made of waterproof material) make it easy to store smaller items and documents. A cinch strap in the main compartment keeps your camera secured during transportation. The bottom of the bag is equipped with a protective armored plate, covered by a waterproof non-slip cover. Together with the reinforced inserts this provides a rigid lightweight frame which safeguards your camera equipment in any situation. The run&gun Bag Large is especially designed for professional cameras up to 60 cm and 23.6 inches (in length) and offers the possibility to safely transport your camera, completely assembled, ready for action! Interior (L x W x H) 60 cm x 24 cm x 30 cmWeight 3.7 kg

CamDolly Standard Kit Im Set 1) 1 Baseplate (1)2) Extension Legs (4)3) Inflatable Pneumatic Wheels (4)4) Table Top Wheels (4)5) Track Wheels (2-fixed, 2-with extending arm)6) Tripod Holders (3)7) Doorway Dolly Push/Pull/Turn Adapters (2)8) Height Difference Adapters (2)9) Seat Assembly (1)10) T-bar Assembly (1)11) Track Ends/Custom-made tracking board support (2 for tracks, 2 for support)12) Flexible Solid Rubber Truck (1x15 meters/ 1x50 ft.)13) All the necessary screws14) Degrees vs. Diameter Chart (Imperial and Metric) (2)15) 75mm and 10mm Bowl Mount Adapters (1)16) Flat/Mitchell Mount Adapter (attached to the Baseplate, can be exchange with bowl adapters) (1)Kamera-Dolly Markenzeichen der hervorragenden Eigenschaften Sobald Sie die Arbeit mit dem Camdolly Kamera-Dolly starten, wird eines sofort klar und unbestreitbar: Dies ist ein durchdachtes, gut gemachtes Stück Präzision professioneller Film Ausrüstung. Das Augenmerk und die Berücksichtigung jedes Details des Camdolly Design resultierte in dem Bau eines Dollys, mit Funktionen die in anderen Systemen oft fehlen und um ein vielfaches mehr kosten. 200kg Tragkraft Obwohl der Camdolly sehr leicht und kompakt ist es besitzt er eine enorme Tragfähigkeit. Er trägt mich Leichtigkeit einen Kameramann, den schwersten aller Kamerastative, Köpfe oder die schwerste Kamerakonfiguration. Passt in den Kofferraum Es ist wahr: Gute Dinge kommen in kleinen Paketen. Trotz seines kompakten und modularen Aufbaus bietet der Camdolly alle Funktionen vergleichbarer Systeme um ein Vielfaches seiner Größe, seines Gewichts und seiner Kosten. Zerlegt passt das komplette Zubehör-System, der gesamte Camdolly einschließlich aller Räder in den Kofferraum eines normalen Kleinwagens. Integrierter Griff Der Kernkomponente des Camdolly enthält einen komfortablen und ergonomisch freundlichen Tragegriff, sodass der Camdolly ohne weiteres aufgenommen und in den meisten Konfigurationen bewegt werden kann. Komplettes System wiegt nur 35 kg Trotz seiner soliden und langlebigen Konstruktion wiegt das komplette System nur 35 Kilogramm. Dieses geringe Gewicht spart auch Transportaufwand beim Versand des Gerätes oder bei dem eigenen Transport zu entfernten Standorten. 3 verschiedene Rad Sätze - Tischplatte, Schienen und aufblasbar mit Profil Flexibilität ist die Philosophie, die der Camdolly verfolgtt. In fast jeder Umgebung und auf fast jeder navigationfähiger Oberfläche ist der Camdolly in der Lage, sich leicht anzupassen und einwandfrei zu performen. Seine 3 Satz Felgen - Schienen, Inline-Skate-, und aufblasbar pneumatisch - ermöglichen es dem Camdolly die gleiche außergewöhnliche Leistung auf einer Tischplatte, Schienenspur-, Boden-oder Pflaster, sowie vielen anderen zu realisieren.  Die Inline-Skate-Räder liefern fantastische Ergebnisse auf glatten Oberflächen wie Tischplatten oder fertigen Böden, während die aufblasbaren Luftreifen ideal für etwas rauere Oberflächen sowie Outdoor sind. Industriestandard Track End Seine höhenverstellbaren Spur Enden ermöglichen die Verwendung  Industrie Standard Schienen oder auch Metallrohre, die Sie in jedem Baumarkt bekommen. Sparen Sie Geld für teure Mieten von Schienensystemen. Inklusive 30m (100ft.) Vollgummi Schienensystem Das Camdolly schwingungsdämpfende und flexible Schienensystem aus Vollgummi ermöglicht den Einsatz an unregelmäßigen Oberflächen, sowie  eine Reihe von komplexen Kamerafahrten,die unmöglich mit traditionellen geraden oder gebogenen Schienensystemen zu erreichen wären. Schnelle und einfache Montage Operative Effizienz ist ein wichtiger Aspekt bei der Auswahl von Produktionsgeräten im Film: Die Zeit, die für Montage, Einstellung und Feinjustierung benötigt wird frisst manchmal Geld und Resourcen Ihrer Produktion. Des Camdollys minimalistisches, effizientes Design macht die Installation schnell und mühelos. Jede Konfiguration kann in weniger als 10 Minuten montiert werden. Kein Werkzeug erforderlich Erstellen Sie eine beliebige Konfiguration in wenigen Minuten Natürlich bieten wir Ihnen eine ausführliche Anleitung für die Montage Ihres Camdolly Systems. Nachdem Sie es einmal oder zweimal selbst aufgebaut haben werden Sie die Vorzüge des intuitiven Aufbauprozesses zu schätzen wissen. Jede Konfiguration kann zusammen- und wieder auseinandergebaut werden in weniger als 10 Minuten. Garantiert! Der Produzent gibt eine lebenslage Garantie auf alle Bauteile.

