AJA Ki Pro GO AJA Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities. 4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI display. Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment. Genlock Free Recording with Easy Input Mapping Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to the four USB slots on the front of Ki Pro GO. Time is always tight, especially for live events. Ki Pro GO's Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO's elegant UI. H.264 Variable Bit Recording (VBR) Profiles Ki Pro GO allows independent profile support per channel for recording; up to 25 Mbs at 8 or 10-bit for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream. You can also choose between 4:2:0 and 4:2:2 color depth. Pick between Low, Medium and High VBR Recording Profiles: Low: Suitable for talking heads, conference backups, security backups and more.Medium: Ideal for higher detail and more complex content.High: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts. Ki Pro GO offers .MP4 and .MOV for your codec container, providing convenient flexibility for your workflow path. Features Multi-channel H.264 recording5x USB recording media slots, compatible with off-the-shelf USB 3.0 mediaRedundant recording Genlock free inputs4x 3G-SDI inputs4x HDMI inputsHDMI multi-channel matrix monitoringSingle-channel H.264 playbackSelectable VBR recording profiles Balanced XLR analog audio inputs, mic/line/48v switchable2-channel embedded audio per video inputEasy-to-use web UI, compatible with standard web browsersFront panel button controls with integrated HD resolution screenStand-alone operation

AJA Ki Pro GO2AJA Ki Pro GO2 is a portable multi-channel H.265 (HEVC) / H.264 (AVC) recorder offering up to 4-channels of simultaneous HD or SD recording to qualified USB drives and/or network storage with redundant recording capabilities. 4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provide connections to a wide range of video sources, including any 3G-SDI signal from a router for example, professional and prosumer cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO2's input frame synchronizers. Ki Pro GO2 also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel.Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO2 is well suited for use in any production environment be it a global concert tour or your local house of worship. FeaturesMulti-channel H.265 (HEVC) and H.264 (AVC) recordingEasy-to-use web UI, compatible with standard web browsersFront panel button controls with integrated HD resolution screen5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 mediaOnboard exFAT drive formattingReal time recording to network (SMB) storageRedundant recording to user selectable destinations – USB or SMBBuilt-in Frame Syncs4x 3G-SDI inputs4x 3G-SDI outputs1x 3G-SDI monitoring output4x HDMI inputs1x HDMI monitoring outputHDMI and SDI multi-channel matrix monitoringHDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levelsSingle-channel H.265 or H.264 playbackSelectable VBR recording settings with 5 optionsTimecode SDI RP-188 Input Support: Time of Day or Timecode ValueLTC Support, available using 1-channel of Analog Audio InBalanced XLR analog audio inputs, mic/line/48v switchable2-channel embedded audio per video inputNetwork web UI based file downloadsStand-alone operation

