Canon EOS C100 Mark II

camRade run&gunBag Large CAM-R&GB-LARGE camRade run&gun Bag Large bag, made of 1000 denier black Cordura fabric, has double (blue) YKK zippers that open the top flap in one easy pull. Stow away your camera, accessories, tape, batteries, chargers, cables and tools in this easy to use, run&gunBag from camRade. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. Carry the bag with the included comfortable padded shoulder strap, the soft handle, or transport it safely on a trolley. (The zippered opening on the back of the bag allows you to attach it securely to a trolley). On the front of the bag you’ll find a large pocket for your cables and accessories. Inside, two mesh pockets (made of waterproof material) make it easy to store smaller items and documents. A cinch strap in the main compartment keeps your camera secured during transportation. The bottom of the bag is equipped with a protective armored plate, covered by a waterproof non-slip cover. Together with the reinforced inserts this provides a rigid lightweight frame which safeguards your camera equipment in any situation. The run&gun Bag Large is especially designed for professional cameras up to 60 cm and 23.6 inches (in length) and offers the possibility to safely transport your camera, completely assembled, ready for action! Interior (L x W x H) 60 cm x 24 cm x 30 cmWeight 3.7 kg

CamDolly Standard Kit Set includes 1) 1 Baseplate (1)2) Extension Legs (4)3) Inflatable Pneumatic Wheels (4)4) Table Top Wheels (4)5) Track Wheels (2-fixed, 2-with extending arm)6) Tripod Holders (3)7) Doorway Dolly Push/Pull/Turn Adapters (2)8) Height Difference Adapters (2)9) Seat Assembly (1)10) T-bar Assembly (1)11) Track Ends/Custom-made tracking board support (2 for tracks, 2 for support)12) Flexible Solid Rubber Truck (1x15 meters/ 1x50 ft.)13) All the necessary screws14) Degrees vs. Diameter Chart (Imperial and Metric) (2)15) 75mm and 10mm Bowl Mount Adapters (1)16) Flat/Mitchell Mount Adapter (attached to the Baseplate, can be exchange with bowl adapters) (1)Hallmarks of Excellence Camera Dolly As soon as you start working with the CamDolly, one thing becomes immediately and inarguably clear: This is a well-conceived, well-made piece of precision professional equipment. The care and consideration given to every detail of the CamDolly’s design and construction has resulted in a dolly which delivers features lacking in other systems costing many times its price. 200kg weight-bearing capacity Even though the CamDolly is very light and portable it’s weight capacity is enormous. It can easily carry a camera man, the heaviest of the tripods, the heaviest tripod camera heads and the heaviest of the camera configurations. Fits in car trunk It’s true: Good things do come in small packages. Despite its compact, modular design, the CamDolly delivers all the functionality of systems many times its size, weight, and cost. Unassembled, the entire CamDolly system—including all wheels and accessories—fits easily into the trunk of a typical small car. Nonetheless, it can be transformed into a fully rideable dolly in just a few minutes. Built-in handle The CamDolly core component includes a convenient, ergonomically-friendly carrying handle, enabling the CamDolly to readily picked up and moved in most of its configurations. Complete system weighs only 35 kg Despite its solid construction and durability, the complete system weighs only 77 pounds (35 kilograms), enhancing its navigability and ease of movement. Its light weight also saves transportation effort and expense when shipping the unit or transporting it to remote locations 3 wheels sets – tabletop, track, inflatable Flexibility is what the CamDolly is all about. In just about any setting and on just about any navigable surface, the CamDolly is able to adapt easily and perform flawlessly. Its 3 sets of wheels — tracking, in-line skate, and inflatable pneumatic — enable the CamDolly to deliver the same exceptional performance on a tabletop, track, floor, or pavement, as well as many surfaces beyond the capabilities of other dollies. The in-line skate wheels deliver fantastic results on smooth surfaces such as tabletops or finished floors, while the inflatable pneumatic wheels are great for somewhat rougher surfaces. Includes industry standard track ends Its height-adjustable track ends allow for use of either industry standard tube track or common metal pipe available at any home improvement store, saving you money on expensive track rentals Includes 100 ft. solid rubber flexible track The CamDolly’s vibration-dampening flexible rubber track permits operation on irregular surfaces, as well as permitting a range of complex tracking shots impossible to achieve with traditional straight or curved track systems. Fast, easy assembly Operational efficiency is a key consideration in selecting any piece of production equipment: Time spent assembling, adjusting, and dissembling gear is time—and money—taken away from your production. The CamDolly’s minimalist, efficient design makes setup quick and effortless. Any configuration can be assembled in under 10 minutes. No tools required Carefully fitted components and a logical, intuitive assembly process mean that your CamDolly can assume any of a multitude of possible configurations within mere minutes, and all can be accomplished by a single person without using tools of any kind. At the end of the shooting day, teardown is just as fast Create any configuration in minutes Of course, the producent provides comprehensive instruction on the assembly of your CamDolly system, and after setting it up once or twice you’ll find it to be an incredibly simple process—a feature you’re especially sure to appreciate if you are depending on others to set up or tear down your gear. Assistants can be trained to handle CamDolly setup procedures just as easily. Any configuration can be assembled and disassebled in under 10 minutes. Guaranteed!