Cooke miniS4/i 18mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 82°Length from Front of Lens to Lens Mount 120 mmMax Front Diameter 110 mmTotal Weight 1.30 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

camRade run&gunBackpack Medium SKU: CAM-R&GBACKP-MEDIUMrun&gunBackpack Medium has YKK zippers with a zipper lock hole, that open the front flap. It has various pockets and slits to store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. On both sides of the bag you’ll find pockets for all your necessary gear. In the back of the bag a special compartment is added for laptop or tablet storage. When you use this compact and comfortably balanced camRade run&gunBackpack Medium, your freedom of movement stays intact while having all your gear right there at the tip of your fingers. run&gunBackpack features Suited for professional cameras up to 44 cm and 17.3 inchesMade of 1000 denier Cordura® fabricReinforced inlays and padded interior for maximum protectionStrong, high quality YKK® zippersVarious pockets inside and outside for additional accessoriesSeparate pocket to store laptop or tabletPadded straps for optimum carrying comfortBack flap to cover straps during transportationLock holes in front pouch zippers10 Adjustable and padded dividers to customize interior layout5 Year warranty

Cooke mini S4/i 32mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 300 mmClose Focus from Lens Front 139 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 50°Length from Front of Lens to Lens Mount 110 mmMax Front Diameter 87 mmTotal Weight 1.60 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Wooden Camera Unified Bridgeplate (19mm) SKU: 223100 Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Wooden Camera Unified Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings. Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5Canon C100mkII, C300mkII, Canon C100, Canon C300, Canon C500Blackmagic URSA MiniPanasonic VariCam 35, VariCam LT and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet. Unified Bridgeplate (19mm) Includes 2 x 3/8-16 screws2 x 1/4-20 screws

Zacuto VCT Pro Baseplate SKU: Z-VCT-P The VCT Pro baseplate is compatible with all cameras including Canon EOS C-series, Sony FS5 and Sony FS7, AJA CION, BlackMagic, RED cameras, Arri Alexa and Amira, DSLRs, Mirrorless and more. The VCT Pro has a built-in, curved shoulder pad and an Arri M6 rosette for accessories and grips. Zacuto VCT Pro Baseplate comes with quick-release, extendable 6.5” rods at the front, and lightweight spaced quick-release rod ports at the back. The v-wedge tripod connector is compatible with VCT14 tripod adapter plates or use the 1/4 20 and 3/8 16 screw holes for direct connect to your tripod quick release plate. The red sliding top plate offers easy adjust-ability for lens changes, removing your camera, and balancing your rig correctly on your shoulder. This sliding plate combined with a double screw track offers 10” of camera balance sliding range. The lightweight, adjustable rod mount is set far back in the plate, offering plenty of accessory-capable area under the camera lens. This allows you to position your camera further back on the plate, keeping the balance point of your rig directly over your shoulder. The sliding track of the rod riser offers 25mm of vertical adjustment. The shoulder pad portion of the VCT Universal is set as far forward on the plate as possible, also to maximize your accessory capable rod area and aid with balance. The VCT Universal Baseplate is the core of our Next Generation Recoil rigs, designed for balance and comfort for every camera. Keeping the camera low prevents already tall cameras from being too top heavy. With our VCT, the distance from the bottom of your camera to your shoulder is just 3/4 inch. VCT Pro Baseplate SPECIFICATIONS 14.25” x 4.25” x 2” (LxWxH) with 6.5” rods Two quick releasable 6.5” rods included Weighs 960 grams One Arri M6 rosette on right side of VCT Pro Two quick-release rod ports in the back Wide gel-polymer shoulder pad One ¼ 20 & ⅜ 16 removable screws includedLightweight adjustable rod mount Over 10” of camera balance sliding range Up to 25mm of vertical adjustment Unique sliding top plate to quickly adjust for lens changes or to release the camera from your rig Unique design creates more accessory rod capable area V-wedge style tripod connector or directly mount your tripod plate via ¼ 20 & ⅜ 16 screw holes¼ 20 screw holes along the side for accessory mounting options