AJA Ki Pro Rack With a wealth of professional connections including SDI and HDMI, Ki Pro Rack will fit right into your existing cabling and routing system. AJA Ki Pro Rack also features AJA’s industry leading conversion technology, enabling you to perform broadcast quality up, down, cross-conversion during recording or playback without the need for additional conversion hardware. HD/SD Recorder and PlayerRecord and playback Apple ProRes or Avid DNxHD filesSDI, HDMI, and Component Video I/OAES (BNC) and analog (XLR) audio I/O2x KiStor media bays with Ki ProtectBalanced XLR analog audio inputs, mic/line/48v switchableMulti-channel embedded SDI and HDMI audio = Up, down, cross-conversion built-inREF, LTC, RP-188 and RS-422 supportREST interfaceFront panel button controlsEasy to use web UI, configure and control from standard web browsersCompact 1RU designThree year warranty TECHNICAL DATA Video Formats1080i 25, 29.97, 301080PsF 23.98, 24, 25*, 29.97*1080p 23.98, 24, 25, 29.97720p 23.98*, 25*, 29.97*, 50, 59.94, 60625i 25525i 29.97*25 and 29.97 require a valid camera source and the use of the Record Type>PsF selectionCodec SupportApple ProRes 422Apple ProRes 422 (HQ)Apple ProRes 422 (LT)Apple ProRes 422 (Proxy)Avid DNxHD HQX (220x)Avid DNxHD SQ (145)Avid DNxHD LD (36), only provides support for the 1080p formatRemovable StorageAJA KiStor modules - 2 slots with rollover recordingVideo Input DigitalSD/HD SDI, SMPTE-259/292, 10-bitSingle Link 4:2:2 (2 x BNC, input selection in software)HDMI v1.3Video Output DigitalSD/HD SDI, SMPTE-259/292Single Link 4:2:2 10-bit (1 x BNC)HDMI v1.3Note: HDMI requires 1080i, 720p or 1080p to be active; HDMI does not provide support for PsFVideo Input AnalogSD/HD Component (3 x BNC)SMPTE/EBU N10, Betacam 525 line, Betacam 525J12-bit A/D, 2 x oversampling+/- .25dB to 5.5 mHz Y frequency response+/- .25dB to 2.5 mHz C frequency response .5% 2T pulse response<2 ns Y/C delay inequity, or Composite (1 x BNC – CVBS on Y)Video Output AnalogComponent (3 x BNC)NTSC, NTSCJ, PALHD: YPbPr, RGBSD: YPbPr, RGB (component mode)SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB12-bit D/A, 8 x oversampling+/- .2dB to 5.5 mHz Y frequency response+/- .2dB to 2.5 mHz C frequency response.5% 2T pulse response<1 ns Y/C delay inequity, or Composite (1 x BNC – CVBS on Y)+/- .2dB to 5.0 mHz Y frequency response+/- .2dB to 1 mHz C frequency response<1% Diff Phase<1% Diff GainAudio Input Digital8-channel, 24-bit SMPTE-272/299 SDI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit AES/EBU audio, 48 kHz sample rate, synchronous or nonsynchronous, internal sample rate conversion (4 x BNC)Audio Input Analog2-channel, 24-bit A/D analog audio, 48 kHz sample rate, balanced (2 x XLR)+24 dBu full scale digital+/- 0.2 dB 20Hz to 20 kHz frequency response (Note: Line or Mic selection via CONFIG menu parameters)Audio Output Digital8-channel, 24-bit SMPTE-272/299 SDI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit AES/EBU audio, synchronous or nonsynchronous, internal sample rate conversion (4 x BNC)Audio Output Analog2-channel, 24-bit D/A analog audio, 48 kHz sample rate, balanced (2 x XLR)+24 dBu full scale digital (0dbFS)+/- 0.2 dB 20 Hz to 20 kHz frequency responseStereo unbalanced headphone (1 x 3.5mm mini jackUp-ConversionHardware 10-bitAnamorphic: fullscreenPillarbox 4:3: results in a 4:3 image in center of screen with black sidebarsZoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side barsZoom Letterbox: results in image zoomed to fill fullscreenZoom Wide: results in a combination of zoom and horizontal stretch to fill a 16:9 screen; this setting can introduce a small aspect ratio changeDown-ConversionHardware 10-bitAnamorphic: fullscreenLetterbox: image is reduced with black top and bottom added to image area with the aspect ratio preservedCrop: image is cropped to fit new screen sizeCross-ConversionHardware 10-bit1080i to 720p720p to 1080iTimecodeSDI RP188/SMPTE 12M via SDI BNCHDMI (when used with compatible cameras)LTC Input (1x BNC)LTC output (1x BNC) (Note: active during playback not during record or EE)Reference InputExternal, 2x BNCLooping, nonterminatingBlackburst or tri-level syncNetwork Interface10/100/1000 Ethernet (RJ-45)Embedded web server for remote controlUser Interface2x 20 character display, with dedicated buttonsClosed Captioning SupportCEA-708, CEA-608Machine ControlRS-422, 1x DE-9 female connector, Sony 9-pin protocol9-pin D-connector pinout is as follows: 1-GND, 2-TX-, 3-RX+, 4-GND, 5-No Connection, 6-GND, 7-TX+, 8-RX- ,9-GND, Shell-GNDSize (w x d x h)482.6mm x 317.5mm x 44.5mmWeight3.4 kgPower100-240 VAC 50/60 Hz, dual, redundant power supplies, 40W typicalEnvironmentSafe Operating Temperature: 0 to 40 C (32 to 104 F)Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)Operating Relative Humidity: 10-90% noncondensingOperating Altitude: <3,000 meters (<10,000 feet)