Cooke miniS4/i 18mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 82°Length from Front of Lens to Lens Mount 120 mmMax Front Diameter 110 mmTotal Weight 1.30 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

camRade run&gunBackpack Medium SKU: CAM-R&GBACKP-MEDIUMrun&gunBackpack Medium has YKK® zippers with a zipper lock hole, that open the front flap. It has various pockets and slits to store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. On both sides of the bag you’ll find pockets for all your necessary gear. In the back of the bag a special compartment is added for laptop or tablet storage. When you use this compact and comfortably balanced camRade run&gunBackpack Medium, your freedom of movement stays intact while having all your gear right there at the tip of your fingers. run&gunBackpack features Suited for professional cameras up to 44 cm and 17.3 inchesMade of 1000 denier Cordura® fabricReinforced inlays and padded interior for maximum protectionStrong, high quality YKK® zippersVarious pockets inside and outside for additional accessoriesSeparate pocket to store laptop or tabletPadded straps for optimum carrying comfortBack flap to cover straps during transportationLock holes in front pouch zippers10 Adjustable and padded dividers to customize interior layout5 Year warranty

Cooke mini S4/i 32mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 300 mmClose Focus from Lens Front 139 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 50°Length from Front of Lens to Lens Mount 110 mmMax Front Diameter 87 mmTotal Weight 1.60 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Wooden Camera Unified Bridgeplate (19mm) SKU: 223100 Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Wooden Camera Unified Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings. Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5Canon C100mkII, C300mkII, Canon C100, Canon C300, Canon C500Blackmagic URSA MiniPanasonic VariCam 35, VariCam LT and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet. Unified Bridgeplate (19mm) Includes 2 x 3/8-16 screws2 x 1/4-20 screws

Zacuto VCT Pro Baseplate SKU: Z-VCT-P The VCT Pro baseplate is compatible with all cameras including Canon EOS C-series, Sony FS5 and Sony FS7, AJA CION, BlackMagic, RED cameras, Arri Alexa and Amira, DSLRs, Mirrorless and more. The VCT Pro has a built-in, curved shoulder pad and an Arri M6 rosette for accessories and grips. Zacuto VCT Pro Baseplate comes with quick-release, extendable 6.5” rods at the front, and lightweight spaced quick-release rod ports at the back. The v-wedge tripod connector is compatible with VCT14 tripod adapter plates or use the 1/4 20 and 3/8 16 screw holes for direct connect to your tripod quick release plate. The red sliding top plate offers easy adjust-ability for lens changes, removing your camera, and balancing your rig correctly on your shoulder. This sliding plate combined with a double screw track offers 10” of camera balance sliding range. The lightweight, adjustable rod mount is set far back in the plate, offering plenty of accessory-capable area under the camera lens. This allows you to position your camera further back on the plate, keeping the balance point of your rig directly over your shoulder. The sliding track of the rod riser offers 25mm of vertical adjustment. The shoulder pad portion of the VCT Universal is set as far forward on the plate as possible, also to maximize your accessory capable rod area and aid with balance. The VCT Universal Baseplate is the core of our Next Generation Recoil rigs, designed for balance and comfort for every camera. Keeping the camera low prevents already tall cameras from being too top heavy. With our VCT, the distance from the bottom of your camera to your shoulder is just 3/4 inch. VCT Pro Baseplate SPECIFICATIONS 14.25” x 4.25” x 2” (LxWxH) with 6.5” rods Two quick releasable 6.5” rods included Weighs 960 grams One Arri M6 rosette on right side of VCT Pro Two quick-release rod ports in the back Wide gel-polymer shoulder pad One ¼ 20 & ⅜ 16 removable screws included Lightweight adjustable rod mount Over 10” of camera balance sliding range Up to 25mm of vertical adjustment Unique sliding top plate to quickly adjust for lens changes or to release the camera from your rig Unique design creates more accessory rod capable area V-wedge style tripod connector or directly mount your tripod plate via ¼ 20 & ⅜ 16 screw holes ¼ 20 screw holes along the side for accessory mounting options