Chrosziel Verschiebeplatte DigiCine (19mm) Verschiebeplatte mit Ø19mm Rohren, L= 440mm, für Sony F23, F35, F55, F65, Phantom Flex und mit LWS als Adapter f. Red Epic, Scarlet, Canon EOS C-Serie u.a.

Canon CN-E135mm Compact 135mm T2.2 Exzellente optische Leistung für die 4K-Film-Produktion Aus der Canon Serie von Cinema Spitzenobjektiven ist das CN-E 135mm T2,2 L F ein leichtes und kompaktes Festbrennweitenobjektiv für Cinema Kameras mit EF Bajonett. Es bietet spektakuläre 4K-Bildqualität und einen Bildkreis in Kleinbild-Vollformatgröße sowie herausragende Low-Light-Eigenschaften und feinste manuelle Steuerung von Fokus und Schärfentiefe. Kompakt, leicht und nutzerfreundlich ist dieses 135-mm-Festbrennweiten-Objektiv ideal für die unterschiedlichsten Anwendungen und lässt sich mit dem meisten Zubehör und Kompendien einsetzen. Das Canon CN-E 135mm T2,2 L F kann auch bei wenig Licht eingesetzt werden und bietet eine präzise Steuerung der Schärfentiefe. Große asphärische Linsen sorgen von der Bildmitte bis zum Rand für eine gestochen scharfe Abbildungsqualität in praktisch jeder Aufnahmesituation, und die 11-Lamellen-Irisblende ermöglicht wunderschöne Bokeh-Effekte. Der innovative Linsenaufbau reduziert temperaturbedingte Ausdehnungen und Kontraktionen im Objektivtubus und dadurch verursachte Schärfeabweichungen. Die manuellen, dem Industrie-Standard entsprechenden Steuerringe ermöglichen jederzeit eine leichtgängige Bedienung. Die einheitlichen Gewindegrößen an Frontlinse und Anbaupositionen aller Canon EF Cinema Objektive ermöglichen der Filmcrew den schnellen Objektivwechsel ohne dabei das Ring-Setup verändern zu müssen. Das Canon CN-E 135mm T1,5 L F ist speziell für alle 35-mm-Kleinbild- und Super-35-mm-Kameras mit EF Bajonett konzipiert – ideal für alle Cinema EOS Filmkameras und Canon EOS DSLRs. Die im Bajonett integrierten Kontakte ermöglichen die Kommunikation zwischen Objektiv und Kamera beispielsweise zur Aufnahme von Metatdaten und für andere Funktionen.

Wooden Camera Canon C100/C300/C500 Handgrip Relocator ARRI Rosette SKU: 213500 Hand grip relocator ARRI ROSETTE for Canon C100, C100mkII, Canon C300, C300mkII, Canon C500 that allows for the Canon control handle to be attached to an ARRI standard rosette. Works great with Rosette Bracket to attach to 15mm LW rods. Also great with Shoulder Rig v2 for comfortable handheld shooting. Connector interface allows all controls to be passed back to camera body.