ATOMOS Ninja TX Element Pro BundleThe Atomos Ninja TX sets a new standard among monitor recorders, combining the proven Ninja design with advanced features for the future of production. With 12G-SDI and HDMI 2.0 inputs and outputs, support for up to 8K ProRes RAW, and integrated cloud workflows, the Ninja TX is tailored to the needs of professional filmmakers, broadcasters, and content creators.Recording in Apple ProRes/RAW up to 8Kp30HDMI 2.0 and 12G-SDI inputs and outputs with loop-throughStorage on CFexpress Type B or external USB-C mediaIntegrated NDI 6 HX3 send/receive for broadcast workflowsWi-Fi 6E for direct cloud uploads and timecode syncImproved cooling performance with significantly lower fan noise and better overall performanceAirGlu timecode via RF or Bluetooth1500nit HDR-Display, also readable in daylightLockable HDMI and USB-C cable adapters included The ExAscend CFexpress 4.0 typeB Element Pro Series 512GB is a CFexpress 4.0 type B memory card with 3,500 MB/s read and 2,800 MB/s write speeds and a sustained write speed of 900 MB/s. It is ideal for video cameras from Canon and Nikon, for example, and has a TBW lifetime of up to 300 TB.CFexpress 4.0 Typ B with 512 GB storage capacity3.500 MB/s read- and 2,800 MB/s write speedSustained write speed of 900 MB/sSuitable for video cameras from Canon and Nikon, for examplecan be written to with up to a total of 300 TB In the boxNinja TX monitor-recorderUSB-C locking cable adaptorHDMI locking cable adaptorWi-Fi antenna5x antenna tips (black, white, yellow, green, red)AirGlu antenna, antenna capsUSB-C locking cable (45cm)Quick start guide

ATOMOS Ninja TXSKU: ATOMNJTX01The Atomos Ninja TX sets a new standard in monitor-recorders, combining the trusted Ninja design with advanced features built for the future of production. With 12G-SDI and HDMI 2.0 inputs and outputs, support for up to 8K ProRes RAW, and integrated cloud workflows, Ninja TX is designed to meet the demands of professional filmmakers, broadcasters, and content creators. FeaturesRecord in Apple ProRes/RAW up to 8Kp30HDMI 2.0 and 12G-SDI I/O with loop-through supportCapture to CFexpress Type B or external USB-C storageIntegrated NDI 6 HX3 TX/RX for broadcast workflowsBuilt-in Wi-Fi 6E for cloud upload and timecode syncImproved cooling with significantly less fan noise and better overall performanceAirGlu timecode over RF and Bluetooth1500nit daylight-viewable HDR displayPowered via USB-C PD, NP-F battery, or AC adaptorIncludes locking HDMI and USB-C cable adaptorsTechnical dataDimensions (W x H x D mm): 151mm x 92mm x 36mmWeight: 400gmsMount points: 1 x anti-rotation 1/4-inch / 3/8-inch top and bottomEnvironmentalAmbient operating temperature: Up to 40 degrees CelsiusConstructionBody: Aluminium with ABS plasticCooling: Actively controlled fan and heat sinkPowerInput voltage: 6.2V to 16.8V DCOperating power: Up to 30WMulti-function button: Power / lock screenContinuous power: Via NP-F battery or USB-C PD PowerDC in connector: Via Battery Eliminator (optional)DTAP: Up to 13WUSB PD IN: 45W capable, power supply requiredUSB PD OUT: Up to 13WDisplaySize: 5.2-inchResolution: 1920 x 1080Backlight Type: Edge litBrightness (cdm2 / Nits): 1500Aspect ratio: 16:9Color Gamut: Rec.709Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cableColor PipelineGamma Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-LogGamut BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut3D LUT Display: .Cube format3D LUT Down Stream: Loop out3DLUT 50/50: YesMonitoring Modes: Native / HLG / PQ / 3D LUTHDR Output Conversion: Log / HDR to HLG / PQVideo InputHDMI: 1 x HDMI (2.0) up to 4K60P + RAWLocking port: OptionalSDI: 12GWi-Fi: Wi-Fi 6EUSB: 2 x USB-C 2.0/3.0Bit Depth: 8/10-bit videoVideo Chroma Subsampling: 4:2:2Video OutputHDMI: 1 x HDMI (2.0) up to 4K60PLocking port: OptionalSDI: 12GWi-Fi: Wi-Fi 6EUSB: 2 x USB-C 2.0/3.0Bit Depth: 8/10-bit videoVideo Chroma Subsampling: 4:2:2MetadataHDMI: RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamutNetworkWi-Fi: Wi-Fi 6EUSB: 2 x USB-C 3.0ConnectivityBluetooth: YesLANC: YesVideo Signal ConversionHDMI to SDI: YesSDI to HDMI: YesAudio In/OutHDMI: 8-channel, 24-bitSDI: 12-channel, 24-bitAnalogue Audio Line In: 3.5mm headphone jack, 2-channel inputHeadphone Out: 3.5mm headphone jack, 2-channelTimecodeEmbedded: HDMI & SDITime of day: YesReference / Genlock input: NoLTC: NoWireless AirGlu RF Server and Client: YesWireless AirGlu BT Server: YesResolution & Frame Rates (Record, Monitor & Playback) RAW: Up to 6Kp60/8Kp304K DCI: 23.98/24/25/29.9/30/50/59.94/60p4K UHD: 23.98/24/25/29.9/30/50/59.94/60p2K DCI 2048 x 1080: Yes1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p1080: PsF Converted to P and looped out PsF1080i: 50/59.94/60i720p: 50/59.94/60pSupported MediaCF Express: Atomos certified CF Express type B mediaUSB: Atomos certified USB 3.0 mediaFile System: ExFATCodecsApple ProRes RAW: ProRes RAW, ProRes RAW HQApple ProRes: LT, 422, 422 HQAvid DNxHD: DNxHD 220x, 220, 145, 36Avid DNxHR: LB, SQ, HQ, HQXH.265: LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0PlaybackPlaylist: Yes - create customer playlists from full or sub-clipsLoop: Yes, with user-customizable in/out markersApple ProRes RAW: Yes - recorded clipsApple ProRes: Yes, with linear PCM audioAvid DNx: Yes, with linear PCM audioH.265: YesRecordingPre-roll: ProRes, DNxHD onlyTimelapse: YesSimultaneous Proxy Record: YesOn-screen Monitoring ToolsWaveform: 3 sizes – adjustable opacity & brightnessRGB parade: 3 sizes – adjustable opacity & brightnessVectorscope: 2 sizes – adjustable opacity & brightness1 x Zoom: Yes. 1:1 pixel mapping for 4K2 x Zoom: YesFocus peaking: Colour selected / threshold setting / colour / mono / edges onlyAtomos False Color: Yes, with scaleARRI False Color: YesEL ZONE: YesZebra: Yes, adjustableIsolate color channel: Blue OnlyCine Frame Guides: Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3Social Frame guides: Presets for 9:16, 1:1, 191:1, 4:5Onion Skin: YesSafe areas: Action and graphicGrid markers: 9 gridAnamorphic desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2xDisplay Flip: Vertical onlyOnboard Signal ProcessingPulldown removal: 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)4K UHD downscale for HD: Loop out - 4K UHD to FHDDCI Crop: Loop out - 17:9 to 16:9 cropRemote ControlHDMI: Auto HDMI trigger, supported protocols - Canon, Sony, AtomosSDI: SDI trigger camera selectableSerial 2.5mm Jack: Calibration via optional USB to serial cableAirGlu BT: YesAirGlu RF: YesCamera to CloudATOMOSphere Direct progressive upload supported (20GB free storage)Adobe Frame.io Direct progressive upload supported (separate purchase)Dropbox Direct progressive upload supported (separate purchase)What’s in the BoxNinja TX monitor-recorderUSB-C locking cable adaptorHDMI locking cable adaptorWi-Fi antenna5x antenna tips (black, white, yellow, green, red)AirGlu antennaantenna capsUSB-C locking cable (45cm)Quick Start Guide

ATOMOS Shogun Ultra SKU: ATOMSHGU01 Shogun Ultra is a leap forward in filmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC). Atomos Shogun Ultra has two faces: Local and Cloud. Use it conventionally, and you have an incredible HDR screen, new monitoring tools and both HDMI and 12G SDI. Turn on its wireless and network capabilities, and you have the best-of-breed Wi-Fi, Ethernet and AirGlu wireless sync technology - and you have access to new and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish directly to social media within minutes of shooting the action. Shogun Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots , while improved false color tools like Arri False Color or EL Zone system fit with today's creators needs. It opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what’s on your Atomos screen with other Atomos OS11 users, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio comunication between devices in the included feature Atomos RemoteView. These new features bring even more versatility to the Shogun Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Shogun Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable conection. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras Features 7-inch 2000nit monitor-recorder12G SDI IN and OUT and HDMI IN and OUTMore CodecsCapture in ProRes RAW up to 8K30pNew AtomOS 11New monitoring toolsLong range ATOMOS AirGlu sync technologyRemote ViewRecord AssistPlayback AssistFaster and stronger connectivity with Wi-Fi 6E1GbE Ethernet for high-speed robust hardwired network connection In the box 1 x Shogun Ultra1 x USB C PD to 2.1mm DC power lead1 x Master Caddy III2 x Wi-Fi Antennas1 x AirGlu AntennaAntenna tips1 x 3.5mm to 3.5mm audio sync cableQuick Start Guide

Blackmagic HyperDeck Extreme 4K HDR Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analog video. HyperDeck Extreme 4K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings.

