Atomos NEON The Atomos Neon comes in 17”, 24” screen sizes, and complements other Atomos products such as the Shinobi SDI, Ninja V, Shogun 7 and Sumo 19 to provide a flexible ecosystem of field reference monitors. Neon allows you the flexibility of utilizing your Atomos on low budget productions with HDMI 10-bit uncompressed video cameras, right up to 12G-SDI 12-Bit, 4Kp60 RAW from the best cinema cameras in the world. The Atomos field monitor ecosystem is an online powerhouse and offline workhorse to speed up the time from idea to final exhibition. Directors and cinematographers can record online quality of ProRes RAW recording at the same time integrating into the ARRI workflows. This brings cinema production at the fraction of the cost of current approaches where HDR monitoring varies from crew member to crew member. Atomos brings certainty of the recorded image from camera operators, focus pullers, to make up and sound recordists, to editors and color graders. Directors can tag takes while reviewing footage on-set which the Editor can pick up after importing into an NLE, and can be confident that what they saw on-set will look the same when they get to the edit suite. A Dolby Vision compatible monitor can be also reviewed when output from a Neon to allow directors and producers to see a shot as it would be viewed in the living room of their audience. Alternatively, directors can record at a lower bitrate offline quality on a Neon to record over 20hrs of footage in Prores/DNx/H.265 on an SSD (while the ARRI is recording online quality). This gives the Director to enough integrity to check shots at after each take, or to do quick test edits on-set which avoids expensive re-shoots. Digital filmmaking re-imagined for today’s creator The Atomos Neon series is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing it with Atomos innovation and technology. We do this by combining RAW recording with cinema display technology for monitoring, on-screen production checking and review of creative intent, story flow and matching continuity between scenes. Neon streamlines the creative workflow from lens to viewing. We have adopted industry standard formats like ProRes RAW from major camera makers enabling the performance of ProRes and the flexibility of RAW into cinema productions and built for computer finishing. Neon performs real-time Dolby Vision processing to enable down-stream viewing on any Dolby Vision capable TV or monitor. The upshot is an on-set computer replacement merged with an ecosystem of field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing. Certainty of image for the entire crew Neon is a series of precision on-set and in-studio 4K HDR monitor-recorder production workhorses where reliable and trustworthy monitoring is essential. The Neon comes in four sizes (17”, 24”, 31” and 55”) that can be synced together to provide an ecosystem of field monitors where accuracy of image representation and consistency of image is critical between crew members...all controlled by the Atomos App. The Neons’ best-in-class 512 zoned dynamic backlight displays provide a calibrated 4KDCI 180-degree perfect viewing, 10-bit DCI-P3 100% color coverage, and 1,000,000:1 HDR-ready contrast for cinematographers to maintain exposure and creative look. Directors can make more creative on-set decisions, viewing perfect images in TV and Cinema standards at all times. Camera assistants and focus pullers can trust the ultra-sharpness of an actor's eyes. Editors and color graders can lock down the director’s creative intent from shot to shot, frame by frame and review it across varying displays from SDR to HDR – accurately in real-time. With the built-in 4Kp60/HDp240 Apple ProRes RAW recorder capturing each take, Neon enables quick review and real-time playout with Dolby Vision to reality test content on domestic TVs. With Neon, Atomos has reimagined the role of the reference monitor to meet the HDR challenges of modern TV and film production. Precision HDR field monitor for the on-set digital darkroom Atomos brings dynamic zone backlight technology to the entire range of Neons powered by our proprietary Dynamic AtomHDR innovations. This yields a contrast ratio from one to a million gradations on discreet parts of the image on Neon’s daylight viewable anti-reflection display. With the Neon series, blacks and colors are rich and deep. Images appear to ‘pop’ with added dimensionality and detail. The precision Atomos display uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs. Objects appear more lifelike than ever, with complex textures and gradations beautifully revealed. In short, the Neons offer the most detailed window into your image, truly changing the way you create visually

JVC DT-V24G2 JVC DT-V24G2 monitor is equipped with a 10-bit IPS LCD panel, which surpasses the EBU Class 2 requirements in terms of color space, gamma and gradation. The two most critical factors, gamma and grey gradation, have also been improved over previous models to meet the demands of studio and professional application requirements. The DT-V24G2 has an extremely wide viewing angle, with excellent chromatic aberration properties, with 10-bit processing offering improved grey shades and gradation. The DT-V17G25 also features an integrated waveform monitor, vectorscope and histogram, where you can display values for colour saturation, brightness and input signals. Features 24-inch class 10 BIT IPS panel with 1.073 billion color reproductionFull HD resolution: 1920 x 1200 pixelsFully capable of displaying 2048 x 1080/24p (DCI 2K) signalTwo 3G-SDI & Dual Link inputsIP modes: Normal, Field, and Cinema (24p)Color Temperature settings (9,300K, 6,500K, 5,600K or User mode)High 1500:1 Contrast RatioBuilt-in Histogram, Waveform, Vector Scope, ZebraBuilt-in Audio Level Meter up to 16chLissajous audio meteringWide array of markers and indicatorsIMD (in monitor display)Optimized I-P conversion3 Gamma Preset ModesPixel-by-pixel (1:1) displayTiltable stand with 2-way installation capabilityCarrying handle

Neway CK2380S 4K Broadcast Monitor 23.8’’ Przenośny monitor 4K Ultra-HD Broadcast Monitor Rozdzielczość 3840x2160 Jasność 300cd/m² 3G-SDI,HDMI,VGA,DVI,Interfejs audio Obsługa HDMI 4K 60Hz,30Hz HDR, 3D-LUT oraz Color space, 3D-LUT&HDR Metalowa obudowa oraz kufer transportowy Peaking/Check Field/Obrót obrazu/Proporcje obrazu/Temperatura kolorów Funkcje Peaking FilterOverscanCheck FieldUnderscanImage FlipAspect RatioImage FreezeCenter MarkerColor TemperatureScreen Marker    Specyfikacja Model No. CK2380Panel 23.8”Rozdzielczość 3840x2160Format obrazu 16:9Jasność 300cd/m²Kontrast 1000:1Kąt widzenia 178°/178°(H/V) Wejście3G-SDI / DVI / VGA / Audiox2(L/R) / Tally / Wireless HDMI (optional)HDMIx2.0 (support 4K 60Hz) / HDMI1.4X3 (support 4K 30Hz)Wyjście 3G-SDIX1 Audio2 x Speaker1 x Ear Phone Slot Natężenie prądu 2.8A (15V)Napięcie wejściowe DC12-24V(XLR)Płytka bateryjna V-mount/Anton Bauer mountPobór mocy ≤36WTemperatura pracy 0℃~60℃Temperatura przechowywania -20℃~60℃ Wymiary 579 mm x 376.5 mm x 45mm666 mm x 417 mm x 173 mm (with case) Waga8.6 kg17.1 kg (with case) Zestaw zawiera Składana osłona przeciwsłoneczna15V DC adapterKufer transportowyAdapter fixing beltWspornik płytki bateryjnejkabel zasilający V-mount/Anton Bauer mountMocowanie V-mount lub Anton BauerTALLY connectorBase bracketInstrukcja

RGBlink Aura UHD 24 RGBlink Aura UHD 24 is 24" broadcast/grading 4K HDR monitor, equipped with UHD (3840×2160) screen, supports 4-channel single-link 12G-SDI, quad-link 4K SDI and HDMI2.0 signal input, it supports high-precision 3D LUT with tetrahedral interpolation algorithm and HDR formats such as SMPTE ST2084(PQ), hybrid log-gamma HLG, various Gamma curves , camera Log and other professional functions which are widely used in pre-shooting and post-grading work in broadcasting, film, television, and high-end advertising production. The 24" RMS UHD Production Monitor adopts a high-precision 3D LUT that supports tetrahedral interpolation algorithm, and built-in Rainbow color management engine to ensure accurate color reproduction. Features 12G-SDI /8K/4K HDMI Signal4K IPS LCD PanelProfessional On Set Monitoring ToolsFlexible and Intuitive Button OperationAccurate 3D LUT Color CalibrationMultiple Screen ModesSDR and HDR Image Comparison Function12G-SFP Fiber PortUSB-C (Thounderbolt) input PortAluminum Alloy FramePayload ID Automatically Read3D LUT, Recreate Film LooksDynamic UMDThree Color Tally LightsProfessional Audio MetersRemovable feet and handles on the back sideVESA mounting points

smallHD Cine 24 SKU: MON-CINE-24 smallHD Cine 24 to najwyższej jakości monitor 4K, typu daylight-viewable. Lekki monitor reżyserski, który jest nierozłącznym elementem produkcji. Monitor Cine 24” 4K High-Bright oferuje jasność na poziomie 1350 nitów, dzięki czemu obraz jest cwyraźny nawet w bardzo jasnym środowisku. Eliminuje to konieczność stosowania osłony sunhood. 24-calowy ekran to największy dostępny w rodzinie monitrów z serii Cine, posiada rozdzielczość 3840x2160, 10-bitową głębię kolorów, oraz  100% DCI-P3 color gamut gwarantujący dokładność kolorów. Cine 24 został wyposażony w wejścia 12G SDO, jak również HDMI 2.0.  Przemyślana konstrukcja obudowy oferuje szynę montażową typu Dovetail Mounting Rail do montażu baterii i akcesoriów, wymienne punkty montażowe, 2 x 2-pinowe wyjście zasilania dla akcesoriów. Istnieje oczywiście możliwość dodatnia podwójnej płytki bateryjnej V-mount, lub Gold Mount. Zalety Wyświetlacz: 24.1" 3840x2160 Podświetlenie: Edgelit LCD Jasność: 1350nits  SDI: 4x 12G-SDI in, 4x 12G-SDI out HDMI: 1x HDMI In, 1x HDMI Out Wejście zasilania: 1x 3-pin XLR (12V-34V, 12A)

smallHD Vision 24 SKU: MON-VISION-24 smallHD Vision 24 pozwoli Ci ujrzeć dosłownie to, co widzi kamera. Model ten to idealny wybór dla produkcji, gdzie istotny jest monitoring HDR, model Vision 24 zapewni ci podgląd najdrobniejszego detalu. Monitor posiada 24-calową matrycę, o rozdzielczości 4096x2160, która została zaprojektowana aby współpracować z obecnymi na rynku przetwornikami w kamerach, zwiększając czułość oraz retencję obrazu w słabym świetle. Vision 24 posiada funkcję SmallHDR, Full-Array Local Dimming (FALD), umożliwia dopracowaną kontrolę nad ponad 2176 indywidualnymi strefami LED, renderując niezwykle ostre kontrasty głęboką czernią, oszałamiającą 10-bitową głębią kolorów, która zapewnia dokładne odwzorowanie kolorów.  Model Vision 24 wyposażony został w 4 wejścia i wyjścia 12G SDI, jak również jedno wejście HDMI 2.0.  Obudowa Unibody Smart Chassis oferuje szynę do montażu Dovetail przeznaczoną do montażu baterii I innych akcesoriów, wymienne punky mocujące, oraz 2 x 2-pinowe wyjście zasilania. Podwójne wejścia Hot-swap pozwalają na dodanie płytek bateryjnych Gold Mount lub V-Mount. Zalety Matryca: 24.1" 4096x2160 Rodzaj podświetlenia: Full-Array Local Dimming Jasność: 1000nits  Głębia kolorów: True 10-bit SDI: 4x wejścia 12G-SDI, 4x wyjścia 12G-SDI HDMI: 1x wejście HDMI, 1x wyjście HDMI Wejście zasilania: 1x 3-pin XLR (12V-34V, 12A)

SWIT BM-245-NDI Monitor SWIT BM-245-NDI wyposażony jest w panel 23.8-cala 1920x1080 QLED, pokrycie kolorów 100% DCI-P3, jasność 400 nitów, podświetlenie LED, kąt widzenia H/V 178° , wyposażony w technologie NDI®. Zalety Panel 23.8-cala1920×1080 QLED Pokrycie kolorów w 100% DCI-P3 Osłona VICO 1.97 A-class Eye Protecting Panel Wysokopasmowy monitoring 4K NDI® 3GSDI loop, wejście HDMI2.0 Dekodowanie NDI® do wyjścia 3GSDI NDI®/SDI/HDMI PBP lub PIP Automatyczne wykrywanie I szybki wybór źródła NDI® Obsługa NDI® Discover Server Obsługa NDI® Low bandwidth mode Wybór pomiędzy Rec 709 / DCI-P3 / Rec 2020 color gamut Auto kalibracja 3DLUT bez potrzeby używania PC Wbudowany Delog LUTs and User LUTs upload za pomocą USB Waveform / Vector / Histogram Focus assist / False color / Zebra 16-ch mierniki dźwięku / Lissajous pattern Zdalna kontrola serwera IP Zasilanie AC, DC oraz bateryjne