Genus Exceptional Base Plate Gen X Plate GEN-X-PLATE/1 The Genus Exceptional Base Plate is a revolutionary new camera plate system catering to both large and small camera bodies. Genus has designed this plate for the camera professional who needs their equipment to have the flexibility and versatility to adapt and evolve to new camera and production challenges. Gen X Plate intakes the core Genus design principles of flexibly and ease of use to the next levels. Based on an industry standard Arca Swiss Plate and the Genus Quick Release System (QR LOCK) allowing user to easily and quickly swamp between camera set ups. The QR System incorporates a safety lock for added security and confidence while shooting. The Swiss Arca Plate comes camera locating pin, as well as one ¼” Screw and one 3/8” Screw camera screws. The travel distance of the Swiss Arca Plate is 200mm. The Arca Swiss Plate can be purchased separately. The Gen X Plate’s is designed is to easily adapt to different camera system and accessories. The 21mm removable riser posts allow for you to set the plate at the height which is right for your camera system. Whether you require a higher setups for cameras likes DSLRs, or the lower position for larger camera systems such as RED, F3 and Canon C Series cameras. The Gen X plate has your support needs covered. The Gen X Plate is designed to support 15mm LWS rods. These 215mm long rods are provided as standard. They can be attached to brackets the front and rear of the plate. The height of each bracket can be set independently and is adjusted with a ¼” Screw. This allows for the easy configuration and adjustment of support rods for use with other accessories such as matte boxes, follow focus, cheese plates or monitors. The front bracket allows for  range of approximately 55mm adjustment in height, while the rear bracket allows for approximately 15mm adjustment in height. The Gen X Plate comes in to two packages to suite specific camera professionals requirements. One contains one 15mm Rod Bracket Adaptor, while the other is available with the full set of two rod bracket adaptor Gen X Plate Package 1 Includes 1 x Genus Exceptional Base Plate2 x 15mm LWS Rods (215mm Length)1 x Arca Swiss Plate (with 1 x ¼” & 1 x 3/8” Camera Screws)4 x Height Adjustment Posts1 x Rod Bracket Adaptor4 x ¼” Attachment Screws In addition the Gen X Plates has been designed with the flexibility in mind and deal with issues facing many camera professionals today. Its configuration can be adapted to allow for horizontal offset of camera if required.

CORE SWX XP-DV-C300/20 20" Powertap-Kabel für C100 / C300 / C500 Die neuen DV/HDV-Kabel des XP-Modells sind die vielseitigsten Kabel auf dem Markt. Die XP-Modelle können mit einem Switronix-Zubehör oder allein mit einem Lithium-Ionen-Akkuprodukt der PRO-X-Serie verwendet werden. Die Kabel verfügen über einen geregelten Gleichstromanschluss für die Canon C300, mit einer erhöhten Stromstärke. Außerdem verfügt es über eine rote und eine grüne LED-Anzeige zur Anzeige des Batteriestatus und einen ungeregelten Stromanschluss für Zubehör. Eingang: DC 11-17vAusgang für die Kamera: DC7.9v, 4AAusgang für P-Tap: DC 11-17v, ungeregeltGrüne LED-Anzeige: StromeingangRote LED-Anzeige: Stromausgang der KameraLänge: 20" (ok. 51 cm)

camRade run&gunBag Medium Die camRade run&gunBag Medium ist die perfekte Tasche für alle, die unterwegs sind und ihre Kameraausrüstung sicher und bequem transportieren möchten. Mit ihrem mittelgroßen Format bietet sie ausreichend Platz für eine Kamera, Objektive, Zubehör und persönliche Gegenstände. Das strapazierfähige Material und die robuste Verarbeitung machen die run&gunBag zu einem zuverlässigen Begleiter für alle Outdoor-Aktivitäten. Egal ob beim Laufen, Wandern oder auf Reisen, die Tasche schützt Ihre Ausrüstung vor Stößen, Schmutz und Wettereinflüssen.Dank des praktischen Tragegriffs und des verstellbaren Schultergurts lässt sich die Tasche bequem tragen und ist somit auch für längere Strecken geeignet. Die verschiedenen Fächer und Taschen bieten zudem eine optimale Organisation und schnellen Zugriff auf Ihre Ausrüstung. Die camRade run&gunBag Medium ist speziell für den Einsatz von Kameras und Zubehör konzipiert und bietet somit die perfekte Passform und Schutz für Ihre wertvolle Ausrüstung.Interior (L x W x H) 50 cm x 21 cm x 30cmWeight 2.9 kg

Vocas USBP-15 MKII 0350-2200 Diese neue Grundplatte Vocas 0350-2200 bietet alles, was Sie brauchen, um Ihre Kamera in eine Schulterkamera zu verwandeln, und ist mit vielen Kameras kompatibel, wie z.B. derSony PXW-FS5Arri Alexa MiniCanon EOS C100 / C300 / C500Panasonic Varicam HS/S35 USBP-15 MKIISpezifikationenHöhenverstellbare vordere 15-mm-SchienenFeste hintere 15-mm-SchienenHorizontal verstellbares Schulterpolster aus weichem GummiIntegrierte RosettenbefestigungEinstellbare Schwalbenschwanz-Kameraplatte für optimale BallanceWerkzeuglose VCT-14 HeckverstellungIn der Box enthalten1 x USBP-15 MKII1 x Kamera-Adapterplatte (0350-2250)1 x Schulterpolster Standard (0350-2310)2 x Aluminium 15mm Stange, Länge: 210mm (0350-9210)