Blackmagic HyperDeck Extreme 8K HDR SKU: HYPERD/RSTEX8KHDR The new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support! With the ability to record native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage! Modern Design with Traditional Controls HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use! You can even rack mount the HyperDeck and the controller! HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack! There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use. Perfect for Live Production, Digital Signage and Archive With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. Convert Legacy Programming for Streaming As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.

Blackmagic HyperDeck Extreme Control SKU: HYPERD/RSTEXCTR Blackmagic HyperDeck Extreme Control gives you traditional deck control features with a built in editor for automating the ingest of legacy videotape based programming. Combined with HyperDeck Extreme, you get a professional deck solution that’s exciting and fast to use. There are transport control buttons, timecode, deck status, plus a large search dial with electronic clutch for jog, shuttle and positioning. Controlling up to 8 separate decks is possible using standard RS‑422 ensuring compatibility with virtually any type of deck! It’s even possible to edit between different video standards, so you can up convert old 4:3 interlaced SD masters to 1080p HD in 16:9 via a Teranex Express converter. Automate Editing Between Tape and HyperDeck The built in editor allows deck to deck editing. Operating the same way as traditional decks, the controller can operate both the HyperDeck recorder and the legacy broadcast deck all from the same front panel. This allows editing of old videotape simply by selecting the player button and entering in and out points on the tape and then selecting the recorder and pressing edit. The HyperDeck Extreme Control will now cue and play the broadcast deck while recording on the HyperDeck. Often streaming services need 1080p24 masters. That’s easy as it’s possible to add an inline Teranex Express converter to de-interlace, up convert, aspect ratio convert and remove pulldown while editing. Control Up to 8 Broadcast Decks! The top of the HyperDeck Extreme Control includes a row of 8 buttons for the recorder selection and a row of 8 buttons for the player selection. There’s a built in remote control router that makes multi deck work possible. The connections are all standard RS-422 control so each device can be plugged into one of 8 rear mounted RS-422 sockets. You can even use the 8 ports to control 8 HyperDecks! The RS-422 control has been tested to ensure compatibly with legacy broadcast decks such as the BVH-2000 series 1 inch C format machines, D2, Betacam SP and Digital Betacam broadcast decks. Familiar Broadcast VTR Style Design The transport controls are a hybrid of controls from HyperDeck as well as traditional decks. You get buttons for rewind, fast forward, stop, play and record. To protect videotape masters, recording requires pressing both REC and PLAY! There's an eject button for ejecting cassettes, an input button for changing EE/PB modes plus a pre-roll button for cueing the tape.

Blackmagic HyperDeck Shuttle 4K ProSKU: HYPERD/PTSKDHyperDeck Shuttle 4K Pro from Blackmagic Design is an advanced recorder and player with a large 7'' LCD touchscreen for monitoring and scopes. The large search dial and broadcast controls are perfect for scrolling through media to find the media you want to play. 12G-SDI connections allow you to connect to professional broadcast equipment. Supports HDMI 4K, H.264, H.265, ProRes or DNx files, HD proxies, scopes, 3D LUT and network recording via fast 10G Ethernet.The advanced Blackmagic HyperDeck Shuttle 4K Pro includes the latest 12G-SDI and HDMI 4K video connections. Standard definition support includes NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced standards include 1080i50 and 1080i59.94. 1080p HD television standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle 4K Pro even handles 1080 PsF formats. 12G-SDI and HDMI 4K also handles Ultra HD in all television standards including 2160p23.98, 24, 25, 29.97, 50, 59.94 and 60p. SDI also supports both level A and level B when working in 3G-SDI rates.The powerful Blackmagic Design HyperDeck Shuttle 4K Pro has extremely fast 10G Ethernet. The network speeds are so fast that lots of editors and colorists can access the built-in HyperDeck M.2 storage over their network, all at the same time. Customers can also transfer files via an easy-to-use HTTP/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which customers can test with a simple Telnet client. A REST protocol is also supported for custom automation and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management and play out.ConnectionsSDI Video Inputs: 1SDI Loop Outputs: 1SDI Video Outputs: 2SDI Monitor Outputs: 1SDI Rates: 270Mb, 1.5G, 3G, 6G, 12GHDMI 2.0 Video Inputs: 1HDMI 2.0 Video Outputs: 1HDMI Monitor Outputs: 1Built in Speaker: MonoAudio Output: 1x 6.35 mm headphone jackScreen: 7 inch LCDReference Input: 1x BNC In, Tri-Sync or Black BurstReference Output: 1x BNC OutSDI Audio Inputs: 64 channels embedded audioSDI Audio Outputs: 64 channels embedded audioHDMI Audio Inputs: 8 channels embedded audioHDMI Audio Outputs: 8 channels embedded audioRemote Control: 1x RS-422 InRecorder Configuration: Via user interface on HDMI Out or Blackmagic HyperDeck Ethernet ProtocolEthernet: 1x 10Gb/s RJ‑45 connector supporting 1000/10G BASE‑TExternal Recording: 1x USB-C 3.1 Gen 1 (up to 5Gb/s) for external disk recordingComputer Interface: 1x USB-C for software updates.

Blackmagic HyperDeck Shuttle 4K Pro 2TBSKU: HYPERD/PTSKD/2TBHyperDeck Shuttle 4K Pro from Blackmagic Design is an advanced recorder and player with a large 7'' LCD touchscreen for monitoring and scopes. The large search dial and broadcast controls are perfect for scrolling through media to find the media you want to play. 12G-SDI connections allow you to connect to professional broadcast equipment. Supports HDMI 4K, H.264, H.265, ProRes or DNx files, HD proxies, scopes, 3D LUT and network recording via fast 10G Ethernet.ConnectionsSDI Video Inputs: 1SDI Loop Outputs: 1SDI Video Outputs: 2SDI Monitor Outputs: 1SDI Rates: 270Mb, 1.5G, 3G, 6G, 12GHDMI 2.0 Video Inputs: 1HDMI 2.0 Video Outputs: 1HDMI Monitor Outputs: 1Built in Speaker: MonoAudio Output: 1x 6.35 mm headphone jackScreen: 7 inch LCDReference Input: 1x BNC In, Tri-Sync or Black BurstReference Output: 1x BNC OutSDI Audio Inputs: 64 channels embedded audioSDI Audio Outputs: 64 channels embedded audioHDMI Audio Inputs: 8 channels embedded audioHDMI Audio Outputs: 8 channels embedded audioRemote Control: 1x RS-422 InRecorder Configuration: Via user interface on HDMI Out or Blackmagic HyperDeck Ethernet ProtocolEthernet: 1x 10Gb/s RJ‑45 connector supporting 1000/10G BASE‑TExternal Recording: 1x USB-C 3.1 Gen 1 (up to 5Gb/s) for external disk recordingComputer Interface: 1x USB-C for software updates.MediaCache Recording: 2TB M.2 PCIe NVMe card for cache recording up to 16Gb/s included. Slot supports 60mm 80mm and 110mm cardsMedia Type: UHS-I and UHS-II SD cardsMedia Format: Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systemsMedia1x SD card Slot1x USB‑C 3.1 Gen 1 expansion port for external recording of SD, HD, 2K DCI, Ultra HD and 4K DCI

Blackmagic Hyperdeck Studio 4K Pro For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies!

Blackmagic HyperDeck Studio HD Mini All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media! SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards The most compact model of HyperDeck Studio is based on the Teranex Mini form factor. This modular design means that you can use a Teranex Mini Rack Shelf to rack mount 3 HyperDeck Studio HD Minis in a single rack unit, or you can combine them with other products such as switchers, converters or streaming processors. It might be small, but you still get powerful features, such as 3G-SDI in and out, HDMI output, dual SD card media slots, built in sync and timecode generators, front panel controls and both AC and DC power inputs. You can even connect the USB to a computer as HyperDeck Studio HD Mini works like a webcam so you can use any video software!

Blackmagic HyperDeck Studio HD Plus The new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel HyperDeck Studio HD Plus includes all the features of the Mini model, but is larger so it has more space for extra controls and extra connections. This model adds 6G-SDI so it can record and playback ProRes up to Ultra HD 30fps, and it includes an SDI loop out and HDR support. Plus the two 6G-SDI outputs allow fill and key playback up to 1080p60. There is also an HDMI input and a dedicated 3G-SDI monitoring output with overlays. Any button pushed on the front panel is sent to a dedicated RS-422 remote output and the DC power is now a broadcast style XLR connector. The front panel is also upgraded with better transport control buttons, a headphone socket and built in speaker.

Blackmagic HyperDeck Studio HD Pro HyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files! The HyperDeck Studio HD Pro includes all the features of the Plus model but at a full rack width size, there's space for more features! The larger model has space for two SSD slots but still includes the two SD card slots of the smaller models. This means you can instantly move media cards between different models of HyperDeck Studio. You get the nice transport control buttons as well as a machined metal search dial with electronic clutch for limiting rotation when in shuttle mode. There are also dedicated buttons for jog, shuttle and scroll search dial modes. The rear panel has extra space so the timecode connections have been upgraded to XLR connectors.

Blackmagic Media Player 10G Blackmagic Media Player is a capture and playback solution for Thunderbolt computers that's specifically designed for playout to live production switchers or large broadcast systems. However it does much more than just video in and out because you also get 10G Ethernet and power to your computer! You get dual 12G-SDI outputs for fill and key playback, 12G-SDI capture, and 10G Ethernet for accessing network storage and laptop power over a single Thunderbolt connection! There is also an independent Thunderbolt connection on the front so you can simply walk up and plug in your laptop! It also supports full DeckLink API features so most video software will just work! Blackmagic Media Player includes everything you need for broadcast playback! Place it on the desktop or it can be rack mounted using a Blackmagic Universal Rack Shelf. The front panel has an LCD with video, audio meter status information that includes input, video standard and the depth of the record/playback frame buffer. The audio meter can also be changed between VU and PPM. There's also a headphone socket, speaker and a speaker enable button! To lock the speaker on, just double press the speaker enable button! If Blackmagic Media Player is mounted in a control room, then the front Thunderbolt connection lets you walk up and plug your computer right into the front of the rack! ConnectionsSDI Video Inputs: 1SDI Fill Outputs: 1SDI Key Outputs: 1SDI Loop Outputs: 1SDI Extended Desktop Outputs: 1SDI Monitor Outputs: 1SDI Rates: 270Mb, 1.5G, 3G, 6G, 12G.HDMI Extended Desktop Outputs: 1HDMI Monitor Outputs: 1Analog Audio Outputs: 2 channels of professional balanced analog audio with 3-pin XLR connectors / 1 x 6.35 mm headphone jackSDI Audio Inputs: 16 Channels embedded in SD/HD/2K/UHD/4KSDI Audio Outputs: 16 Channels embedded in SD/HD/2K/UHD/4KHDMI Audio Inputs: 8 Channels embedded in SD/HD/UHD/4KHDMI Audio Outputs: 8 Channels embedded in SD/HD/UHD/4KDevice Control: 1 x Sony compatible RS-422 deck control input portUSB: 1 x USB‑C 3.1 Gen 1 (up to 5 Gb/s)Computer Interface: 2 x Thunderbolt 3 (Mac OS, Windows and Linux) / 1 x USB‑C for keyboard, mouse and other USB devicesEthernet: 1 x 10Gb/s RJ‑45 connector supporting 1000/10G BASE‑T

Blackmagic URSA Mini Recorder SKU: CINEURSASHMSSD2 Blackmagic URSA Mini Recorder lets you record Blackmagic RAW files onto 2.5 inch NVMe based 7mm U.2 SSD’s or standard 2.5 inch SSD Media with your URSA Mini Pro 12K! That means you can use commonly available and inexpensive high capacity solid state media! The NVMe based SSD media can record full resolution 12K, 8K and 4K 12‑bit RAW files plus it comes in much larger sizes so you can record longer without having to change disks

Blackmagic Video Assist 5" 12G SKU: HYPERD/AVIDA12/5HDR The new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5" and 7" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement! Blackmagic Video Assist 5" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10-bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!

Blackmagic Video Assist 7 12G SKU: HYPERD/AVIDA12/7HDR Blackmagic Video Assist 7" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10-bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of -128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files! Perfect for Digital Cinema, Live Recording and Monitoring! With its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast! Modern Design with 12G‑SDI and Bright HDR Screens! There are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7" 12G model also includes 2 media slots, while both the 5" and 7" models include 12G‑SDI for high frame rate Ultra HD, analog inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use.

Blackmagic Video Assist 7" 3G SKU: HYPERD/AVIDA03/7 Blackmagic Video Assist 7” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 7” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 7” 3G really is 4 products in one!

DataVideo HDR-80 Datavideo HDR-80 is a ProRes 4K recorders that record video on two SSD hard drives. It is a desk top model meant to be used on a table top. The recorder has a high resolution 5” LCD touch screen on the front for video monitoring, device settings and configuration. HDR-80 is able to record video in resolutions up to 2160p 60 using the available SDI and HDMI interfaces at the back. SDI is available in bitrates all the way from HD up to 12G-SDI while HDMI connections support both HDMI 2.0 and 1.4 technology. With multiple HDMI and SDI inputs you can also record up to four 1080p sources at the same time. Dual SSD drives ensure sufficient storage for long duration recording. As one disk fills up, the recording automatically continue on the next disk. It’s easy to expand video storage by swapping a single disk. Features 4K ProRes video recorder | 4 channel HD recorder and switcher5-inch LCD touch screen for operation and monitoring live recording status3G/HD/SD-SDI and HDMI input and output with audio embeddingMultiple ProRes video compression techniques for recording (ProRes 422 Proxy, ProRes 422 LT, ProRes 422, ProRes 422 HQ) with superior 10-bit 4:2:2 image qualityDual 2.5" SSD storage so there is always more than enough for long hour recordingVideo input: 4 x 3G-SDI, 2 x HDMI | 1 x 12G-SDIVideo output: 4 x 3G-SDI, 3 x HDMIMultiview output: HDMIAudio input: 2 x XLR Analogue Audio output: 2 x XLR AnalogueControl interface includes DVIP (Ethernet), GPI and RS-232, which are adaptable in all environmentsProvides time code as well as black burst and tri-level sync signalsClose caption function allowing the subtitle to be saved separately as meta data in .mov file format In the box 1 x HDR-80 Main Unit1 x Adaptor + AC Cord2 x 2.5” Removable HDD/SSD Enclosure8 x Screws for 2.5 Removable HDD/SSD Enclosure2 x Blank Label1 x SATA to USB Cable

DataVideo HDR-90 Datavideo HDR-90 is a ProRes 4K recorders that record video on two SSD hard drives. It is a rack mounted version for OB Vans or other integrated systems. The recorder has a high resolution 5” LCD touch screen on the front for video monitoring, device settings and configuration. HDR-90 is able to record video in resolutions up to 2160p60 using the available SDI and HDMI interfaces at the back. SDI is available in bitrates all the way from HD up to 12G-SDI while HDMI connections support both HDMI 2.0 and 1.4 technology ;With multiple HDMI and SDI inputs you can also record up to four 1080p sources at the same time. Dual SSD drives ensure sufficient storage for long duration recording. As one disk fills up, the recording automatically continue on the next disk. It’s easy to expand video storage by swapping a single disk. Features ProRes 4K Video Recorder-1U Rackmountable5" LCD Touch screen for operating and monitoringRecordings compressed in 10-Bit 4:2:2 ProRes12G SDI input, output with embedded audio4K HDMI input, output with embedded audioRecords on two 2.5" SSDsUHD 4K Recording over HDMI or SDIHD quad channel recording and HD playback1 x 12G or 4 x 3G ISO Recording3 x 3G-SDI Inputs, 1 x 12G-SDI Input, 1 x 12G-SDI Output1 x 4K HDMI Input, 1 x 4K HDMI Output2 x XLR Analogue Audio Inputs and 2 x XLR Analogue Audio OutputsTime code supportSupports DVIP (Ethernet) and RS-232 controlSupports GPI (Pulse trigger: Record Start/Stop)Black burst and Tri-Level Sync ReferenceClosed Caption supportRecommended SSD Drive: Samsung 860 Pro In the box 1 x HDR-90 Main Unit1 x Adaptor + AC Cord2 x 2.5” Removable HDD/SSD Enclosure8 x Screws for 2.5 Removable HDD/SSD Enclosure2 x Blank Label1 x SATA to USB Cable2 x Ear mount kit6 x M4 x 8mm screws