Chrosziel Bridge Plate DigiCine (19mm) Bridge Plate with Ø19mm rods, L= 440mm, for Sony F23, F35, F55, F65, Phantom Flex and with LWS as adaptor for Red Epic / Scarlet, Canon EOS C Series and other

Canon CN-E135mm Compact 135mm T2.2 Exceptional optical performance for 4K production Part of Canon’s range of Canon EF Cinema prime lenses, the CN-E135mm T2.2 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field. Compact and lightweight with a user-friendly design this 135mm prime lens is ideal for a wide range of applications and can be used with most standard accessories and matte boxes. The Canon CN-E135mm T2.2 L F supports shooting in low light conditions and provides fine control over depth of field. Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture provides beautiful bokeh. Innovative construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry standard manual control rings are engineered to provide smooth consistent operation. Unified front lens diameter and gear positions throughout Canon's range of EF Cinema prime lenses enable film crews to quickly change lenses without adjusting rig setups. The Canon CN-E135mm T2.2 L F lens is designed for use with EF mount cameras with either full frame 35 mm or Super 35mm-type sensors – perfect for Cinema EOS cameras as well as Canon's range of EOS DSLRs. Contacts on the EF mount facilitate communication between camera and lens for recording of metadata, and other functions.

Wooden Camera Canon C100/C300/C500 Handgrip Relocator ARRI Rosette SKU: 213500 Hand grip relocator ARRI ROSETTE for Canon C100, C100mkII, Canon C300, C300mkII, Canon C500 that allows for the Canon control handle to be attached to an ARRI standard rosette. Works great with Rosette Bracket to attach to 15mm LW rods. Also great with Shoulder Rig v2 for comfortable handheld shooting. Connector interface allows all controls to be passed back to camera body.

Genus Exceptional Base Plate Gen X Plate GEN-X-PLATE/1 The Genus Exceptional Base Plate is a revolutionary new camera plate system catering to both large and small camera bodies. Genus has designed this plate for the camera professional who needs their equipment to have the flexibility and versatility to adapt and evolve to new camera and production challenges. Gen X Plate intakes the core Genus design principles of flexibly and ease of use to the next levels. Based on an industry standard Arca Swiss Plate and the Genus Quick Release System (QR LOCK) allowing user to easily and quickly swamp between camera set ups. The QR System incorporates a safety lock for added security and confidence while shooting. The Swiss Arca Plate comes camera locating pin, as well as one ¼” Screw and one 3/8” Screw camera screws. The travel distance of the Swiss Arca Plate is 200mm. The Arca Swiss Plate can be purchased separately. The Gen X Plate’s is designed is to easily adapt to different camera system and accessories. The 21mm removable riser posts allow for you to set the plate at the height which is right for your camera system. Whether you require a higher setups for cameras likes DSLRs, or the lower position for larger camera systems such as RED, F3 and Canon C Series cameras. The Gen X plate has your support needs covered. The Gen X Plate is designed to support 15mm LWS rods. These 215mm long rods are provided as standard. They can be attached to brackets the front and rear of the plate. The height of each bracket can be set independently and is adjusted with a ¼” Screw. This allows for the easy configuration and adjustment of support rods for use with other accessories such as matte boxes, follow focus, cheese plates or monitors. The front bracket allows for  range of approximately 55mm adjustment in height, while the rear bracket allows for approximately 15mm adjustment in height. The Gen X Plate comes in to two packages to suite specific camera professionals requirements. One contains one 15mm Rod Bracket Adaptor, while the other is available with the full set of two rod bracket adaptor Gen X Plate Package 1 Includes 1 x Genus Exceptional Base Plate2 x 15mm LWS Rods (215mm Length)1 x Arca Swiss Plate (with 1 x ¼” & 1 x 3/8” Camera Screws)4 x Height Adjustment Posts1 x Rod Bracket Adaptor4 x ¼” Attachment Screws The Rod Bracket Adaptor can also be purchased separately. In addition the Gen X Plates has been designed with the flexibility in mind and deal with issues facing many camera professionals today. Its configuration can be adapted to allow for horizontal offset of camera if required.

Core SWX XP-DV-C300/20 20" Powertap Cable for C100 / C300 / C500 The new XP model DV/HDV cables are the most versatile cables on the market. The XP model cables can be used with a Switronix accessory or used solo with a PRO-X series lithium-ion battery product. The cables features a regulated DC connector for the Canon C300, with an increased amperage allottment. Also includes both red and green LED indication to display status of battery power, and an unregulated powertap for accessories. Input: DC 11-17vOutput for camera: DC7.9v, 4AOutput for P-tap: DC 11-17v, unregulatedGreen LED indication: power inputRed LED indication: camera power outputLength: 20" (ok. 51 cm)

camRade run&gunBag Medium CAM-R&GB-MEDIUMcamRade run&gun Bag Medium bag, made of 1000 denier black Cordura fabric, has double (blue) YKK zippers that open the top flap in one easy pull. Stow away your camera, accessories, tape, batteries, chargers, cables and tools in this easy to use, run&gunBag from camRade. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. Carry the bag with the included comfortable padded shoulder strap, the soft handles, or transport it safely on a trolley. (The zippered opening on the back of the bag allows you to attach it securely to a trolley). On the front of the bag you’ll find a large pocket for your cables and accessories. Inside, two mesh pockets (made of waterproof material) make it easy to store smaller items and documents. A cinch strap in the main compartment keeps your camera secured during transportation. The bottom of the Camrade bag is equipped with a protective armored plate, covered by a waterproof non-slip cover. Together with the reinforced inserts this provides a rigid lightweight frame which safeguards your camera equipment in any situation. The run&gunBag Medium is especially designed for professional cameras up to 50 cm and 19,7 inches (in length) and offers the possibility to safely transport your camera, completely assembled, ready for action! Interior (L x W x H) 50 cm x 21 cm x 30cmWeight 2.9 kg

Vocas USBP-15 MKII 0350-2200 This new base plate Vocas 0350-2200 features everything you need to convert your camera into a shoulder camera, and is compatible with a lot of camera such as the Sony PXW-FS5Arri Alexa MiniCanon EOS C100 / C300 / C500Panasonic Varicam HS/S35 USBP-15 MKII Specifications Height adjustable front 15mm railsFixed rear 15mm railsHorizontally adjustable soft rubber shoulder padIntegrated rosette attachmentsAdjustable dove tail camera plate for optimal ballanceToolless VCT-14 rear adjustement Included in the box 1 x USBP-15 MKII1 x Camera adapter plate (0350-2250)1 x Shoulder pad standard (0350-2310)2 x Aluminum 15mm Bar, Length: 210mm (0350-9210)

Cooke miniS4/i Cine Lens Set The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Cooke miniS4/i features Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Main Features of Cooke's Lenses The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationAccessible via contacts in PL mount that sync with /i compatible camerasAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatEvery index mark is labelled. More detailed markings allow for more detailed focus controlCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementArriflex PL MountLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8A scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22The lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Cooke mini S4/i 25mm T2.8 The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Cooke Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution. Current Mini S4/i focal lengths are 18, 25, 32, 40, 50, 65, 75, 100 and 135mm. Featues Maximum Format Cover: 33.54mm Diameter (New Epic S35mm Format)Focus Scales: Two opposing focus scales - metric or footage. Scales marked from infinity to MODFocus Drive Gear: 121 teeth 0.8 metric module x 5.0 wide x 104 from the image planeIris Scales: Two opposing linear T scales - whole and third stops markedIris Drive Gear: 119 teeth 0.8 metric module x 2.5 wide x 84 from image plane Technical data T-Stop Range T2.8-T22Angular Rotation of Iris Scale 77°Min. Marked Object Distance 250 mmClose Focus from Lens Front 80 mmAngular Rotation to MOD Endstop 300°Max. Diagonal Angle of View for Super 35 Format 62°Length from Front of Lens to Lens Mount 106 mmMax Front Diameter 87 mmTotal Weight 1.40 kg Main Features of Cooke's Lenses Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberrationElectronicsAccessible via contacts in PL mount that sync with /i compatible camerasColour BalanceAll miniS4/i prime lenses are colour balanced to a specification within parameters approved by KodakApertureAll miniS4/i primes have a true T2.8 aperture and cover Super 35mm formatIndex MarksEvery index mark is labelled. More detailed markings allow for more detailed focus controlFocus MovementCooke's Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movementCamera MountsArriflex PL MountFocus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lensCompatibilityAll Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditionsIrisAn eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22Weight/Size RatioThe lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact camerasReliability and ServiceminiS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime

Wooden Camera Unified Bridgeplate (15mm Studio) SKU: 223200 Unified Bridgeplate (15mm Studio) is an ARRI standard bridge plate with 15mm studio offset spacing (rods spaced 100mm center to center). New design allows the Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings. Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5Canon C100mkII, C300mkII, Canon C100, Canon C300, Canon C500Blackmagic URSA MiniPanasonic VariCam 35, VariCam LT and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet. Unified Bridgeplate (15mm Studio) Includes 2 x 3/8-16 screws2 x 1/4-20 screws

Core SWX PB70-CA24 The new PB70-VBG is a 70wh 14.8v lithium-ion battery pack for Canon BP style camcorder. The 24" cable provides more flexibility with mounting the Powerbase battery pack. The PB70-VBG mounts under the camera or may attach to a HDV support via its 1/4-20 release plate or V-mount.Wired as a 14.8v battery pack, it can provide extended power to up to two additional 12vdc devices, as well as other devices requiring lower voltage through an additional XP power regulation cable. The pack is also furnished with a 1/4-20 on either side to mount accessories. Capacity: 70Wh, 4.8AhDesign Voltage: 14.8vSize: 15.88 cm x 4.57 cm x 8.38 cmWeight: 0.64 kg PB70C is the suggested charger for this Powerbase

Wooden Camera Unified Baseplate (Sony FS7, Canon C100mkII, C300mkII, C100, C300, C500) SKU: 222100 Wooden Camera Unified Baseplate (Sony FS7, Canon C100mkII, C300mkII, C100, C300, C500) is a quick release baseplate that provides lightweight 15mm rod support at the correct lens height. 15mm rods pass through front to back and have two locking thumbscrews per side. The baseplate quick releases in two ways, giving the user the option to take the 15mm lightweight rods or to leave them behind. Camera Compatibility Sony FS7Canon C100Canon C300Canon C500Canon C100mkIICanon C300mkII Unified Baseplate Features Upper dovetail based on ARCA Swiss dovetail shapeVertical 15mm rod hole for optional support posts, ideal for lens adapters like Metabones, etc.Pass through 15mm lightweight rod openings with two locking thumbscrews per rodLower dovetail based on ARRI standard dovetail shape1/4-20 and 3/8-16 holes for attaching to tripod plates and Bridgeplates Wooden Camera Unified Baseplate Includes 2 x 1/4-20 low profile screw2 x 3/8-16 low profile screw Specifications Weight 362.8 gDimensions 50.8 mm x 152.4 mm x 152.4 mm

Leica Summicron-C T.20 Smaller, lighter Leica Summicron-C cine lenses with a classic look and modern design Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life. The Leica Summicron-C prime lenses put the most modern design and manufacturing techniques into the service of creating a timeless set of lenses which manage to capture the creamy texture of the world without sacrificing sharpness and contrast. Aperture The T2.0 Leica Summicron-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Focusing The classic linear focus scale of the Summicron-C lenses is familiar to camera assistants around the world. Focus rolls in gently allowing for smooth pulls without the unpleasant sudden snap of sharpness. Size Advances in cine lens design allow the Summicron-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D. Image Circle Digital camera sensors are getting physically larger and the Leica Summicron-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover the newest sensors from RED, Sony, and ARRI