Cooke miniS4/i Cine Lens Set The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Cooke miniS4/i features Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Main Features of Cooke's Lenses The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationAccessible via contacts in PL mount that sync with /i compatible camerasAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatEvery index mark is labelled. More detailed markings allow for more detailed focus controlCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementArriflex PL MountLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8A scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22The lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke mini S4/i 25mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 62°Length from Front of Lens to Lens Mount 106 mmMax Front Diameter 87 mmTotal Weight 1.40 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Wooden Camera Unified Bridgeplate (15mm Studio) SKU: 223200 Die Unified Bridgeplate (15mm Studio) ist eine ARRI-Standard-Brückenplatte mit 15mm Studio-Offset-Abstand (Stangen im Abstand von 100mm von Mitte zu Mitte). Durch das neue Design kann die Bridgeplate von der RED-Standardhöhe auf die ARRI-Standardhöhe umgestellt werden, wodurch sie mit jeder Art von Kamera-Rig kompatibel ist.Die gummierte Beschichtung auf der Oberseite verhindert ein Verdrehen, und das geschlitzte Design ermöglicht die Verwendung von nicht standardmäßigen Schraubenabständen. =Kombinierbar mit Unified Baseplates für die richtige Höhe der Stangen an Kameras wieSony FS7, FS5, F55/F5Canon C100mkII, C300mkII, Canon C100, Canon C300, Canon C500Blackmagic URSA MiniPanasonic VariCam 35, VariCam LTund Tragegurte für RED Weapon/Scarlet-W/Raven, und Epic/Scarlet.Unified Bridgeplate (15mm Studio) Beinhaltet2 x 3/8-16 Schrauben2 x 1/4-20 Schrauben

CORE SWX PB70-CA24 Der neue PB70-VBG ist ein 70-Wh-14,8-V-Lithium-Ionen-Akkupack für Canon-Camcorder der BP-Serie. Das 24"-Kabel bietet mehr Flexibilität bei der Montage des Powerbase-Akkupacks. Der PB70-VBG wird unter der Kamera montiert oder kann über seine 1/4-20-Entriegelungsplatte oder den V-Mount an einer HDV-Halterung befestigt werden.Als 14,8-Volt-Akkupack verdrahtet, kann es bis zu zwei zusätzliche 12-Volt-Geräte sowie andere Geräte, die eine niedrigere Spannung benötigen, über ein zusätzliches XP-Leistungsregelungskabel mit Strom versorgen. Der Akku ist auf beiden Seiten mit einem 1/4-20-Anschluss für die Montage von Zubehör ausgestattet. Kapazität: 70Wh, 4.8AhSpannung: 14.8vGröße: 15,88 cm x 4,57 cm x 8,38 cmGewicht: 0,64 kg PB70C ist das empfohlene Ladegerät für diese Powerbase

Wooden Camera Unified Baseplate (Sony FS7, Canon C100mkII, C300mkII, C100, C300, C500) SKU: 222100 Wooden Camera Unified Baseplate (Sony FS7, Canon C100mkII, C300mkII, C100, C300, C500) is a quick release baseplate that provides lightweight 15mm rod support at the correct lens height. 15mm rods pass through front to back and have two locking thumbscrews per side. The baseplate quick releases in two ways, giving the user the option to take the 15mm lightweight rods or to leave them behind. Camera Compatibility Sony FS7Canon C100Canon C300Canon C500Canon C100mkIICanon C300mkII Features Upper dovetail based on ARCA Swiss dovetail shapeVertical 15mm rod hole for optional support posts, ideal for lens adapters like Metabones, etc.Pass through 15mm lightweight rod openings with two locking thumbscrews per rodLower dovetail based on ARRI standard dovetail shape1/4-20 and 3/8-16 holes for attaching to tripod plates and Bridgeplates Includes 2 x 1/4-20 low profile screw2 x 3/8-16 low profile screw Specifications Weight 362.8 gDimensions 50.8 mm x 152.4 mm x 152.4 mm

Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI.